This book examines evidence connected with the life of Queen of Sheba, including the Sabaean inscription on the Ethiopian plateau, aspects of the Ancient West Arabian language, and geographical references in Ge'ez Kebra Nagast to offer a third alternative. It argues that the Old Testament is an accurate account but its events took place in West Arabia, not Palestine. It suggests that scholars are unwilling to consider such a strong possibility because, if true, it would not only completely undermine the raison d'être of the State of Israel but also force a total reassessment of Biblical, Arabian, and North East African history. Professional archaeology in the Holy Land dates from the 1920s and has been characterized by Jewish and Christian attempts to substantiate the Biblical record. While evidence has been unearthed that supports the account of the post-Babylonian captivity, well-known archaeologists such as Kenyon, Pritchard, Thompson, Glock, Hertzog, Silberman, and Finkelstein have concluded that the Old Testament is either a fantasy or highly exaggerated. Joshua's invasion of Canaan has been reinterpreted as a peaceful migration and traces have been found of the massive public works allegedly contracted in Jerusalem by Solomon or in Samaria by Omri. If they existed, they would have been little more than petty village headmen with imaginative publicists. This so-called minimalist outlook is fiercely challenged by others who believe that the evidence to support the Old Testament has literally yet to be uncovered. By accepting African traditions in providing a solution to the bitter division in Biblical scholarship, this book ranks with Martin Bernal's Black Athena in its degree of controversy and presenting evidence that most scholars should address.

Part I of this book begins with a scriptural study of all Sheba references, particularly the origins and genealogy of the name and its connections with Hebrew patriarchs such as Abraham and kings Saul and David; it later explores the literature and legends surrounding king Solomon and his trade negotiations with Sheba. The text analyzes theories and links between the Queen of Sheba and Pharaoh Hatshepsut, and concludes that Sheba may well be the Pharaoh based upon linguistic associations and the related stories from a multitude of regions and countries. Part II travels into ancient Arabian, Yemeni, Ethiopian, and Eritrean tales of the Queen of Sheba, and examines the mention of Sheba in an array of Jewish, Christian, and Muslim texts. It scrutinizes associations between ancient gods and pharaohs, particularly the similarity of their iconographic representations, the meaning of their symbols and signs that connect with Sheba legends and Hatshepsut's history, the real extent and location of her vast empire.

Keith A. Burton traces the story of biblical Africa and the place of the Bible in the land of Ham. He ends with an examination of the modern era and the achievements of African Christianity. This invigorating work places the story of the Bible and African Christianity in a wider global context and challenges readers to think differently about history and the biblical world.

Transforming Scriptures is the first sustained treatment of African American women writers' intellectual, even theological, engagements with the book Northrop Frye referred to as the “great code” of Western civilization. Katherine Clay Bassard discusses how such texts respond as a collective “literary witness” to the use of the Bible for purposes of social domination.

Jens Bruun Kofoed addresses the methodological issues that must lie behind the use of the biblical text and its validation as a source for historical information. --from publisher desscription.

Befitting her name, this book offers seven unique perspectives on the visit of the Queen of Sheba to Solomon in 1 Kings 10. Although each theory stands alone and can be taken as a starting point for further investigation, the overall implication is that the Queen’s visit was not intended as a chronicle of some illustrious Arabian ruler seeking the king’s wisdom but rather, it was a reminder of the most castigated woman in the Hebrew Bible, Nitocris, wife of Nabonidus, King of Babylon (556-539 BCE). Two previous investigations, She Brought the Art of Women, and Arabian Sinai, set a new paradigm for the interpretation of the Song of Solomon and the exodus narratives, placing the stories of Abraham, Moses, and Solomon firmly in the 6th Century BCE. Nabonidus and Nitocris’ relationship was based on arcane rituals, secret initiations, and the drinking of a psychedelic, addictive potion; the “Queen of Sheba” epithet preserves this influence on the king as a caveat. Subsequent additions to the simple legend played with other associations to serve changing needs but the link to Nabonidus and Nitocris could never be lost, even if their original histories had been long forgotten.

This book explores the social roles of women as portrayed within the book of Proverbs, as well as the character archetypes and patriarchal ideologies which undergird the sages' portrayal. Using feminist folklore methodologies and performance studies, the author explores an alternative paradigm for understanding women's relationship to wisdom traditions in the ancient near east, using parallel texts, later midrash and extrabiblical re-presentations of biblical women associated with wisdom. The author demonstrates that women were culturally authorized 'performers' of the family based wisdom traditions of teaching, economic problem solving, and care giving, and that these roles provided them with a platform to use their acknowledged wisdom in public roles.