A sanctuary for the soul—In The Rabbi, the Goddess, and Jung, Naomi Ruth Lowinsky shows us how to create a sacred space by cultivating one’s inner life. Admitting that this is not an easy practice in our hectic, fearful times, she demonstrates how the word from within orients—whether it comes as gift or disturbance, guest or ghost, riddle or revelation. It may force a confrontation with one’s worst fears. It may visit in nightmare images, such as the enormous spider with hairy legs and eight baleful eyes that appeared in a dream, come to warn, it would seem, of the perils facing human nature and Mother Nature. It is essential, especially in difficult times, to make space for what the Kabbalah calls “the beyond that lies within”—the still small voice of the Self, the long view of the wisdom traditions. In this collection of poetic, visionary essays, Lowinsky tells stories of the Lady Tree who showed up when she was six, and has wandered in and out of her life, revealing her Goddess nature. Active imagination enables her to work out unfinished business with ancestors including her father and Jung. Dreams introduce her to her spirit guides, and to a dancing rabbi who insists she study Kabbalah. And that scary spider turns out to be Grandmother Spider, a creator goddess who has the power, if we recognize Her, to help us reweave our relationship with earth.

Jungian Child Analysis brings together ten certified Child & Adolescent Analysts (IAAP) to discuss how healing with children occurs within the analytical framework. While the majority of Jung’s corpus centered on the collective aspects of the adult psyche, one can find in Jung’s earliest work clinical observations and ideas that reflect an uncanny prescience of the psychological research that would later emerge regarding the self and the mother-infant relationship. This book discusses and illustrates in very practical ways how one uses an analytical attitude and works with the symbolic: this includes illustrations of analytical play therapy, dream analysis, sandplay, work with special populations and work with the parents and families of the child. Not only will the book capture your interest and further your development in working with children and adolescents, but also will enhance your work with adults. Jungian Child Analysis, edited by Audrey Punnett; foreword by Wanda Grosso; contributors include Margo M. Leahy, Liza J. Ravitz, Brian Feldman, Lauren Cunningham, Patricia L. Speier, Maria Ellen Chiaia, Audrey Punnett, Susan Williams, Robert Tyminski, and Steve Zemmelman.

This book provides an exploration of some of the essential aspects of Judaism, Christianity and Islam. Leading Jungian analysts, theologians and scholars bring to bear psychological, religious and historical perspectives in an attempt to uncover the nature and psychology of the three monotheisms.

Fairy tales convey life’s magic, reflecting the deep psychological themes that govern the outcomes of our lives. Written in simple language, these stories take us along soul’s path once more, revealing how the issues of today can still yield new restorative meanings. This fresh set of tales introduces characters who invite the reader to think the unthinkable, explore the unknown, and feel what is irreconcilable—resulting in a deeper experience of life itself. Staged in remote corners of the world where healing mysteries can be summoned when life’s dilemmas emerge and right and wrong are no longer clear, Gerson’s fairy tales show that there are still Gods and Goddesses who can intervene when humans lose their way on life’s journey.

Among the 19th century poets, Emily Dickinson is by far the most scientifically minded. Science is the voice that summoned Dickinson at Mount Holyoke Female Seminary and gave her unique distinction as a poetess of botanical and entomological and astronomical classifications. Like no other 19th century poet she forms an integration between science and spirituality. She studied at Holyoke at the exact historical moment of the first Seneca Falls Women’s Rights Convention in 1848. This, therefore, is a feminist book. It speaks up for the Divine Feminine. On the front cover purple-white rosemary blossoms are exploding with color. Emily Dickinson’s garden was a place where butterflies, bees, and hummingbirds drank up the radiance of flowers. Rosemary in particular was one of her favorite healing herbs. C.G. Jung mentions the antitoxin of rosemary flowers as a synonym for the Self, the total personality. When Steven Herrmann refers to Emily Dickinson as a Medicine Woman, he is speaking of an archetype of healing within all humans. Her poems are enduring imprints of the Medicine Woman archetype. It is by access to the Medicine Woman archetype that she’s able to espouse a democracy of equality that the world needs right now. She advises women to cherish “Power” and take heed from the Serpent. We need a Medicine Woman to balance things out. In a democratic sense, she’s a fierce and uncompromising spokeswoman for Liberty. She is a dispenser of a new American myth for our times.

. . .all men and women are created equal in rights to life, liberty, and the pursuit of happiness. —Elizabeth Cady Stanton, revision of the American Declaration of Independence, 1848 Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright Street, Sacramento, CA 95821. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): [email protected].

Intergenerational Complexes in Analytical Psychology: The Suffering of Ghosts draws attention to human suffering and how it relates to unacknowledged and unrecognized traumatic cultural histories that continue to haunt us in the present. The book shows the many ways that our internal lives are organized and patterned by both racial, ethnic, and national identities, and personal experiences. This book shows how the cultural unconscious with its multiple group dynamics, identities, nationalities, seething differences of conflicts, polarizations, and individual personalities are organized by cultural complexes and narrated by archetypal story formations, which the author calls phantom narratives. The emotional dynamics generated constitute potential transitional spaces or holding containers that allow us to work with these issues psychologically at both the individual and group levels, offering opportunities for healing. The chapters of the book provide numerous examples of the applications of these terms to natural and cultural catastrophes as well as expressions as uncanny phenomena. Intergenerational Complexes in Analytical Psychology is essential reading for analytical psychologists, Jungian psychotherapists, and other professionals seeking to understand the impact of intergenerational trauma on individuals and groups. It is also relevant to the work of academics and scholars of Jungian studies, sociology, trauma studies, politics, and social justice.

Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-5232. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): [email protected].

A systematic coverage of Jung's criticism of biblical imagination, the Goddess as Mother of the Trinity, and Jung's appropriation of Eckhart to make the above points. The three sections comprising this work are entitled Jung's Critique of Biblical Imagination: An Appreciative Undermining, The Goddess as Mother of the Trinity, and Jung and Meister Eckhart: Breakthrough to the Goddess.

The Mystical Exodus in Jungian Perspective explores the soul loss that results from personal, collective, and transgenerational trauma and the healing that unfolds through reconnection with the sacred. Personal narratives of disconnection from and reconnection to Jewish collective memory are illuminated by millennia of Jewish mystical wisdom, contemporary Jewish Renewal and feminist theology, and Jungian and trauma theory. The archetypal resonance of the Exodus story guides our exploration. Understanding exile as disconnection from the Divine Self, we follow Moses, keeper of the spiritual fire, and Serach bat Asher, preserver of ancestral memory. We encounter the depths with Joseph, touch collective grief with Lilith, experience the Red Sea crossing and Miriam’s well as psychological rebirth and Sinai as the repatterning of traumatized consciousness. Tracing the reawakening of the qualities of eros and relatedness on the journey out of exile, the book demonstrates how restoring and deepening relationship with the Sacred Feminine helps us to transform collective trauma. This text will be key reading for scholars of Jewish studies, Jungian and post-Jungian studies, feminist spirituality, trauma studies, Jungian analysts and psychotherapists, and those interested in healing from personal and collective trauma. Cover art: 'Radiance' by Elaine Greenwood