"The Red Cross Girls with the Russian Army" by Margaret Vandercook is an engaging novel that continues the adventures of the Red Cross Girls, a group of young women dedicated to humanitarian service during World War I. In this installment, the Red Cross Girls find themselves embarking on a new and challenging mission as they travel to Russia to assist the Russian Army during a critical period of the war. The story unfolds against the backdrop of the tumultuous Russian Revolution and the Russian Civil War. The Red Cross Girls, with their unwavering commitment to aiding those in need, face a host of trials and dangers as they navigate the rapidly changing political landscape of Russia. As they work alongside the Russian Army, the Red Cross Girls witness the impact of the war on the Russian people, experience the chaos of the revolution, and become entangled in the conflicts of the time. Their determination to provide medical care, comfort, and support to soldiers and civilians alike is a testament to their resilience and dedication. Throughout the novel, themes of friendship, courage, and the power of volunteerism are prevalent. The Red Cross Girls form deep bonds with each other and the people they serve, and their selfless actions reflect the spirit of humanitarianism that defines the Red Cross. Margaret Vandercook's storytelling not only offers readers a compelling narrative but also provides historical insights into the turbulent events of early 20th-century Russia. "The Red Cross Girls with the Russian Army" is a testament to the importance of compassion and service, even in the midst of war and revolution, and it pays tribute to the real-life heroes of the American Red Cross who served during this challenging period in history.

The Red Cross Girls with the Russian Army' is part of a series of youth fiction books by American author Margaret Vandercook. It is set during the First World War and follows the experiences of the brave girls in the Red Cross as they tend to the sick and wounded. First published in 1916, this is not only an entertaining read, but also gives an insight into how the Great War was depicted in contemporary literature. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.

During World War I, as young men journeyed overseas to battle, American women maintained the home front by knitting, fundraising, and conserving supplies. These became daily chores for young girls, but many longed to be part of a larger, more glorious war effort--and some were. A new genre of young adult books entered the market, written specifically with the young girls of the war period in mind and demonstrating the wartime activities of women and girls all over the world. Through fiction, girls could catch spies, cross battlefields, man machine guns, and blow up bridges. These adventurous heroines were contemporary feminist role models, creating avenues of leadership for women and inspiring individualism and self-discovery. The work presented here analyzes the powerful messages in such literature, how it created awareness and grappled with the engagement of real girls in the United States and Allied war effort, and how it reflects their contemporaries' awareness of girls' importance.

IN the last volume of the Red Cross series the four American girls spent six months in tragic little Belgium. There, in an American hospital in Brussels, devoted to the care, not of wounded soldiers, but of ill Belgians, three of the girls lived and worked. But Eugenia went alone to dwell in a house in the woods because the cry of the children in Belgium made the strongest appeal to her. The house was a lonely one, supposed to be haunted, yet in spite of this Eugenia moved in. There the money of the girl whom her friend had once believed "poor as a church mouse" fed and cared for her quickly acquired family. In Eugenia's haunted house were other sojourners furnishing the mystery of this story and endangering her liberty, almost her life. They were a Belgian officer and his family whom the Red Cross girl kept in hiding. Somehow the officer had managed to return to his own country from the fighting line in Belgium. After securing the papers he desired from the enemy, by Eugenia's aid, he was enabled to return once more to King Albert and the Allied armies. Thus Eugenia was left alone to bear the brunt of the German displeasure after the discovery of her misdeeds. She was imprisoned in Brussels, and became dangerously ill. Finally, because she was an American, Eugenia was made to leave the country, rather than to suffer the punishment which would have been hers had she belonged to another nationality.

"The Ranch Girls and the silver arrow" by Margaret Vandercook. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

“It isn’t so impracticable as you think, Mr. William Webster,” said Polly O’Neill Burton from the depth of a big camp chair. It was a warm April afternoon and tea was being served out under the elms not far from the Webster house. Mollie Webster sat before a big wicker table covered with the Webster tea service and china over a hundred years old. Dan Webster, who was a big, dark-haired fellow with blue eyes and his mother’s sweet nature, was carrying about teacups. He was followed by Ralph Marshall, who was spending a spring vacation from college at the Webster farm, and was now making himself useful by serving the hot muffins and cakes. Billy Webster sat apart from the others reading, while Bettina and Polly were on either side of Mrs. Burton’s camp chair; and Mr. Webster stood upright, smiling down on its occupant. “When was there anything that Polly O’Neill wanted from her girlhood up that wasn’t practical according to her view?” he demanded. The Polly in the camp chair reached up and took hold of his hand. “Do sit down, William, I suppose I must call you by that bugbear of a name, since we have another Billy and are getting so hopelessly old. We shall have to find another name for Polly as well, now that we are going to be together for a long time.” And having persuaded her brother-in-law to sit down beside her, the older Polly pulled one of the younger’s curls, “Why not Peggy, ‘Peg o’ My Heart,’ after the charming play? But see here, William, I have persuaded my husband to come around to my way of thinking, and he is not an easy person to manage. “Although she won’t confess it, Mollie is half persuaded; and when I can lead you to the light, then I must see Betty and Anthony. But, seriously, why not? It will be a wonderful experience for the girls and one we shall never forget in this life and perhaps in another. I have to spend a year outdoors. For that length of time I am not to be allowed to act for a single night. Richard must, of course, go on with his engagements. Now I never am able to see my family or my friends when I am working and I regret it a great deal more than any of you realize. “Instead of being sent off somewhere with my maid to a horrid hotel, where I shall probably die of the blues and the lonesomes, as I did once years ago before Bobbin and Richard rescued me, why won’t all of you or some of you come and camp in the desert with me?” Polly’s cheeks were glowing with two bright spots of color and her eyes darkening as they always did in moments of excitement or pleading. She had forgotten the sofa pillows back of her, upon which she was supposed to recline, like an invalid, and had raised herself upright in her chair with one foot twisted up under her.

Margaret Vandercook's 'The Camp Fire Girls at the End of the Trail' is a classic adventure novel that follows the thrilling journey of a group of young Camp Fire Girls as they navigate the trails of the wilderness. The book is written in a vivid and descriptive style that vividly paints the beauty and challenges of the natural world, making it a captivating read for both young readers and adults alike. Set against the backdrop of the early 20th century, the book captures the spirit of outdoor exploration and the importance of teamwork and friendship. Vandercook's attention to detail and character development makes this a timeless tale that continues to resonate with readers today. Margaret Vandercook, a prolific writer of children's literature, drew inspiration from her own experiences in nature and her passion for promoting outdoor activities for youth. Her commitment to creating empowering stories for young girls is evident in 'The Camp Fire Girls at the End of the Trail', as she encourages independence and resilience through the characters' journey. Vandercook's dedication to promoting the ideals of the Camp Fire Girls organization shines through in her storytelling. I highly recommend 'The Camp Fire Girls at the End of the Trail' to readers looking for a gripping adventure novel that celebrates the beauty of nature, friendship, and the spirit of young girls coming of age. Vandercook's mastery of storytelling and inspiring themes make this book a must-read for those seeking an escape into the wonders of the wilderness and the bonds of camaraderie.

Drawing on educational materials, textbooks, adventure tales, plays, and Sunday-school papers, Boys and Girls in No Man's Land explores the role of children in the nation's war effort.