Anvendelse af kvart-intervaller i jazzimprovisation

More than a pattern book, this lays out the theory behind the use of pentatonic scales in jazz, and follows with transcribed solos and exercises. Still a favorite after 14 years, this book has become a standard in the field.

More than a pattern book, this 80-page spiral-bound book lays out the theory behind the use of pentatonic scales in jazz, and follows with 12 pages of transcribed solos and 40 pages of exercises. Still a favorite after 14 years, this book has become a standard in the field.

The Ramon Ricker Improvisation Series is a new system for learning to play jazz. Each set contains a book with transposed parts for all instruments and a play-along CD with Ray playing many of the book examples on his saxophone. Volume one is for the absolute beginning jazz student who knows his/her major scales.

This book with play-along CD proceeds in a systematic step-by-step format, explaining the theory behind scales and chords, and giving specific exercises to master them. Some representative keyboard transcriptions, and both alphabetical and chronological indices complete the book.

"Lessons from a Street-Wise Professor" sheds light on what every successful musician knows but most music schools don't teach--that a musician, regardless of instrument or specialty, is a small business and with that comes the need for entrepreneurial savvy.

Haerle presents the scales used in improvisation and explains applications. Scales shown in all keys and treble and bass clefs include blues, ionian, dorian, phrygian, locrian as well as whole tone, chromatic, augmented and many more. Great aid to memorizing.

Improvisation is at the heart of Jazz, but knowing how to play stylistically correct in a large Jazz ensemble is also a necessity. How to Play Lead Alto Saxophone in a Big Band offers tips, suggestions, examples, and a play along CD to help you put it all together. The repertoire covers many jazz styles from Basie to Latin and African-influenced music, to ECM and contemporary jazz (the Vanguard Jazz Orchestra, Bob Brookmeyer, etc.).

While there has been much written on the subject of pentatonic scales a systematic method for classifying pentatonic scales has yet to have been established. Surprisingly there have been few studies that successfully examine further scale possibilities. This original study is intended to establish a complete system using all possible pentatonic scales. At this point I will also draw your attention to my book The Complete Thesaurus of Musical Scales which also examines scale possibilities. This book is intended for musicians, composers, music teachers, and their students. This book can function as a reference guide or as an inspirational source. While the focus of this book is pentatonicism in jazz, the systems used in this work can be applied to other musical styles and is relevant to all melodic musical instruments. I hope this book will help stimulate your individual musical exploration.

Jamey Aebersold's Jazz Ear Training is a no-nonsense approach consisting of two hours of recorded ear training exercises with aural instructions before each. It starts very simply, with intervals and gradually increases in difficulty until you are hearing chord changes and progressions. All answers are listed in the book, and contains transposed parts for C, B-flat, and E-flat instruments to allow playing along. Beginning to advanced levels.