Barry Unsworth returns to the terrain of his Booker Prize-winning novel Sacred Hunger, this time following Sullivan, the Irish fiddler, and Erasmus Kemp, son of a Liverpool slave ship owner who hanged himself. It is the spring of 1767, and to avenge his father's death, Erasmus Kemp has had the rebellious sailors of his father's ship, including Sullivan, brought back to London to stand trial on charges of mutiny and piracy. But as the novel opens, a blithe Sullivan has escaped and is making his way on foot to the north of England, stealing as he goes and sleeping where he can. His destination is Thorpe in the East Durham coalfields, where his dead shipmate, Billy Blair, lived: he has pledged to tell the family how Billy met his end. In this village, Billy's sister, Nan, and her miner husband, James Bordon, live with their three sons, all destined to follow their father down the pit. The youngest, only seven, is enjoying his last summer aboveground. Meanwhile, in London, a passionate anti-slavery campaigner, Frederick Ashton, gets involved in a second case relating to the lost ship. Erasmus Kemp wants compensation for the cargo of sick slaves who were thrown overboard to drown, and Ashton is representing the insurers who dispute his claim. Despite their polarized views on slavery, Ashton's beautiful sister, Jane, encounters Erasmus Kemp and finds herself powerfully attracted to him. Lord Spenton, who owns coal mines in East-Durham, has extravagant habits and is pressed for money. When he applies to the Kemp merchant bank for a loan, Erasmus sees a business opportunity of the kind he has long been hoping for, a way of gaining entry into Britain's rapidly developing and highly profitable coal and steel industries. Thus he too makes his way north, to the very same village that Sullivan is heading for . . . With historical sweep and deep pathos, Unsworth explores the struggles of the powerless and the captive against the rich and the powerful, and what weight mercy may throw on the scales of justice.

The royal physician’s daughter leads a dangerous double life with a young William Shakespeare in this “tour de force” historical thriller (Publishers Weekly). Rebecca Lopez enjoys a life of privilege in Elizabeth's England, yet she guards secrets that would be anyone’s undoing. The beautiful, tempestuous daughter of the queen's own physician, Rebecca is also a converso -- a Jew who practices her banned religion clandestinely. And to court danger further, she helps others of her faith escape persecution and death. Rebecca’s risky endeavors often take her to the bustling streets of London disguised in male garb. But one such outing is leading her into a dangerous viper's nest built of intrigue and foul murder. Accompanying her every step of the way is a dashing young actor who inflames her romantic passions—a charming and fearless would-be playwright who calls himself Will Shakespeare.

In a fresh reading of Montaigne's Essais, David Quint portrays the great Renaissance writer as both a literary man and a deeply engaged political thinker concerned with the ethical basis of society and civil discourse. From the first essay, Montaigne places the reader in a world of violent political conflict reminiscent of the French Wars of Religion through which he lived and wrote. Quint shows how a group of interrelated essays, including the famous one on the cannibals of Brazil, explores the confrontation between warring adversaries: a clement or vindictive victor and his suppliant or defiant captive. How can the two be reconciled? In a climate of hatred and obstinacy, Montaigne argues not only for the political necessity but also for the moral imperative of trusting and submitting to others and of extending mercy to them. For Quint, this ethical message informs other topics of the Essais: Montaigne's criticism of stoic models of virtue, his project to reform the cruel behavior of his noble class, his self-portrait that depicts his relaxed and unstudied nature, and his measuring of his own behavior against the classical virtue of Socrates. Quint's reading, attentive to Montaigne's verbal artistry and to his historical and cultural context, shows the essayist always aware of the other side of the issue. The moral thought of the Essais emerges as startlingly modern, both in the perennial urgency of Montaigne's concerns and in the self-questioning open-endedness of his doctrine. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"In medieval China, every two years on the average, the state flung open its judicial doors. The docket was cleared, the jails were emptied, the open cases were closed - all in a manner without precedent elsewhere in the world. In an age where punishment could at times be quick and strict, the policy of amnesty seems all the more puzzling. why did governments in the early empire let their criminals go? And why did later governments gradually abandon the policy?"--Book jacket.

Eighteen-year-old Astrid Bjorklund has always dreamed of becoming a doctor. She had intended to study medicine in Chicago or Grand Forks, but when a disaster wiped out a major portion of her family's income, Astrid stayed home instead, receiving hands-on training from Dr. Elizabeth. Joshua Landsverk left Blessing two years ago, but he's never forgotten Astrid. Returning to town, he seeks to court her. Astrid is attracted to him, and when the opportunity unexpectedly opens for her to go to Chicago for medical training, she finds it difficult to leave. Love blossoms through their letters, but upon arriving back home, she makes a heartbreaking discovery. Will she have to give up love to pursue her dream?