On April 10, 2003, as the world watched a statue of Saddam Hussein come crashing down in the heart of Baghdad, a mob of looters attacked the Iraq National Museum. Despite the presence of an American tank unit, the pillaging went unchecked, and more than 15,000 artifacts—some of the oldest evidence of human culture—disappeared into the shadowy worldwide market in illicit antiquities. In the five years since that day, the losses have only mounted, with gangs digging up roughly half a million artifacts that had previously been unexcavated; the loss to our shared human heritage is incalculable. With The Rape of Mesopotamia, Lawrence Rothfield answers the complicated question of how this wholesale thievery was allowed to occur. Drawing on extensive interviews with soldiers, bureaucrats, war planners, archaeologists, and collectors, Rothfield reconstructs the planning failures—originating at the highest levels of the U.S. government—that led to the invading forces’ utter indifference to the protection of Iraq’s cultural heritage from looters. Widespread incompetence and miscommunication on the part of the Pentagon, unchecked by the disappointingly weak advocacy efforts of worldwide preservation advocates, enabled a tragedy that continues even today, despite widespread public outrage. Bringing his story up to the present, Rothfield argues forcefully that the international community has yet to learn the lessons of Iraq—and that what happened there is liable to be repeated in future conflicts. A powerful, infuriating chronicle of the disastrous conjunction of military adventure and cultural destruction, The Rape of Mesopotamia is essential reading for all concerned with the future of our past.

As Saddam Hussein's government fell in April 2003, news accounts detailed the pillage of Iraq's National Museum. Less dramatic, though far more devastating, was the subsequent looting at thousands of archaeological sites around the country, which continues on a massive scale to this day. This book details the disasters that have befallen Iraq's cultural heritage, analyzes why all efforts to protect it have failed, and identifies new mechanisms and strategies to prevent the mistakes of Iraq from being replicated in other war-torn regions.

Looting and Rape in Wartime examines the causes of the hundred-year gap between the prohibition against wartime looting and that against rape, theorizing the conditions necessary for the emergence of a global prohibition regime in which a particular practice is not tolerated.

Narrating Rape presents exciting new scholarship on how to read, wrestle with, and respond to sexual violence and rape in and around biblical texts. The fourteen essays represent global contributors and bring together respected senior scholars along with fresh emerging voices. Contributors take on sexual violence in the Hebrew Bible and the New Testament, as well as the ancient Near Eastern and Roman contexts that informed the production of these texts. There is also a significant focus on using contemporary literature, film, and popular culture (including reality television and music) to read and interpret biblical rape stories. Contributors include: Alexiana Fry, Meredith Warren, Kirsi Cobb, David Tombs, Jeremy Punt, and Gerald West

Tells the story of archaeological travel and excavation in Iraq -- then Mesopotamia -- from the time of the great Arab geographers to the 2003 devastation of the Iraq National Museum. Fagan tells of Henry Rawlinson, Jules Oppert, and Edward Hincks, decipherers of cuneiform; Claudius and Mary Rich, observers of Nineveh and Babylon; and Émile Botta and Austen Henry Layard, who revealed the Assyrian civilisation to an astonished world. Here, also, are men like Hormuzd Rassam, whose illegal digging and plundering horrified local officials, and Wallis Budge, consummate smuggler of cuneiform tablets. Fagan also recounts the careers of the multi-talented administrator Gertrude Bell, a primary influence in the creation of the nation of Iraq, and of Leonard Woolley, renowned for his excavation of Sumerian civilisation at Ur. Bringing this remarkable history up to date, Fagan chronicles the development of scientific archaeology in Mesopotamia, the growing Iraqi involvement in archaeology, and the tragic events of recent years that led to the looting of the Iraq National Museum and many archaeological sites.

Drawing on the results of a multidisciplinary research a first comprehensive picture of cultural property protection involving the military is presented. Practical, legal and contemplative aspects are considered while presenting a fascinating new discipline in heritage related studies.

From Lawrence of Arabia to the Monuments Men to the contributors within this volume, academic scholars have found themselves engaged in conflict areas, in topics involving conflict, and in unlikely partnerships with military professionals. Motives and methods have varied dramatically over the years, but the over-riding theme of this volume is stewardship. In each case, an author has encountered a situation where their expertise has offered the potential to help save archaeological properties, historical structures, and sacred places - or has documented the process. Drawing on major contributions from seven armed forces, amongst others, this book aims to set out the obligations to protect cultural heritage under international Conventions; provide a series of case studies of current military practice; and outline the current efforts to enhance this. Overall, it offers examples, anecdotes, and lessons learned that can be used for consideration in planning future efforts for global archaeological stewardship.--Résumé de l'éditeur.

Based on the Book of Genesis, Dinah shares her perspective on religious practices and sexul politics.

This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.

Examines the Mesopotamian influence on Greek mythology in literary works of the epic period, concentrating in particular on journey myths. A major contribution to the understanding of the colourful myths involved.