The third in the Modern Library's series of original compilations, The Raven and the Monkey's Paw is a collection of classic tales and poems to engage our fear-seeking senses. The beauty of these stories and poems lies in their readability: ideal for sharing aloud around the campfire or for a quick, thrilling dip . . . under the covers with a flashlight. The writing itself sends as many awe-inspired shivers down the spine as do the ghosts and goblins on these pages. Edgar Allan Poe, the master of the horror story and the chiming lyric poem, opens the volume with his best-loved stories: "The Murders in the Rue Morgue," "The Black Cat," "The Fall of the House of Usher," "The Pit and the Pendulum," "The Premature Burial," "The Tell-Tale Heart," "Berenice," and "Ligeia." Every bit as chilling now as on the day they were written, these tales retain their power to stir the reader again and again. Poe, who was as well known for his poems as for his stories, is also represented by such verse standards as "The Raven," "Lenore," "To Helen," "Ulalume," and "Annabel Lee," among others. Numerous other practitioners of the supernatural story are included: Edith Wharton, with her gripping "Afterward"; Charles Dickens and his famed ghost story "The Signalman"; W. W. Jacobs, with this compilation's inspiration, "The Monkey's Paw." Also here are Saki's engrossing "Sredni Vashtar"; O. Henry's story of love lost and hopes dashed, "The Furnished Room"; Wilkie Collins's lively "A Terribly Strange Bed"; and "The Boarded Window," Ambrose Bierce's tale of the bizarre. A year-round collection for reading aloud—and frightening your friends—The Raven and the Monkey's Paw will gratify all manner of thrill-seekers.

It is found among the old, old histories of the Tibetans that a female demon living among the mountains in Northern India mated with a monkey from the forests of Tibet, and from this union sprang the Tibetan race of people. The greater part of their literature is of a sacred nature, telling of their creation, of the formation of the world, of Buddha and his miraculous birth and death, of his reincarnations and the revisions of his teachings. A kind of almanac, a little astronomy, plans for casting a horoscope, and many books filled with religious teachings and superstitions, including the worship of devils and demons, are about all that can be found. The 49 little stories in this book are told as the people sit around their boiling tea made over a three stone camp-fire. They are handed down from father to son, from mother to daughter, and though often filled with their superstitious beliefs, through them all run a vein of humor and the teachings of a moral truth which is quite unexpected. These tales were gathered by Dr. A. L. Shelton on his trips among the Tibetans, around their camp-fires at night, and in their black tents high up in the mountains. Every country has its folk-lore tales that have always been a joy and pleasure to the children, not only of their own land, but of other lands as well. May these stories add a little to this pleasure and enjoyment everywhere, in whatsoever tongue they may be translated or in whatever land they may be read. Flora Beal Shelton 1925

"This second volume of Grimm Fairy Tales: Different Seasons collects some of the series most popular one-shots, including the 2011 Holiday Edition, 2011 Halloween Edition, 2008 original Grimm Fairy Tales Annual, and the 2009 Grimm Fairy Tales Annual."--Publisher description.

From a New York Times bestselling author, a humorous look at the advantages of being a dog parent, with photos from an award-winning photographer. Some pairings are just meant to be: peanut butter and chocolate, yin and yang, Fred Astaire and Ginger Rogers. So it was only a matter of time before the stars in the universe lined up and suggested the collaboration between New York Times bestselling author Bradley Trevor Greive and award-winning photographer Rachael Hale. Greive and Hale explain once and for all Why Dogs Are Better Than Cats. Now, before all you cat lovers find your fur standing on end, Greive is quick to stress that he is simply “prodog, not anticat. The purpose of this book is not to criticize cats or their owners, but to champion the many exceptional virtues unique to dogs.” What are these unique attributes that make canine companions superior to their feline fiends? (Oops, we meant friends.) Consider the following: * Dogs are social. Cats are sociopaths. * Dogs match up to people. People must match up to cats. * Dogs teach us patience. Cats test our patience. * Dogs give and give. Cats are the gift that keeps on grifting. The bottom line is this: Dogs want love. Cats want fish. Although Greive admits that there is something to be said for “soft, warm, and sleepy” (a.k.a. cats) as captured in Hale's cuddly feline photographs, he concludes that dogs would be the only ones with character enough to admit this fact, thereby once again positioning themselves as the superior pet, confidant, admirer, and friend.

Hot on the paws of his successful "Scotch and Toilet Water: A Book of Dog Cartoons," beloved "New Yorker" cartoonist Cullum returns with a whole menagerie of creatures faced with surprisingly human predicaments.

Eleanor Wilner’s poems attempt to absorb the shock of the wars and atrocities of the twentieth and early twenty-first centuries. In their litany of loss, in their outrage and sorrow, they retain the joy in life, mercy for the mortal condition, and praise for the plenitude of nature and the gifts of human artistry. As with her six earlier collections, these poems are drawn from the transpersonal realm of history and cultural memory, but they display an increasing horror at the bloody repetitions of history, its service of death, and the destructive savagery of power separated from intelligence and restraint. The poems describe “a sordid drama” in which the players wear “eyeless masks,” and the only thing time changes is the name of the enemy. Underneath it all, driving “the art that” in both senses “keeps nothing at bay,” swim the enormous formal energies of life, the transitive figure that moves on in the depths, something glimpsed in the first light, something stronger than hope. “It is a relief to come across work in which a moral intelligence is matched by aesthetic refinement, in which the craft of the poems is equal to their concerns.”--Christian Wiman, Poetry

Expanding on the National Research Council's Guide for the Care and Use of Laboratory Animals, this book deals specifically with mammals in neuroscience and behavioral research laboratories. It offers flexible guidelines for the care of these animals, and guidance on adapting these guidelines to various situations without hindering the research process. Guidelines for the Care and Use of Mammals in Neuroscience and Behavioral Research offers a more in-depth treatment of concerns specific to these disciplines than any previous guide on animal care and use. It treats on such important subjects as: The important role that the researcher and veterinarian play in developing animal protocols. Methods for assessing and ensuring an animal's well-being. General animal-care elements as they apply to neuroscience and behavioral research, and common animal welfare challenges this research can pose. The use of professional judgment and careful interpretation of regulations and guidelines to develop performance standards ensuring animal well-being and high-quality research. Guidelines for the Care and Use of Mammals in Neuroscience and Behavioral Research treats the development and evaluation of animal-use protocols as a decision-making process, not just a decision. To this end, it presents the most current, in-depth information about the best practices for animal care and use, as they pertain to the intricacies of neuroscience and behavioral research.

A collection of animal fables told by the Greek slave Aesop.

Edgar Allan Poe's "The Black Cat" is a short story that explores themes of guilt and perversity. The narrator, haunted by cruelty to his black cat and acts of domestic violence, is consumed by paranoia and madness. His attempt to conceal a crime leads to his own disgrace.

Named to ten BEST OF THE YEAR lists and selected as a William C. Morris Award Winner,The Serpent King is the critically acclaimed, much-beloved story of three teens who find themselves--and each other--while on the cusp of graduating from high school with hopes of leaving their small-town behind. Perfect for fans of John Green's Turtles All the Way Down. "Move over, John Green; Zentner is coming for you." —The New York Public Library “Will fill the infinite space that was left in your chest after you finished The Perks of Being a Wallflower.” —BookRiot.com Dill isn't the most popular kid at his rural Tennessee high school. After his father fell from grace in a public scandal that reverberated throughout their small town, Dill became a target. Fortunately, his two fellow misfits and best friends, Travis and Lydia, have his back. But as they begin their senior year, Dill feels the coils of his future tightening around him. His only escapes are music and his secret feelings for Lydia--neither of which he is brave enough to share. Graduation feels more like an ending to Dill than a beginning. But even before then, he must cope with another ending--one that will rock his life to the core. Debut novelist Jeff Zentner provides an unblinking and at times comic view of the hard realities of growing up in the Bible belt, and an intimate look at the struggles to find one’s true self in the wreckage of the past. “A story about friendship, family and forgiveness, it’s as funny and witty as it is utterly heartbreaking.” —PasteMagazine.com “A brutally honest portrayal of teen life . . . [and] a love letter to the South from a man who really understands it.” —Mashable.com “I adored all three of these characters and the way they talked to and loved one another.”—New York Times