A Wall Street Journal Best Book of 2018 In the tradition of Patrick Leigh Fermor and Geoff Dyer, a Grammy-winning producer discovers a powerful and ancient folk music tradition. In a gramophone shop in Istanbul, renowned record collector Christopher C. King uncovered some of the strangest—and most hypnotic—sounds he had ever heard. The 78s were immensely moving, seeming to tap into a primal well of emotion inaccessible through contemporary music. The songs, King learned, were from Epirus, an area straddling southern Albania and northwestern Greece and boasting a folk tradition extending back to the pre-Homeric era. To hear this music is to hear the past. Lament from Epirus is an unforgettable journey into a musical obsession, which traces a unique genre back to the roots of song itself. As King hunts for two long-lost virtuosos—one of whom may have committed a murder—he also tells the story of the Roma people who pioneered Epirotic folk music and their descendants who continue the tradition today. King discovers clues to his most profound questions about the function of music in the history of humanity: What is the relationship between music and language? Why do we organize sound as music? Is music superfluous, a mere form of entertainment, or could it be a tool for survival? King’s journey becomes an investigation into song and dance’s role as a means of spiritual healing—and what that may reveal about music’s evolutionary origins.

67 texts, including hymns, manifestos, articles or extracts from lengthy studies exemplify the relation between Romanticism and the national movements in the cultural space ranging from Poland to the Ottoman Empire. Each text is accompanied by a presentation of the author, and by an analysis of the context in which the respective work was born.The end of the 18th century and first decades of the 19th were in many respects a watershed period in European history. The ideas of the Enlightenment and the dramatic convulsions of the French Revolution had shattered the old bonds and cast doubt upon the established moral and social norms of the old corporate society. In culture a new trend, Romanticism, was successfully asserting itself against Classicism and provided a new key for a growing number of activists to 're-imagine' their national community, reaching beyond the traditional frameworks of identification (such as the 'political nation', regional patriotism, or Christian universalism). The collection focuses on the interplay of Romantic cultural discourses and the shaping of national ideology throughout the 19th century, tracing the patterns of cultural transfer with Western Europe as well as the mimetic competition of national ideologies within the region.

No detailed description available for "The Balkan Exchange of Minorities and Its Impact Upon Greece".

This work examines the background to Greek nationalist politics and its effects on public opinion towards international events and territorial claims, from the end of the Second World War to the collapse of constitutional rule in 1967. It explains how intermittent public mobilisation on various foreign policy issues created a political culture that combined elements of nationalism, religion, race and stereotypes about the national Self and the Other. The book challenges widely-held assumptions that Greek irredentism was all but dead and buried in the aftermath of the Asia Minor catastrophe of 1922, and that anti-Americanism was the product of US support for the Colonels' regime of 1967-74 and its condoning of the Turkish occupation of northern Cyprus. It begins with an examination of the revival of irredentism in connection with Greek national claims after 1945 and the two campaigns for the union of Cyprus with Greece during the 1950s and 1960s. The second part of the study reveals anti-Americanism to be largely the result of failed post-war Greek territorial ambitions - particularly the frustration of the Enosis claim - rather than the actual intervention of the United States in Greek affairs. Drawing on a huge variety of sources including the Greek press, records of the Greek Parliament, the US and British National Archives, as well the archives of numerous individuals, this book provides a fascinating account of Greek political culture and national self image at a crucial time in the country's political development.