When seventeen-year-old Victoria Parker is suddenly placed into foster care, she struggles to find words for the abuse that upended her life. Determined to keep her head down, stay out of trouble, and graduate on time, Victoria soon realizes that no matter how hard she tries to move forward, the trauma in her past won’t leave her alone.

College freshman Victoria Parker is moving on with her life after surviving her father’s sexual abuse and six months of foster care. But when her long-lost aunt shows up, asking Victoria to lie about her father’s assault so he’ll get a lighter sentence, Victoria must decide whether and how to share her truth as a survivor.

"Barthelmess’ story thoughtfully explores intergenerational cultural dynamics and racial microaggressions as it follows Ri on her journey of self-discovery. An honest and engaging narrative." — Kirkus Reviews "This lush coming-of-age tale will fire readers’ emotions as they follow Ri’s quest to learn more about her heritage ... full of hope and realistic situations, [it] will speak to those who enjoy stories exploring identity and true purpose." — Booklist "Barthelmess examines identity, complicated intergenerational relationships, and the power of connection to one’s cultural heritage and community with sincerity and insight in this nuanced contemporary coming-of-age novel. Readers will find much to love in Ri’s journey as she sets out to define who she is and what she wants for herself." — Publishers Weekly "A moving story of acceptance, this will give readers space to consider what they can’t change, what they must fight to change, and what they shouldn’t have to." — Bulletin of the Center for Children’s Books “A relatable, compelling, and powerful story that offers a way forward, a way to reclaim and redefine one’s self.” — Randy Ribay, author of the National Book Award finalist Patron Saints of Nothing “An earnest and heartfelt look at biracial identity, complicated family dynamics, and the discovery of awho we are and who we hope to become.” — Crystal Maldonado, author of Fat Chance, Charlie Vega “A hopeful coming-of-age story about new friendships, first love, and figuring out how to bridge two worlds. It's a tender novel that glimmers with all of the wonder of self-discovery.” — Monica Gomez-Hira, author of Once Upon a Quinceañera “A moving story about family, the challenges facing biracial teens, and the importance of forgiveness.” — Ismée Williams, author of This Train Is Being Held A stunning story about having faith in oneself, one’s friends, and one’s family. Ri and all the people she loves are so real and full of heart that it’s impossible not to root for them" — Samantha Mabry, author of Tigers, Not Daughters "A solid addition to young adult collections." — School Library Journal

One of bestselling author Georgette Heyer's most suspenseful Regency romances, The Quiet Gentleman combines an ingenious mystery plot with her signature witty style and effervescently engaging characters. Less than a hero's welcome... Returning to his family seat from Waterloo, Gervase Frant, seventh Earl of St Erth, could have expected more enthusiasm for his homecoming. His quiet cousin, stepmother, and young half-brother seem openly disappointed that he survived the wars. And when he begins to fall for his half-brother's sweetheart, his chilly reception goes from unfriendly to positively murderous. Praise for Georgette Heyer and The Quiet Gentleman: "Fascinating reading...authentic atmosphere in a delightful English tale"—Chicago Sunday Tribune "Georgette Heyer was one of the great protagonists of the historical novel in the post-war golden age of the form. Her regency romances are delightful light reading, and her historical novels such as The Spanish Bride and An Infamous Army demonstrate how fiction and history can work together to make a valuable literary form."—Philippa Gregory, bestselling author

New York Times bestselling and Edgar Award winning author Lisa Scottoline is loved by millions of readers for her suspenseful novels about family and justice. Scottoline delivers once again with Keep Quiet, an emotionally gripping and complex story about one man's split-second decision to protect his son - and the devastating consequences that follow.Jake Buckman's relationship with his sixteen-year-old son Ryan is not an easy one, so at the urging of his loving wife, Pam, Jake goes alone to pick up Ryan at their suburban movie theater. On the way home, Ryan asks to drive on a deserted road, and Jake sees it as a chance to make a connection. However, what starts as a father-son bonding opportunity instantly turns into a nightmare. Tragedy strikes, and with Ryan's entire future hanging in the balance, Jake is forced to make a split-second decision that plunges them both into a world of guilt and lies. Without ever meaning to, Jake and Ryan find themselves living under the crushing weight of their secret, which threatens to tear their family to shreds and ruin them all. Powerful and dramatic, Keep Quiet will have readers and book clubs debating what it means to be a parent and how far you can, and should, go to protect those you love.

When life gets too busy, too impersonal, and too much to handle, it's time to turn to God for some peace and quiet. Keep a Quiet Heart is a unique collection of some of Elisabeth's best work from her newsletter. More than 100 short passages offer a bit of relief from everyday life as they point the reader toward the everlasting love and peace of God.

The "singer and actress in Scream Queens, Akeelah and the Bee, and Grease: Live, writes a ... guide for young women, with color illustrations throughout, on such topics as identity, anxiety, peer pressure, and body image ... and encourages them towards greater confidence and freedom"--

Cameron and Lisa Murdoch are successful crime-writers. They have been on the promotional circuit, joking that no-one knows how to get away with crime like they do. After all, they write about it for a living.So when their 7 year old son Zach goes missing, naturally the police and the public wonder if they have finally decided to prove what they have been saying all this time - are they trying to show how they can commit the perfect crime?

A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.

A “masterful . . . brilliantly constructed novel” of love and chaos in 1950s Vietnam (Zadie Smith, The Guardian). It’s 1955 and British journalist Thomas Fowler has been in Vietnam for two years covering the insurgency against French colonial rule. But it’s not just a political tangle that’s kept him tethered to the country. There’s also his lover, Phuong, a young Vietnamese woman who clings to Fowler for protection. Then comes Alden Pyle, an idealistic American working in service of the CIA. Devotedly, disastrously patriotic, he believes neither communism nor colonialism is what’s best for Southeast Asia, but rather a “Third Force”: American democracy by any means necessary. His ideas of conquest include Phuong, to whom he promises a sweet life in the states. But as Pyle’s blind moral conviction wreaks havoc upon innocent lives, it’s ultimately his romantic compulsions that will play a role in his own undoing. Although criticized upon publication as anti-American, Graham Greene’s “complex but compelling story of intrigue and counter-intrigue” would, in a few short years, prove prescient in its own condemnation of American interventionism (The New York Times).