Homer's epics reflect an eighth-century BCE world of warrior tribes that were fractured by constant strife; aside from its fantastic scale, nothing is exceptional about Troy's conquest by the Greeks. Using a fascinating and innovative approach, Professor Gottschall analyses Homeric conflict from the perspective of modern evolutionary biology, attributing its intensity to a shortage of available young women. The warrior practice of taking enemy women as slaves and concubines meant that women were concentrated in the households of powerful men. In turn, this shortage drove men to compete fiercely over women: almost all the main conflicts of the Iliad and Odyssey can be traced back to disputes over women. The Rape of Troy integrates biological and humanistic understanding - biological theory is used to explore the ultimate sources of pitched Homeric conflict, and Homeric society is the subject of a bio-anthropological case study of why men fight.

A daring and timely feminist retelling of The Iliad from the perspective of the women of Troy who endured it—an extraordinary follow up to The Silence of the Girls from the Booker Prize-winning author of The Regeneration Trilogy and “one of contemporary literature’s most thoughtful and compelling writers" (The Washington Post). Troy has fallen and the victorious Greeks are eager to return home with the spoils of an endless war—including the women of Troy themselves. They await a fair wind for the Aegean. It does not come, because the gods are offended. The body of King Priam lies unburied and desecrated, and so the victors remain in suspension, camped in the shadows of the city they destroyed as the coalition that held them together begins to unravel. Old feuds resurface and new suspicions and rivalries begin to fester. Largely unnoticed by her captors, the one time Trojan queen Briseis, formerly Achilles's slave, now belonging to his companion Alcimus, quietly takes in these developments. She forges alliances when she can, with Priam's aged wife the defiant Hecuba and with the disgraced soothsayer Calchas, all the while shrewdly seeking her path to revenge.

Acclaimed author Margaret George tells the story of the legendary Greek woman whose face "launched a thousand ships" in this New York Times bestseller. The Trojan War, fought nearly twelve hundred years before the birth of Christ, and recounted in Homer's Iliad, continues to haunt us because of its origins: one woman's beauty, a visiting prince's passion, and a love that ended in tragedy. Laden with doom, yet surprising in its moments of innocence and beauty, Helen of Troy is an exquisite page-turner with a cast of irresistible, legendary characters—Odysseus, Hector, Achilles, Menelaus, Priam, Clytemnestra, Agamemnon, as well as Helen and Paris themselves. With a wealth of material that reproduces the Age of Bronze in all its glory, it brings to life a war that we have all learned about but never before experienced.

The ancient Greek poet Homer tells of the wealthy city of Troy and its defeat in the Trojan War. Since the classical period there has been much debate about whether this is a poetic fiction or a memory of historical reality. Earlier excavations at the hill of Hisarlik, in Turkey, brought no answer, but in 1988 new excavations, under the direction of Manfred Korfmann, led to a radical shift in understanding. In this book Joachim Latacz, one of Korfmann's closest collaborators, shows how this new research has shed light on what is now known about Troy and the Trojan War.

Helen of Troy: From Homer to Hollywood is a comprehensive literary biography of Helen of Troy, which explores the ways in which her story has been told and retold in almost every century from the ancient world to the modern day. Takes readers on an epic voyage into the literary representations of a woman who has wielded a great influence on Western cultural consciousness for more than three millennia Features a wide and diverse variety of literary sources, including epic, drama, novels, poems, film, comedy, and opera, and works by Homer, Euripides, Chaucer, Shakespeare Includes an analysis of a radio play by the prize-winning author of The Curious Incident of the Dog in the Night-time and a Faust play by a contemporary Scottish playwright Explores themes such as narrative difficulties in portraying Helen, how legal history relates to her story, and how writers apportion blame or exculpate her Considers the aesthetic and narrative difficulties that ensue when literature translates myth

THE WAR AT TROY: A TRUE HISTORY. Tells the story of the entire saga based on ancient sources with a humorous tongue-in-cheek tone. Fascinating and a great source for what the ancients actually said about the course of this most famous war.

This book uniquely applies securitization theory to the mass sexual violence atrocities committed during the Bosnia war and the Rwandan genocide. Examining the inherent links between rape, war and global security, Hirschauer analyses the complexities of conflict related sexual violence.

Greek myth-makers crafted the downfall of Troy and its rulers into an archetypal illustration of ruthless conquest, deceit, crime and punishment, and the variability of human fortunes. This book examines the major episodes in the archetypal myth - the murder of Priam, the rape of Kassandra,the reunion of Helen and Menelaos, and the escape of Aineias - as witnessed in Archaic Greek epic, fifth-century Athenian drama, and Athenian black- and red-figure vase painting. It focuses in particular on the narrative artistry with which poets and painters balanced these episodes with one anotherand intertwined them with other chapters in the story of Troy. The author offers the first comprehensive demonstration of the narrative centrality of the Ilioupersis myth within the corpus of Trojan epic poetry, and the first systematic study of pictorial juxtapositions of Ilioupersis scenes onpainted vases.

This literary novel explores the passions and motivations of the protagonists and the events of the Trojan War without the machinations of imaginary gods driving their behaviors and actions. Who were the lovers whose coupling ignited the clash of civilizations immortalized by Homer’s Iliad? What was their reality and that of the warriors and the women who were engulfed by the bloody conflict? According to myth, the war was precipitated by Aphrodite who promised Paris the most beautiful woman in the world, Helen the queen of Sparta, if he declared her winner of a beauty contest of goddesses. That fantasy did not occur nor were the actors’ puppets of invisible deities. So who sent Prince Paris across the ship-devouring Aegean Sea to Sparta and why? Did he abduct and rape Helen while King Menelaus was away or did she abscond with Paris to Troy? Did King Agamemnon of Mycenae lead an armada of unified Greeks to liberate his sister-in-law out of filial concern or for the ulterior reasons his wife Clytemnestra suspected? Why did the war that saw the lethal combats of heroes such as Achilles and Ajax and Odysseus and Hector drag on for ten years when Priam the king of Troy could have ended it by returning Helen? What roles did the Trojan women such as Hecuba and Andromache and Briseus and the self-proclaimed prophetess Cassandra play during the unending siege? What is the truth behind the conflagration of Troy?

As soon as men began to write, they made Helen of Troy their subject; for close on three thousand years she has been both the embodiment of absolute female beauty and a reminder of the terrible power that beauty can wield. Because of her double marriage to the Greek King Menelaus and the Trojan Prince Paris, Helen was held responsible for an enduring enmity between East and West. For millennia she has been viewed as ane xquisite agent of extermination. But who was she?