This book is an unedited reprint of the 1957 edition. From Title page: Edited and in part newly translated into English from the 1950 official edition "Enchiridion Indulgentiarum--Preces et Pia Opera" issued by the Sacred Penitentiary Apostolic by authorization of the Holy See. All prayers originally in Latin in the Typical Edition are given in English and Latin. Other prayers in English Only. These are the official prayers of the Catholic Church. Even though the Church has changed indulgences these prayers are timeless and an excellent aid to the Interior Life.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

2024 Hardcover Reprint of 1957 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Revised under Pope Pius XII, this official collection (raccolta) of the Catholic Church's prayers and devotions was published in English in 1957. It includes a timely supplement of additional prayers for many urgent needs all of which were composed under the same pontiff. Many of the more commonly used prayers and devotions are followed by the Latin text, thus providing the perfect aid for teachers and parents anxious to keep the Church's language both alive and spiritually efficacious. These eight hundred prayers touch practically every spiritual and physical need, and every personal and societal hope. They are the confidently suppliant voice of the Catholic Church in her maternal zeal, joy and agony, nobility and militancy. Includes numerous supplements through 1962 and a comprehensive table of contents at the end for quick access.

This exclusive English-language translation of the Manual on Indulgences explains what indulgences are and provides the many devotional prayers associated with them.

Everything Needed to Understand and Appreciate the Traditional Latin Mass! Extremely informative, yet very easy to read! This book explains prayer by prayer, what happens at the Latin Mass and why. Why is the Mass in Latin, the use of silence, bells, specific colors, etc.---and how we participate. Reviews are very enthusiastic! Ties in beautifully with Pope Benedict XVI's motu proprio opening the door to the universal celebration of the Latin Mass.

This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.

It may seem astonishing to some that there is a need for reprinting a 14-year old dissertation, but the fact is that the book is exactly as relevant to scholars today as it was in 1993. It still represents the world's largest database to compare the responsories of the Office of the Dead in more than 2,000 sources. Since the order of these responsories differed from church to church, this order can be used to localize medieval and Renaissance liturgical books. The book is therefore an absolute necessity for everyone who conducts research on the area it covers. Put differently, the book reveals 'the geography of the concept of death' in Europe from the 9th-16th centuries from a theological, liturgical, ecclesiastical, musical and political perspective - seen from one particular liturgical office: The Office of the Dead.