DIVDIVAn aging wizard and his apprentice venture into a world where magic has died, hoping to save it before the same fate befalls their own/divDIV /divDIVJaldis does not believe it at first. When the old wizard—blind, tongueless, able to see and speak through magic alone—peers into the Void between dimensions, he sees something terrible: a world where magic is dead, and whose inhabitants scream for someone to rescue them. Such a place must be studied, for if it is possible to kill magic, then that terrible fate could threaten his own world, too./divDIV /divDIVWith the help of his apprentice, Rhion, the wizard prepares for the treacherous crossing. To make the journey, they must withstand the hatred that their own world has for magic—a powerful force that the ignorant would wipe out if they could./divDIV /divDIVThis ebook features an illustrated biography of Barbara Hambly, including rare photos and never-before-seen documents from the author’s personal collection./div /div

Beyond the Rainbow by Prabhakar is a work of fiction. Each story is a poetic experience, aesthetic as well as elevating. The story connotes as a whole without any annotation. The moral and aesthetic coalesce. The stories are a portrayal of simple characters that come and go as silently as the day or the night. The stories approximate to an Indian macrocosm of vision and variety without any prejudice to their universal extent and intent. A pervasive sense of irony is ever there to chasten any romantic pigmentation. The book serves a sumptuous cocktail of romance and symbolism, humour and irony, realism and religion with a sympathetic human concern. It betrays a simple soul's predicament and pride. Going through the book the reader would hear the echoes of the past, the present, and the future of humanity. A journey from The Champion' to The Mahakumbha' is a pilgrimage through India.

Lord John Aversin—with the help of his mageborn wife, Jenny Waynest—has fought and defeated two dragons, earning the title of Dragonsbane. But there are creatures more terrifying than dragons. Demonspawn from a dark dimension have learned to drink the magic—and the souls—of mages and dragons alike, turning their victims into empty vessels. And now they've stolen John and Jenny's mageborn son, twelve-year-old Ian. In desperation, John seeks the help of the eldest and strongest dragon: Morkeleb the Black. But the demons have allies, too: a vast army poised to plunge the Realm into civil war. In the coming struggle, Morkeleb will sacrifice what he values most. Jenny will question everything she trusts and believes in. And John will embark on a perilous quest for the only things capable of defeating such powerful demons—even more powerful demons . . .

DIVDIVAn idealistic young prince convinces an aging warrior and a struggling witch to help him kill the dragon that is terrorizing his kingdom/divDIV /divDIVAs a vicious dragon stalks the Southlands, Crown Prince Gareth ventures to the forbidding North in search of the only man who can kill it. He is Lord Aversin, the Dragonsbane, whose dragon-slaying days have won him renown across the land. But when Gareth finds Lord Aversin, he discovers the mighty hero is squat and bespectacled, the ruler of a mud-village who admits that he killed the dragon not with a lance, but with ignoble poison. Still, he’ll have to do./divDIV /divDIVGareth and Aversin set off in company with Jenny Waynest, a witch with great ambitions but disappointingly puny powers—a ragtag crew destined to become legendary, or die in the attempt./divDIV /divDIVThis ebook features an illustrated biography of Barbara Hambly, including rare photos and never-before-seen documents from the author’s personal collection./div /div

Imagining the Unimaginable examines popular fiction's treatment of the Holocaust in the dystopian and alternate history genres of speculative fiction, analyzing the effectiveness of the genre's major works as a lens through which to view the most prominent historical trauma of the 20th century. It surveys a range of British and American authors, from science fiction pulp to Pulitzer Prize winners, building on scholarship across disciplines, including Holocaust studies, trauma studies, and science fiction studies. The conventional discourse around the Holocaust is one of the unapproachable, unknowable, and the unimaginable. The Holocaust has been compared to an earthquake, another planet, another universe, a void. It has been said to be beyond language, or else have its own incomprehensible language, beyond art, and beyond thought. The 'othering' of the event has spurred the phenomenon of non-realist Holocaust literature, engaging with speculative fiction and its history of the uncanny, the grotesque, and the inhuman. This book examines the most common forms of nonmimetic Holocaust fiction, the dystopia and the alternate history, while firmly positioning these forms within a broader pattern of non-realist engagements with the Holocaust.

This new collection of essays, commissioned from a range of scholars across the world, takes as its theme the reception of Rome's greatest poet in a time of profound cultural change. Amid the rise of Christianity, the changing status of the city of Rome, and the emergence of new governing classes, Vergil remained a bedrock of Roman education and identity. This volume considers the different ways in which Vergil was read, understood and appropriated; by poets, commentators, Church fathers, orators and historians. The introduction outlines the cultural and historical contexts. Twelve chapters dedicated to individual writers or genres, and the contributors make use of a wide range of approaches from contemporary reception theory. An epilogue concludes the volume.

Writing Worlds represents the first systematic attempt to apply poststructuralist ideas to landscape representation. Landscape - city, countryside and wilderness - is explored through the discourse of economics, geopolitics and urban planning, travellers descriptions, propaganda maps, cartography and geometry, poetry and painting. The book aims to deconstruct geographical representation in order to explore the dynamics of power in the way we see the world.

Max, a compassionate boy, solves problems through reason and daring. Sacha, understanding the language of animals, takes their part against skeptical adults. Their stories are told in a magical reality.