Fiction. African & African American Studies. Latinx Studies. Women's Studies. Translated by Patricia Hartland and Hodna Bentali Gharsallah Nuernberg. MADAM ST. CLAIR, QUEEN OF HARLEM is the story of a real-life woman's rise from the slums of Martinique to the heights of Sugar Hill during the Harlem Renaissance. In the years following her arrival on Ellis Island with little more than a razor and a slim roll of bank notes, St. Clair would become queen of the numbers game, facing off against both the black underworld and the white mafia. Traversing the era from the First World War, Prohibition, the Great Depression, the Second World War and the beginning of the Civil Rights Movement, she became an iconic figure of the Harlem Renaissance, as a ruthless lady gangster but also as consort and benefactor to such heroes of the movement as W.E.B. Du Bois, Countee Cullen, and Langston Hughes. "MADAM ST. CLAIR, QUEEN OF HARLEM pulls you into the life of an unforgettable woman, who will capture your imagination. This is a rare, whirling, energetic book.��Maurice Carlos Ruffin

The Queen of Harlem Commandments is the first book by Michelle Smalls, a Harlem powerhouse who turned her pain into prosperity by following a code of conduct she first learned living the life of a street boss. Ms. Smalls's journey is not unlike many young women of color living in the inner cities that learn early in life how to rise above pain, loss, and disappointment. Through it all, the Queen made no excuses. Instead, she made commandments.This book shares Ms. Smalls' moments of heartache. triumphs, betrayal, and disloyalty She believes in order to survive and be successful in the hustle of life, you must respect the Code and follow the Commandments.

An African American Breakfast at Tiffany’s–a hip, refreshingly candid tale of identity and self—discovery from the critically acclaimed author of The View from Here and Walking Through Mirrors. Mason Randolph, a black preppie of impeccable Southern pedigree, is bound for Stanford Law School after graduating from college. Before embarking on the path to his golden future, however, he takes a detour through Harlem, where he intends to live "authentically" with "real black people." Mason takes the name "Malik" and moves into the orbit of the ever—fabulous Carmen, uptown diva and doyenne of Harlem. Carmen, always ready to have a handsome young man at her fabulous soirees and to add to her devoted entourage, happily takes him under her wing. Fueled by his parents' money and dodging the people who remember him as Mason Randolph, "Malik" masquerades as a "ghettonian," exploring the wonders and pleasures of a Harlem in the midst of a second Renaissance. But his odyssey takes a different turn when he meets Kyra, whose world mirrors the one he has abandoned. As he contemplates the choices Kyra has made, and begins to reexamine his own presumptions about identity and authenticity, Mason realizes that everyone has something to hide and that to get what we want, we have to be willing to let go of our secrets. People compared Brian Keith Jackson's remarkable first novel, The View from Here, to the works of Alice Walker and Toni Morrison, and Publishers Weekly called it "an extraordinary debut...[by] a formidable craftsman and exceptionally gifted storyteller." A novel rich in humor and insight, The Queen of Harlem will earn Jackson a much—deserved place in the center of today’s literary landscape.

This biography reveals the lost history of the life of the 1920s Black female international superstar. Mills was lionized by the crowned heads in Europe and opened doors for generations of Black female stars from Lena Horne to Diana Ross. Although her career and shows changed the nature of Black entertainment, and thereby the wider American popular culture, she was largely forgotten in later years. Anyone who wants to understand the history of Black entertainment from Bert Williams to Michael Jackson and, by implication, the history of American popular culture, needs to understand the ways in which Florence Mills changed the rules forever.

An African American Breakfast at Tiffany’s–a hip, refreshingly candid tale of identity and self—discovery from the critically acclaimed author of The View from Here and Walking Through Mirrors. Mason Randolph, a black preppie of impeccable Southern pedigree, is bound for Stanford Law School after graduating from college. Before embarking on the path to his golden future, however, he takes a detour through Harlem, where he intends to live "authentically" with "real black people." Mason takes the name "Malik" and moves into the orbit of the ever—fabulous Carmen, uptown diva and doyenne of Harlem. Carmen, always ready to have a handsome young man at her fabulous soirees and to add to her devoted entourage, happily takes him under her wing. Fueled by his parents' money and dodging the people who remember him as Mason Randolph, "Malik" masquerades as a "ghettonian," exploring the wonders and pleasures of a Harlem in the midst of a second Renaissance. But his odyssey takes a different turn when he meets Kyra, whose world mirrors the one he has abandoned. As he contemplates the choices Kyra has made, and begins to reexamine his own presumptions about identity and authenticity, Mason realizes that everyone has something to hide and that to get what we want, we have to be willing to let go of our secrets. People compared Brian Keith Jackson's remarkable first novel, The View from Here, to the works of Alice Walker and Toni Morrison, and Publishers Weekly called it "an extraordinary debut...[by] a formidable craftsman and exceptionally gifted storyteller." A novel rich in humor and insight, The Queen of Harlem will earn Jackson a much—deserved place in the center of today’s literary landscape.

Traces the career of the influential African-American writer, citing the historical backdrop of her life and work while considering her relationships with and influences on top literary, intellectual, and artistic figures.

This book profiles the compelling story and lineage of Stephanie St. Clair, a black female Caribbean immigrant in the early twentieth century. Upon entering the US, St. Clair created and managed a highly lucrative policy bank in Harlem ‒ earning a quarter of a million dollars a year. The author also explores St. Clair's lineage and the factors that influenced her decision to become an entrepreneur and activist.

(This is the TRUE STORY of Sister Act) The purpose of this book is to hold on to your innate gifts that God has endowed you with. Creative energy comes from the Creator, let no man rob you of your inspirations, your reflections and your spiritual awakening that only the Creator can endow you. There are those that want to abuse, snatch, rape, pillage, exploit and annihilate your gifts. They will do anything in their power to silence you from claiming what is rightfully yours. No one has a right to dehumanize you in your mystical and sacred space because you are destined to be here. Divine Gifts must be cherished from a force that is the beginning and the end of all things. Your soul energy is the energy that guides and leads you throughout time. I call on all of us to cherish our culture, our traditions, our spirit and heritage in a healing that is unrecognized by the forces of mankind. Let us live in the moment of the universe. Love of our universe and peace, love and harmony that balances the scale of justice. As the mountains bow to the valley and as the rivers and the lakes flow in silence as a lagoon, blessings to all as I share the memories of my life. (Buy the Book and contact the author: [email protected])

Home to Harlem is a groundbreaking novel written by Claude McKay, a prominent figure of the Harlem Renaissance. Published in 1928, it is considered as one of the earliest works of the Harlem Renaissance movement, which sought to celebrate African American culture and identity through literature, art, and music. McKay's novel is a powerful and thought-provoking depiction of the lives of African Americans living in the urban city of Harlem during the 1920s. The novel follows the story of Jake Brown, a young black man who returns to Harlem after serving in World War I. Through Jake's eyes, McKay portrays the vibrant and complex world of Harlem, with its jazz clubs, speakeasies, and bustling streets. The city is a melting pot of different cultures, with people from all walks of life coexisting and struggling to survive in a society that is hostile towards them. One of the main themes of the novel is the search for identity and belonging. Jake, like many other African Americans, is torn between his rural Southern roots and the urban lifestyle of Harlem. He is constantly trying to find his place in a city that is both alluring and rejecting, facing the dilemma of whether to conform to societal expectations or embrace his true self. This struggle is further highlighted through the character of Ray, Jake's friend, who is trying to pass as white to gain acceptance and privilege in society. McKay's writing is raw and unapologetic, as he fearlessly addresses issues of race, class, and gender. He exposes the harsh realities of racism and discrimination faced by African Americans, both in the North and the South. The novel also delves into the complexities of relationships, particularly between men and women, and the impact of societal expectations on them. Moreover, Home to Harlem is a celebration of African American culture and traditions. McKay effortlessly weaves in elements of jazz, blues, and folklore into the narrative, giving readers a glimpse into the rich and vibrant culture of Harlem. He also highlights the resilience and strength of the African American community, who despite facing numerous challenges, continue to thrive and create their own spaces of freedom and joy. In addition to its literary significance, Home to Harlem is also a social commentary on the limitations and restrictions placed on African Americans during the 1920s. McKay's novel is a call for social and political change, urging readers to challenge the status quo and fight for equality and justice. Home to Harlem is a powerful and thought-provoking novel that provides a unique and authentic perspective on the African American experience during the Harlem Renaissance. It is a timeless classic that continues to inspire and educate readers about the struggles and triumphs of a community that fought for their place in American society.

Examines how the media influenced ideas of race and beauty among African American women from the Harlem Renaissance to World War II. Between the Harlem Renaissance and the end of World War II, a complicated discourse emerged surrounding considerations of appearance of African American women and expressions of race, class, and status. Brown Beauty considers how the media created a beauty ideal for these women, emphasizing different representations and expressions of brown skin. Haidarali contends that the idea of brown as a “respectable shade” was carefully constructed through print and visual media in the interwar era. Throughout this period, brownness of skin came to be idealized as the real, representational, and respectable complexion of African American middle class women. Shades of brown became channels that facilitated discussions of race, class, and gender in a way that would develop lasting cultural effects for an ever-modernizing world. Building on an impressive range of visual and media sources—from newspapers, journals, magazines, and newsletters to commercial advertising—Haidarali locates a complex, and sometimes contradictory, set of cultural values at the core of representations of women, envisioned as “brown-skin.” She explores how brownness affected socially-mobile New Negro women in the urban environment during the interwar years, showing how the majority of messages on brownness were directed at an aspirant middle-class. By tracing brown’s changing meanings across this period, and showing how a visual language of brown grew into a dynamic racial shorthand used to denote modern African American womanhood, Brown Beauty demonstrates the myriad values and judgments, compromises and contradictions involved in the social evaluation of women. This book is an eye-opening account of the intense dynamics between racial identity and the influence mass media has on what, and who we consider beautiful.