This volume is edited by Douglas S. Mack and contains an Essay on the Illustrations by Meiko O'Halloran and a Glossary by Janette CurrieThe Queen's Wake is one of the landmarks of British Romantic poetry. It focuses on the return of Mary, Queen of Scots to Scotland in 1561 to take personal rule of her kingdom after her years in France. In the poem poets and bards hold a poetic competition (a 'wake') in Holyrood Palace to welcome the Queen home. In the descriptions of the songs and the people who sing them various Scottish poets of Hogg's own period can be recognised, giving the reader a sense of the condition of poetry in Hogg's Scotland.Another key concern of the poem is the state of Scotland in 1561 - a crucial period in Scottish history, coming a year after the legislation was passed that brought in the Scottish Reformation. The Queen's Wake looks back to the pre-1560 world of Catholic Scotland and explores the tensions between that old world and an emerging modernity.When The Queen's Wake was pu

A commoner turned noble. A Queen cast aside. A lady half forgotten. A court filled with lies. Marietta: A half-elven commoner, abducted and forced into marriage with an elven lord. Valeriya: A Queen without power, undermining the husband she loathes for the legacy she craves. Elyse: A lady with untold potential, determined to remain unseen. In Enomenos, everyone is equal. In Syllogi, the elves rule over all. When war breaks out between them, Marietta finds herself at the center of the conflict in the elven city-state of Satiros. She must make a choice: fight for her freedom or fight for her people. When Queen Valeriya first learns of Marietta, she digs into her past. What she finds is a weapon to wield against the court-and a chance to dethrone the King. Elyse is thrust from the shadows and into the light when the King learns of her innate ability to control magic. Her life grows more complicated when a flirtatious foreign lord fights for her love. All three soon discover their choices shape the future of Satiros. Who can they trust, and which lies will be the most devastating of all? If you love books with royalty and aristocracy, elves and humans, and strong female leads, then you will love this adult fantasy romance book. A Queen's Game blends royalty, fantasy, romance, and political intrigue for an unforgettable story that will leave you guessing until the end.

Responding to the resurgence of interest in the Scottish working-class writer James Hogg, Sharon Alker and Holly Faith Nelson offer the first edited collection devoted to an examination of the critical implications of his writings and their position in the Edinburgh and London literary marketplaces. Writing during a particularly complex time in Scottish literary history, Hogg, a working shepherd for much of his life, is seen to challenge many of the aesthetic conventions adopted by his contemporaries and to anticipate many of the concerns voiced in discussions of literature in recent years. While the essays privilege Hogg's primary texts and read them closely in their immediate cultural context, the volume's contributors also introduce relevant research on oral culture, nationalism, transnationalism, intertextuality, class, colonialism, empire, psychology, and aesthetics where they serve to illuminate Hogg's literary ingenuity as a working-class writer in Romantic Scotland.

An account of the childhoods and early adulthoods of Queen Elizabeth and Princess Margaret, as told by one of their primary caregivers, offers insight into early twentieth-century British royal life.