The tracer's goals are to identify the source of a quotation, to find or to produce detailed citation based on a reliable edition of the work, to find an authoritative text of the passage being traced, and to do all this in the shortest time possible and with the least possible amount of effort.

Originally published: Cincinnati, Ohio: Betterway Books, 2000.

The Music Box, Irving Berlin, Select Theatres Corporation, owners, Helen Bonfils, Morton Gottlieb, Michael White present Anthony Quayle, Donal Donnelly in "Sleuth," a new thriller by Anthony Shaffer, with Philip Farrar, Harold K. Newman, Roger Purnell, directed by Clifford Williams, designed by Carl Toms, lighting by William Ritman.

Our language is full of hundreds of quotations that are often cited but seldom confirmed. Ralph Keyes's The Quote Verifier considers not only classic misquotes such as "Nice guys finish last," and "Play it again, Sam," but more surprising ones such as "Ain't I a woman?" and "Golf is a good walk spoiled," as well as the origins of popular sayings such as "The opera ain't over till the fat lady sings," "No one washes a rented car," and "Make my day." Keyes's in-depth research routinely confounds widespread assumptions about who said what, where, and when. Organized in easy-to-access dictionary form, The Quote Verifier also contains special sections highlighting commonly misquoted people and genres, such as Yogi Berra and Oscar Wilde, famous last words, and misremembered movie lines. An invaluable resource for not just those with a professional need to quote accurately, but anyone at all who is interested in the roots of words and phrases, The Quote Verifier is not only a fascinating piece of literary sleuthing, but also a great read.

“You can almost taste the food in Bill Buford’s Dirt, an engrossing, beautifully written memoir about his life as a cook in France.” —The Wall Street Journal What does it take to master French cooking? This is the question that drives Bill Buford to abandon his perfectly happy life in New York City and pack up and (with a wife and three-year-old twin sons in tow) move to Lyon, the so-called gastronomic capital of France. But what was meant to be six months in a new and very foreign city turns into a wild five-year digression from normal life, as Buford apprentices at Lyon’s best boulangerie, studies at a legendary culinary school, and cooks at a storied Michelin-starred restaurant, where he discovers the exacting (and incomprehensibly punishing) rigueur of the professional kitchen. With his signature humor, sense of adventure, and masterful ability to bring an exotic and unknown world to life, Buford has written the definitive insider story of a city and its great culinary culture.

Reference Sources for Canadian Literary Studies offers the first full-scale bibliography of writing on and in the field of Canadian literary studies. Approximately one thousand annotated entries are arranged by reference genre, with sub-groupings related to literary genre.

In this lively gambol through the history of "ations and "ation books, Gary Saul Morson traces our enduring fascination with the words of others. Ranging from the remote past to the present, he explores the formation, development, and significance of "ations, while exploring the "verbal museums" in which they have been collected and displayed--commonplace books, treasuries, and anthologies. In his trademark clear, witty, and provocative style, Morson invites readers to share his delight in the shortest literary genre.The author defines what makes a "e "able, as well as the (unexpected) differences between "ation and mis"ation. He describes how "ations form, transform, and may eventually become idioms. How much of language itself is the residue of former "ations? Weaving in hundreds of intriguing "ations, common and unusual, Morson explores how the words of others constitute essential elements in the formation of a culture and of the self within that culture. In so doing, he provides a demonstration of that very process, captured in the pages of this extraordinary new book.

Provides a brief history of how reference works developed, but concentrates on how they reflect attitudes of their particular period of publication. Each chapter focuses on a basic reference form and highlights the major titles in its evolution.

How to Write is an introductory guide to writing, aimed at people who think they can't write, or for whom writing is an ordeal. Broken down into short topic-based chapters on everything from beginning to revising, it demystifies the writing process by taking the reader through each stage necessary to bring a piece of writing to a decent finish. The book also offers a wealth of invaluable practical considerations, including when and where to write, when to printout and whento edit onscreen, what type of pen works well for revisions, and the hazards of the paperclip.The author is a seasoned writer whose encouraging but uncompromising guidance will delight as well as instruct. Offering practical advice in a lucid, no-nonsense style, How to Write will be ideal for both students and professional people who need to write during the course of their work.

Who said that? When did that happen? Where the heck does that thing come from? Was that French, or what? What's that supposed to mean? For 35 years, librarians in the United States and other countries sent puzzles they could not solve locally to “The Exchange,” a column for reference librarians appearing in RQ (and later, RUSQ), the official journal of the Reference and User Services Division of the ALA. Other readers often furnished the answers--sometimes years or even decades later! Puzzles and Essays from “The Exchange” organizes those perplexing questions and answers into a reader-friendly reference format, embellished with essays that appeared in the column over the last fifteen years of its publication. This unique collection of questions and answers that stumped librarians on four continents over a 35-year period comes complete with authoritative bibliographic citations. It also contains an extensive subject, person, and keyword index, providing easy access to the material. Packed with fascinating information, little-known trivia, and hard-to-find facts, Puzzles and Essays from “The Exchange” is a wonderful reference source, answering difficult questions about: the origins of common--and not-so-common-customs, like giving engagement rings, driving on the right or left side of the road, tying yellow ribbons around trees in memory of captives, leg shaving, visits from the “Tooth Fairy,” and much, much more! the origins of words, phrases, and terms that don’t, when taken literally, make much sense the origins of popular sayings--The grass is always greener; The whole nine yards; It ain't over until the fat lady sings; Close but no cigar; Going down the tube; Light at the end of the tunnel; Katy, bar the door; Goodbye, cruel world; etc. the sources of famous quotations--both spurious and real! the sources of poetry fragments and bits of verse that have become part of the popular lexicon hard-to-find biographical information-from George Washington Carver's many uses for the peanut and the sweet potato to the name of Paul Revere's horse to the truth about the “let them eat cake” story attributed to Marie Antoinette trivia and miscellany--how lullabies began; why a yawn is contagious when a sneeze is not; what the names of the monkeys in The Wizard of Oz were; why pigeons bob their heads when they walk; what the vital statistics of the Venus de Milo are; and much more! the history of “The Exchange” itself! Puzzles and Essays from “The Exchange” will also challenge you with a list of so-far unanswered questions, unidentified quotations, and popular sayings whose origins are still generally unknown. Perhaps you’ll be the one to answer the riddles that stumped the editors and readers of “The Exchange!”