The first book to challenge the conventional wisdom that Sandra Day O'Connor was an influential member of the Rehnquist Court simply by default of her centrist views. Shows that her impact and influence went far beyond the "swing vote," and that it truly was "O'Connor's Court" more so than Rehnquist's.

No one returns from Faerie unchanged... but most don't return from Faerie at all... Tabitha and Lysander are out of the Iron Court's sights - for now. Tabitha's convinced that they will be safe if only they can get to the Otherworld, where she hopes she will also finally discover the answers to her questions about the hagstone. And when they meet a mysterious, handsome faery who promises he can take them straight to the Queen's Court, it seems like all Tabitha's wishes have come true. But it quickly turns out that the Kingdom of Faerie isn't quite what she expected it to be... Tabitha and Lysander don't know who or what to trust any more. And the closer they get to the Court of the Faerie Queen, the darker and more wicked Faerie seems to grow... Will Tabitha and Lysander find the answers they're looking for in the Queen's Court? And even if they do - will they be able to return to the human world again afterwards? The Queen's Court is the third instalment in the River Witch series, a fairytale-inspired fantasy series set in post-technology Britain.

Nancy joins an Elizabethan troupe as a lady to the queen’s court. There are performances and feasts, but the true drama unfolds when Nancy learns that she, the queen, and the entire festival have been targeted for sabotage.

Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen's court lay Elizabeth's bedchamber, closely guarded by the favoured women who helped her dress, looked after her jewels and shared her bed. Elizabeth's private life was of public, political concern. Her bedfellows were witnesses to the face and body beneath the make-up and elaborate clothes, as well as to rumoured illicit dalliances with such figures as Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic subterfuge. For such was the significance of the queen's body: it represented the very state itself. This riveting, revealing history of the politics of intimacy uncovers the feminized world of the Elizabethan court. Between the scandal and intrigue the women who attended the queen were the guardians of the truth about her health, chastity and fertility. Their stories offer extraordinary insight into the daily life of the Elizabethans, the fragility of royal favour and the price of disloyalty.

"Originally published in 2013 by Bloomsbury Publishing, Great Britain, as Elizabeth's Bedfellows: An Intimate History of the Queen's Court"--T.p. verso.

Ideal for courses, this Companion examines the range, historical importance, and aesthetic merit of women's writing in Britain, 1500-1700.

The Kingdom of Faerie has been sleeping for centuries, through the ages of iron and metal and glass. But now technology has failed, the digital world is over and, finally, something has disturbed the fae from slumber...Tabitha is a misfit. She's hopelessly naïve, more comfortable in the pages of her books than talking to the other villagers, and spends most of her time chattering away to the river that runs through her village. The rest of the village all agree - she is definitely odd.But when the little folk start wreaking havoc and something old and terrible wakes up in the river, it falls to Tabitha to leave home in search of the fabled Iron City, home to the only humans who still have any memory of the fae and who might be able to help her village.Tabitha wasn't born an adventurer. And with only a simple book of fairytales to help her navigate this strange new world full of faeries and sprites and pixies, she quickly finds herself way out of her depth...The River Witch is the first in a new fairytale-inspired fantasy series set in post-technology Britain. Faerie is waking up again - don't miss it when it does.

“Wow. C. E. Murphy is good. Court intrigue in an alternate Elizabethan-era fantasy world: realpolitik with the sex included.” –Kate Elliott, author of Crown of Stars In a world where religion has ripped apart the old order, Belinda Primrose is the queen’s secret weapon. The unacknowledged daughter of Lorraine, the first queen to sit on the Aulunian throne, Belinda has been trained as a spy since the age of twelve by her father, Lorraine’s lover and spymaster. Cunning and alluring, fluent in languages and able to take on any persona, Belinda can infiltrate the glittering courts of Echon where her mother’s enemies conspire. She can seduce at will and kill if she must. But Belinda’s spying takes a new twist when her witchlight appears. Now Belinda’s powers are unlike anything Lorraine could have imagined. They can turn an obedient daughter into a rival who understands that anything can be hers, including the wickedly sensual Javier, whose throne Lorraine both covets and fears. But Javier is also witchbreed, a man whose ability rivals Belinda’s own . . . and can be just as dangerous. Amid court intrigue and magic, loyalty and love can lead to more daring passions, as Belinda discovers that power is the ultimate aphrodisiac. “C. E. Murphy vividly reimagines Renaissance Europe as a world both familiar and strange. Filled with intrigue and betrayal, her story is a chess game with six of seven sides, and I look forward to seeing what the next moves are.” –Marie Brennan, author of Warrior and Witch From the Trade Paperback edition.

This sweeping historical novel, in the tradition of Bertrie Small's Blaze Wyndham and Susan Kay's Legacy, is told from the unique perspective of a court insider--Kathryn Howard, powerful lady-in-waiting and confidante to the six famous wives of the infamous King Henry VIII.