George Eliot (born Mary Ann Evans, 1819-1880) was one of the most important writers of the European nineteenth century, as well as a pioneering translator of challenging and controversial Continental thinkers, and an influential editor and essayist. Although such novels of provincial life as Adam Bede, The Mill on the Floss and Middlemarch have seen her characterised as a thoroughly English writer, her reception and immersion in the literary, intellectual and political life of Europe was remarkable. Written by a team of leading international scholars, The Reception of George Eliot in Europe is the first comprehensive and systematic survey of Eliot's place in European culture. Exploring Eliot's deep knowledge of German literature and thought, her galvanizing influence on women novelists and translators in countries as diverse as Sweden and Spain, her travels in Holland, Germany, Switzerland, Austria, the Czech Lands, Italy, and Spain and her friendship with leading figures such as Mazzini, Turgenev, and Liszt, this study reveals her full stature as a cosmopolitan writer and thinker. A film of her Italian Renaissance novel Romola was one of the first to circulate in Europe. Including an historical timeline and a comprehensive bibliography of primary and secondary sources and translations, The Reception of George Eliot in Europe is an essential reference resource for anyone working in the field of Victorian Literature or the European nineteenth century.

This second edition of The Cambridge Companion to George Eliot includes several new chapters, providing an essential introduction to all aspects of Eliot's life and writing. Accessible essays by some of the most distinguished scholars of Victorian literature provide lucid and original insights into the work of one of the most important writers of the nineteenth century, author most famously of Middlemarch, Adam Bede, The Mill on the Floss, and Daniel Deronda. From an introduction that traces her originality as a realist novelist, the book moves on to extensive considerations of each of Eliot's novels, her life and her publishing history. Chapters address the problems of money, philosophy, religion, politics, gender and science, as they are developed in her novels. With its supplementary materials, including a chronology and an extensive section of suggested readings, this Companion is an invaluable tool for scholars and students alike.

Reading George Eliot as a European novelist among other European novelists, John Rignall explores her use of European travel, scenes and locations in her fiction and also places her novels in conversation with the work of other major European writers. Throughout the book, Rignall shows Eliot's engagement with the cultures of France and Germany, suggestively making the case that Eliot's novels belong to the tradition of the European novel that descends from Cervantes. Rignall develops the fundamental theme of Eliot's position as a European novelist in chapters that explore the significance of Eliot's first visit to Germany with G. H. Lewes, Eliot's ideas on the cultural differences between French and German writing, the incidental part travel plays in novels such as Daniel Deronda and Middlemarch, the role of European landscapes in her fiction, the dialogical relationship between Eliot and Balzac, comparisons between Middlemarch and Flaubert's Madame Bovary, and connections between the novels of Eliot, Gottfried Keller and Theodor Fontane. Daniel Deronda is examined both within the wider context of European Jewish life and as part of a tradition of French novels that harkens back to Balzac and anticipates Proust. Rignall's final chapter takes up Nietzsche's notorious criticism of Eliot in Twilight of the Idols, showing that Eliot, with her sceptical intelligence, insight into the essentially metaphorical nature of language, and grasp of modernity, has something in common with this philosophical iconoclast.

Pt. 1. Northern Europe -- pt. 2. Southern Europe -- pt. 3. Eastern Europe

This collection offers students and scholars of Eliot’s work a timely critical reappraisal of her corpus, including her poetry and non-fiction, reflecting the latest developments in literary criticism. It features innovative analysis ­exploring the relation between Eliot’s Victorian intellectual sensibilities and those of our own era. A comprehensive collection of essays written by leading Eliot scholars Offers a contemporary reappraisals of Eliot’s work reflecting a broad range of current academic interests, including religion, science, ethics, politics, and aesthetics Reflects the very latest developments in literary scholarship Traces the revealing links between Eliot’s Victorian intellectual ­concerns and those of today

A survey of 25 major European novelists from Cervantes to Kundera, highlighting their contributions to the genre.

An extraordinary masterpiece written from personal experience, Middlemarch is a deep psychological observation of human nature that revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel: she stresses the fact that women should control their own lives.

'Scholarly, ambitious and scrupulous'. This is how the TLS recently described the Oxford Reader's Companion Series. In September 2000, the book which pioneered the series, The Oxford Reader's Companion to Dickens, came out in paperback. Now the Oxford Reader's Companions to Trollope, Hardy, Conrad, and George Eliot will follow on from its success. In this format each of these books, designed specifically to appeal to students of literature, contains a more comprehensive and accessiblerange of information than any other reference works on these writers. George Eliot was not only a great novelist but an important journalist and translator too, and her intellectual interests ranged far beyond literature and across many different cultures. The challenge faced by the compilers of this Companion was to do justice to the extraordinary range and depth of her intellectual life and creative work. The result is the most comprehensive guide to the life and work of George Eliot everwritten. There is much interest in George Eliot both in scholarly circles and amongst general readers of Victorian fiction. This Companion offers not only information and analysis of George Eliot's novels but also coverage of short stories, essays, poetry and translations, letters, and journals. Over 50 literary scholars from a variety of backgrounds from around the world contribute the latest thinking and expertise to this Companion. Entries include: Life of George Eliot: health, travels, pets owned by George Eliot, brothers and sisters of George Eliot Friends and associates: Lord Acton, Charles Bray, Florence Nightingale, Anthony Trollope Novels: Adam Bede, Daniel Deronda, Middlemarch: A Study of Provincial life, Romola Stories: 'Brother Jacob', 'The Lifted Veil' Essays and reviews: 'Address to Working Men, by Felix Holt', 'How I came to write Fiction', 'Notes on Form in Art' Themes: animals, characterization, class, crime, gender, irony, melodrama, society, the woman question Other writers: Aristotle, Jane Austen, E. T. A. Hoffman, John Keats, William Shakespeare, Mary Wollstonecraft, Emily Dickinson, Thomas Hardy, George Sand, Walt Whitman, Virginia Woolf Art and artists: illustrations, Rembrandt, J. M. W. Turner Music: Johann Sebastian Bach, Joseph Haydn Other contexts: feminism, education, politics, society, anti-Semitism, law, race, radicalism, technology, philosophy, utilitarianism, Christianity Publishing: John Chapman, TheCornhill Magazine, The Fortnightly Review, serialization Places: America, Berlin, Coventry, France, Ilfracombe, Munich, Oxford Reception and criticism: biographies of George Eliot, reputation In addition to A-Z entries, the book offers extra material: a useful classified contents list grouping headwords in thematic batches, a family tree, maps showing fictional settings and George Eliot's travels, a general bibliography, an alphabetical list of characters, and a time chart showing events in George Eliot's life in a historical and literary context.

A Companion to World Literature is a far-reaching and sustained study of key authors, texts, and topics from around the world and throughout history. Six comprehensive volumes present essays from over 300 prominent international scholars focusing on many aspects of this vast and burgeoning field of literature, from its ancient origins to the most modern narratives. Almost by definition, the texts of world literature are unfamiliar; they stretch our hermeneutic circles, thrust us before unfamiliar genres, modes, forms, and themes. They require a greater degree of attention and focus, and in turn engage our imagination in new ways. This Companion explores texts within their particular cultural context, as well as their ability to speak to readers in other contexts, demonstrating the ways in which world literature can challenge parochial world views by identifying cultural commonalities. Each unique volume includes introductory chapters on a variety of theoretical viewpoints that inform the field, followed by essays considering the ways in which authors and their books contribute to and engage with the many visions and variations of world literature as a genre. Explores how texts, tropes, narratives, and genres reflect nations, languages, cultures, and periods Links world literary theory and texts in a clear, synoptic style Identifies how individual texts are influenced and affected by issues such as intertextuality, translation, and sociohistorical conditions Presents a variety of methodologies to demonstrate how modern scholars approach the study of world literature A significant addition to the field, A Companion to World Literature provides advanced students, teachers, and researchers with cutting-edge scholarship in world literature and literary theory.