It's 2011: Bradley Manning is the 24-year-old US soldier accused of releasing 250,000 secret embassy cables and military logs from the Iraq and Afghan wars. After nearly two years in prison without charge, Manning now faces a court martial, accused of crimes that could mean life in prison. But just a few years ago, Manning was a teenager in west Wales. How did this happen? And who is responsible for this radicalisation? Tim Price's extraordinary play tackles one of the most controversial political stories of our age, placing it in the context of other great Welsh radicals, from the Chartists to Aneurin Bevan. The Radicalisation of Bradley Manning was performed by National Theatre Wales across Wales in April 2012. In 2013, the play won the James Tait Black Prize for Drama.

This international collection of essays forms a vibrant picture of the scope and diversity of contemporary queer performance. Ranging across cabaret, performance art, the performativity of film, drag and script-based theatre it unravels the dynamic relationship performance has with queerness as it is presented in local and transnational contexts.

Introduced by the author, this is the first collection of Tim Price's plays. The winner of the 2013 James Tait Black Prize for Drama, Tim Price's work includes For Once; Salt, Root and Roe; The Radicalisation of Bradley Manning; I'm With the Band; Protest Song and Under the Sofa (published here for the first time). For Once: Through a series of interweaving accounts, For Once cuts to the heart of a family and a community turned upside down by unimaginable tragedy. Salt, Root and Roe: A wry, heart-breaking drama of love, grief and acceptance set against the mythical backdrop of North Pembrokeshire. The Radicalisation of Bradley Manning: This award-winning play tackles one of the most controversial political stories of our age, placing it in the context of other great Welsh radicals, from the Chartists to Aneurin Bevan. I'm With the Band: A witty response to the Scottish Independence debate in which an Englishman, a Northern Irishman, a Scotsman and a Welshman struggle to maintain the previous harmony of their rock band. Protest Song: Price's funny and savage monologue which explores the reality of the Occupy movement through Danny who sleeps rough on the steps of St Paul's Cathedral. Under the Sofa: Previously unpublished, Under the Sofa is a mother's monologue about the experience of her son being in prison for a violent crime.

Recent years have seen an explosion of new Welsh writing for the stage. With the advent of Theatr Genedlaethol Cymru in 2003 and the launch of National Theatre Wales in 2009, there has been a tectonic shift in Welsh theatre and its perception. Wales has famously celebrated its poets and novelists, but in the twenty-first century, it is the playwright asking the crucial questions. Never before have there been so many playwrights of all ages, from across Wales, finding the stage to be the home for their stories. This collection is the first to officially recognise this new wave of Welsh playwrights. It showcases a wide range of forms, themes and political concerns, as well as representing the most exciting voices at the forefront of Welsh drama, taking the temperature on what be considered to be the first golden age of Welsh playwriting. Tonypandemonium by Rachel Trezise The Radicalisation of Bradley Manning by Tim Price Gardening for the Unfulfilled and Alienated by Brad Birch Llwyth by Dafydd James (published in Welsh) Parallel Lines by Katherine Chandler Bruised by Matthew Trevannion Featured in the volume are the following plays, along with a foreword by Professor David Ian Rabey of Aberystwyth University, and an introduction by the editors, Tim Price and Kate Wasserberg.

"Tim Price's play about two hackers is tumultuous, energetic and ultimately touching in its vision of a global network of young people dedicated to challenging the status quo.” Guardian A sixteen-year-old London schoolboy and an eighteen-year-old recluse in Shetland meet online, pick a fight with the FBI and change the world forever. This brave and challenging play gets behind the code with the original Anonymous members, offering an anarchic retelling of the birth of hacktivism. Teh Internet is Serious Business is a fictional account of the true story of Anonymous and LulzSec, the collective swarm who took on the most powerful capitalist forces from their bedrooms. The play received its world premiere at the Royal Court, London, in September 2014. This new Modern Classics edition features an introduction by Hamish Pirie.

This international collection of essays forms a vibrant picture of the scope and diversity of contemporary queer performance. Ranging across cabaret, performance art, the performativity of film, drag and script-based theatre it unravels the dynamic relationship performance has with queerness as it is presented in local and transnational contexts.

Written from a practice-based perspective, this book focuses on the political character of 'cyberformance': the genre of digital performance that uses the Internet as a performance space. The Etheatre Project comprises a series of experimental cyberformances aiming to reconsider the characteristics of theatre in the Internet age.

An Englishman, a Northern Irishman, a Scotsman and a Welshman walked into a recording studio and created The Union. Commercially successful and critically acclaimed, the pioneering indie rock band is now on the verge of breaking up. When financial disaster strikes and Scottish guitarist Barry leaves the band, artistic differences go head to head with alliances that run deep, can The Union survive? With live music from a four-piece ensemble, I'm With the Band is a witty and timely response to our changing political landscape.

The 2010 release of US embassy diplomatic cables put WikiLeaks into the international spotlight. Revelations by the leaks sparked intense debate within international diplomacy, journalism and society. This book reflects on the implications of WikiLeaks across politics and media, and on the results of leak journalism and transparency activism.

In a place where everyone knows your name you can't forget who you are. Life, love and loss in a picture postcard town is laid bare in this heart-breaking but darkly comic new play. Through a series of interweaving accounts For Once cuts to the heart of a family, and a community, turned upside down by unimaginable tragedy. For Once examines the fallout after a car crash on a country lane takes the life of two local teenagers, through three interlaced monologues by their surviving friend Sid and his parents, April and Gordon, exposing the pre-existing faultlines in the family. Sid has been left partially sighted by the crash, and his account of his life before and since the accident gives an insight into why young people living in what seems like 'ideal' communities are driven to seek thrills elsewhere, sometimes with horrifying consequences. However, far from being depressing, Tim Price's skill at capturing the revealing inarticulacy of the teenager, as well as his troubled parents, makes for unexpected humour. For Once is a powerful and incisive look at life and death in a small market town and premiered on 8 July 2011 at the Hampstead Theatre in a production by Pentabus Theatre.