Published quarterly from 1844 to 1939, 'The Quarterly Review of the Methodist Episcopal Church South' was an important publication for Methodist theologians and scholars. Each issue contained articles on theology, history, and practical ministry, as well as book reviews and news from around the Southern Methodist Church. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Published in 1965, this biography of Atticus Green Haygood (1839–1896) reveals a man whose personal faith led him to become one of the foremost southern advocates of liberal racial policies. Born in rural northeast Georgia, Haygood attended Emory College at Oxford and went on to lead a distinguished career in the Methodist church, reforming church government, writing tracts on missionary work, and eventually serving as Bishop of the Methodist Episcopal Church, South. Haygood received national recognition for his work as an agent for the Slater Fund, an organization dedicated to supporting education for blacks, and for his controversial book Our Brother in Black, which outlined his views on racial issues. From 1875 to 1884 he served as president of Emory College where he continued his efforts of social reform.

On the day after Christmas in 1811, the state of Virginia lost its governor and almost one hundred citizens in a devastating nighttime fire that consumed a Richmond playhouse. During the second act of a melodramatic tale of bandits, ghosts, and murder, a small fire kindled behind the backdrop. Within minutes, it raced to the ceiling timbers and enveloped the audience in flames. The tragic Richmond Theater fire would inspire a national commemoration and become its generation's defining disaster. A vibrant and bustling city, Richmond was synonymous with horse races, gambling, and frivolity. The gruesome fire amplified the capital's reputation for vice and led to an upsurge in antitheater criticism that spread throughout the country and across the Atlantic. Clerics in both America and abroad urged national repentance and denounced the stage, a sentiment that nearly destroyed theatrical entertainment in Richmond for decades. Local churches, by contrast, experienced a rise in attendance and became increasingly evangelical. In The Richmond Theater Fire, the first book about the event and its aftermath, Meredith Henne Baker explores a forgotten catastrophe and its wide societal impact. The story of transformation comes alive through survivor accounts of slaves, actresses, ministers, and statesmen. Investigating private letters, diaries, and sermons, among other rare or unpublished documents, Baker views the event and its outcomes through the fascinating lenses of early nineteenth-century theater, architecture, and faith, and reveals a rich and vital untold story from America's past.

Why do we worship as we do? What are the forgotten practices once central to many early Nazarene congregations? Because historical events and other factors have shaped and molded the various worship patterns found in local congregations, the way in which contemporary Nazarenes worship is no accident. Like other descendants of the American holiness movement, Nazarene worship is influenced by events predating our denominational forebears. This text explores the history behind current worship trends for a crucial reason: the very act of worship shapes and forms worshipers. Beliefs and attitudes are forged not merely by what is heard from the pulpit, but also by what is done bodily in the pew. Ellis examines the liturgical concerns and practice of John Wesley as well as those of early Nazarene pioneers in an attempt to address these issues. In so doing, the book provides a historical resource for denominational leaders, pastors, and congregations. At the same time, it aims to help congregations both to appreciate our rich ecclesial history and to critically evaluate current worship practices in order that they may truly be transformational.