Original working manuscript of Swinburne's poem "The garden of Proserpine". Bound with the manuscript pages are a printed version of the poem from an unknown published edition (pages numbered 189-192). Formerly owned by the book collector and literary forger Harry Buxton Forman. A note from Forman is written on a blank leaf preceding the manuscript: The Garden of Proserpine, perhaps the loveliest lyric poem Swinburne ever wrote, was set up from this autograph manuscript when the poem took its place in the renowned volume known as Poems and Ballads, issued in the Autumn of 1866, immediately withdrawn under pressure by Mr. Moxon, and speedily re-issued by John Camden Hotten. The calligraphy is more characteristic than excellent. The cancellings and changes, however, are of considerable interest.

I would urge anyone who thinks that Statius only wrote gruesome epic and Claudian only dull panegyric to read this slim and sprightly volume.--Bryn Mawr Classical Review

Over the course of the nineteenth century, the figure of Persephone rapidly evolved from what was essentially a decorative metaphor into a living goddess who embodied the most spiritual aspects of ancient Greek religion. In the first comprehensive survey of the Persephone myth in English and American literature of the nineteenth and early twentieth centuries, Margot Louis explores the transformation of the goddess to provide not only a basis for understanding how the study of ancient history informed the creation of a new spirituality but for comprehending the deep and bitter tensions surrounding gender that interacted with this process. Beginning with an overview of the most influential ancient texts on Persephone and references to Persephone in Chaucer, Shakespeare, Milton, and Romantic period writing, Louis shows that the earliest theories of matriarchy and patriarchal marriage emerged in the 1860s alongside the first English poems to explore Persephone's story. As scholars began to focus on the chthonic Mystery cults, and particularly on the Eleusinian Mysteries of Demeter and Persephone, poets and novelists explored the divisions between mother and daughter occasioned by patriarchal marriage. Issues of fertility and ritual resonate in Thomas Hardy's Tess of the d'Urbervilles and Willa Cather's My Antonia, while the first advance of a neo-pagan spirituality, as well as early feminist critiques of male mythography and of the Persephone myth, emerge in Modernist poems and fictions from 1908 to 1927. Informed by the latest research and theoretical work on myth, Margot Louis's fascinating study shows the development of Victorian mythography in a new light; offers original takes on Victorian representations of gender and values; exposes how differently male and female Modernists dealt with issues of myth, ritual, and ancient spirituality; and uncovers how deeply the study of ancient spirituality is entwined with controversies about gender.

"Covers iOS5.1 on iPad, iPad 2, and iPad 3rd generation." -- Cover.

An exhaustive study of Claudian's unfinished mythological epic, with a text, apparatus criticus, and commentary. The long introduction begins with a catalogue of manuscripts; and this leads to an investigation into the manuscript tradition and the history of the poem's transmission. Dr Hall then surveys the most important printed editions of the poem. He examines various theories of dating and discusses the sources of the story. He concludes the introduction with a brief critical assessment of the form and style of the poem. Dr Hall establishes his text after an examination of all the extant manuscripts. The apparatus, though very full, is selective in that it records readings of younger manuscripts only when they offer something new. It also ignores trifling corruptions. The commentary is similarly selective. In general, it discusses everything relevant to the establishing of the text and ignores points of purely mythological and literary interest.

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