Eighteen-year-old Kit is weird: big, strange, odd, socially disabled, on a spectrum that stretches from "highly gifted" at one end, to "nutter" at the other. At least Kit knows who his father is; he and Guy live together in a decaying country house on the unstable brink of a vast quarry. His mother's identity is another matter. Now, though, his father's dying, and old friends are gathering for one last time. "Uncle" Paul's a media lawyer now; Rob and Ali are upwardly mobile corporate bunnies; pretty, hopeful Pris is a single mother; Haze is still living up to his drug-inspired name twenty years on; and fierce, protective Hol is a gifted if acerbic critic. As young film students they lived at Willoughtree House with Guy, and they've all come back because they want something. Kit, too, has his own ulterior motives. Before his father dies he wants to know who his mother is, and what's on the mysterious tape they're all looking for. But most of all he wants to stop time and keep his father alive. Fast-paced, gripping and savagely funny, The Quarry is a virtuoso performance whose soaring riffs on the inexhaustible marvel of human perception and rage against the dying of the light will stand among Iain Banks' greatest work.

The Quarry presents new and pivotal Susan Howe prose pieces. A powerful selection of Susan Howe's previously uncollected essays, The Quarry moves backward chronologically, from her brand-new "Vagrancy in the Park" (about Wallace Stevens) through such essential texts as "The Disappearance Approach," "Personal Narrative," "Sorting Facts," "Frame Structures," and "Where Should the Commander Be," and ending with her seminal early criticism, "The End of Art." The essays of The Quarry map the intellectual territory of one of America's most important and vital avant-garde poets.

The assignment was simple: stake out the man's home and kill him. Easy work for a professional like Quarry. But when things go horribly wrong, Quarry finds himself with a new mission: learn who hired him, and make the bastard pay. NOW A CINEMAX TELEVISION SERIES! The longest-running series from Max Allan Collins, author of Road to Perdition, and the first ever to feature a hitman as the main character, the Quarry novels tell the story of a paid assassin with a rebellious streak and an unlikely taste for justice. Once a Marine sniper, Quarry found a new home stateside with a group of contract killers. But some men aren't made for taking orders - and when Quarry strikes off on his own, god help the man on the other side of his nine-millimeter...

“A lyrical celebration . . . This engaging portrait of the Catskill wilderness will appeal to nature enthusiasts of all stripes.” —Library Journal (starred review) A red fox stands poised at the edge of a woodchuck den, his ears perked for danger as two pudgy fox cubs frolic nearby. A mother black bear and her cubs hibernate beneath a felled tree. A barred owl snags a hapless cottontail from a meadow with its precise talons. In The Quarry Fox and Other Tales of the Wild Catskills, Leslie T. Sharpe trains her keen eye and narrative gifts on these and other New York wildlife through her tales of close observations as a naturalist living in the Great Western Catskills. The Quarry Fox is the first in-depth study of Catskill wildlife since John Burroughs invented the genre of nature writing, in which Sharpe weaves her experiences of the seasons, plants, and creatures with the natural history of each organism, revealing their sensitivity to and resilience against the splendor and cruelty of Nature. Sharpe's frank, scientific observations join with her deeply felt connection to these creatures to instill an appreciation of the undaunted and variegated beauty of the Catskills and camaraderie with its animals. From contemplating the importance of milkweed for monarchs to lay their eggs to reveling in the first steps of a wobbly fawn, The Quarry Fox is a celebration of the natural world and our place in it. “A poignant and modern reminder of untamed creatures so close to home.” —The New York Times

The story of boxing legend Jerry Quarry has it all: rags to riches, thrilling fights against the giants of the Golden Age of Heavyweights (Ali—twice, Frazier—twice, Patterson, Norton), a racially and politically electric sports era, the thrills and excesses of fame, celebrities, love, hate, joy, and pain. And tragedy. Like the man he fought during two highly controversial fight cards in 1970 and ’72—Muhammad Ali—boxing great Jerry Quarry was to suffer gravely. He died at age fifty-three, mind and body ravaged by Dementia Pugilistica. In Hard Luck, “Irish” Jerry Quarry comes to life—from his Grapes of Wrath days as the child of an abusive father in the California migrant camps to those as the undersized heavyweight slaying giants on his way to multiple title bouts and the honor of being the World’s Most Popular Fighter in ’68, ’69, ’70, and ’71. The story of Jerry Quarry is one of the richest in the annals of boxing, and through painstaking research and exclusive access to the Quarry family and its archives, Steve Springer and Blake Chavez have captured it all.

“The most frightening novel of the year.” – The Scotsman Todd, Randy, and Carter come across a boy while roaming the countryside near their town. They take him hostage in a cave in an abandoned quarry and consider what to do next. In Lord of the Flies, William Golding needed a plane crash and a desert island to bring out the capacity for violence and evil in his English schoolboys. Jane White, a mother and housewife living in Godalming when she wrote Quarry, needed only a chance encounter in fields not unlike those around her own development. Quarry is deeply unsettling. White’s teenaged kidnappers ride bikes, worry about exams, have to be home in time for supper. Yet they also imprison and torture another boy with the cold calculating objectivity that Hannah Arendt called “the banality of evil.” Written in cool, realistic prose, Quarry pulls the reader into a vortex of violence and inhumanity. It’s a gripping and believable account of a crime and a parable filled with complex symbolism. “Nothing since A High Wind in Jamaica probes the depths of innocence with such terror and finesse as Jane White’s novel,” declared Newsday.

The unforgettable, New York Times bestselling family saga from Markus Zusak, the storyteller who gave us the extraordinary bestseller THE BOOK THIEF, lauded by the New York Times as "the kind of book that can be life-changing." NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ENTERTAINMENT WEEKLY • THE WALL STREET JOURNAL "One of those monumental books that can draw you across space and time into another family’s experience in the most profound way." —The Washington Post "Mystical and loaded with heart, it's another gorgeous tearjerker from a rising master of them." —Entertainment Weekly “Devastating, demanding and deeply moving.” —Wall Street Journal The breathtaking story of five brothers who bring each other up in a world run by their own rules. As the Dunbar boys love and fight and learn to reckon with the adult world, they discover the moving secret behind their father’s disappearance. At the center of the Dunbar family is Clay, a boy who will build a bridge—for his family, for his past, for greatness, for his sins, for a miracle. The question is, how far is Clay willing to go? And how much can he overcome? Written in powerfully inventive language and bursting with heart, BRIDGE OF CLAY is signature Zusak.

WHERE DOES A HIT MAN DRAW THE LINE? With a controversial presidential election just weeks away, Quarry is hired to carry out a rare political assignment: kill the Reverend Raymond Wesley Lloyd, a passionate Civil Rights crusader and campaigner for the underdog candidate. But when a hate group out of Ferguson, Missouri, turns out to be gunning for the same target, Quarry starts to wonder just who it is he’s working for. NOW A CINEMAX TELEVISION SERIES! The longest-running series from Max Allan Collins, author of Road to Perdition, the Quarry novels tell the story of a paid assassin with a rebellious streak and an unlikely taste for justice. Once a Marine sniper, Quarry found a new home stateside with a group of contract killers. But some men aren’t made for taking orders -- and when Quarry strikes off on his own, God help the man on the other side of his nine-millimeter...

QUARRY'S BACK – FOR HIS TOUGHEST JOB EVER. The ruthless professional killer known as Quarry long ago disappeared into a well-earned retirement. But now a media magnate has lured the restless hitman into tackling one last lucrative assignment. The target is an unlikely one: Why, Quarry wonders, would anyone want a beautiful young librarian dead? And why in hell does he care? On the 30th anniversary of the enigmatic assassin's first appearance, bestselling author Max Allan Collins brings him back for a dark and deadly mission where the last quarry may turn out to be Quarry himself.

BASH: I dislike people.I despise humans.A cruel mandate from one of my region's rulers has saddled me with a slew of little alien humans: I'm to put them to work.One problem?I run a rock quarry, where humans' thin skin is a detriment to productivity. Overseeing these humans is like trying to herd yanaks. If I don't burn, beat, or strangle them to death by the day's end, it will be a miracle.ISLA: I can tell the boss likes me, because I'm not dead. Bash is abrasive and acerbic, like some sort of alien love child between Michael Caine and Miss Hannigan. And maybe Ebenezer Scrooge. Bash is a little... anti-human race. But he's not all bad. Sure, he's a little growly and he sets things on fire when he gets mad, but even villains need a friend. And here? Bash is everybody's villain.Everybody's but mine.Warning: This book is the slowest of slow burns. It's a 127K story with the personal puzzle parts not snapping together until the last stretch of the book. If you want to sink your teeth into a romance that hits the fireworks level fast, skip on this one. But if you want a sweet slow burn, then this one might be the book for you. (Especially if you love super grouchy heroes with big horns and bigger attitudes.)