'The most important study on this subject in years, perhaps ever' Phillip Knightley, SUNDAY TIMES A history of drug-taking, telling the story across five centuries of addicts and users: monarchs, prime ministers, great writers and composers, wounded soldiers, overworked physicians, oppressed housewives, exhausted labourers, high-powered businessmen, playboys, sex workers, pop stars, seedy losers, stressed adolescents, defiant schoolchildren, the victims of the ghetto, and happy young people on a spree. It is also the history of one bad idea, prohibition. 'You'll find almost everything you ever wanted to know about drugs in this work, except how to get hold of them' Simon Garfield, FINANCIAL TIMES 'Everyone with any influence on government policy should read this book and wake up before it is too late' Phillip Knightley, SUNDAY TIMES

Her head tells her he's trouble. So why does the rest of her still want him? Mai knows the danger of physical attraction, and has learned to never lower her guard. Her distrustful nature keeps her isolated within the newly resurrected Dark Court, but it has also kept her safe, and she sees no need to change while the court is focused on defeating an evil power intent on destroying their world. So why do her eyes always turn to the arrogant soldier who flirts as much as he breathes and whose mysterious past makes him her most dangerous ally? Rosuke has been drawn to the fiery valor within Mai's walled-off heart since the moment he met her. Knowing he'll never be worthy of her, he's held back from melting her icy reserve, but the moment he overhears her reason for keeping her distance-and that she seeks to understand pleasure-he sets out to fulfill her wish, hoping to unburden himself of his shameful past before the battle where he expects to lose his life. Drawn into Oblivion is book two of an epic fantasy romance series about the extraordinary magic-users of the Dark Court in their fight against evil, with love guiding them to triumph. The series features magic, monsters, and steamy sex scenes, set in an imaginary empire that evokes late medieval Japanese life. Perfect for fans of Bec McMaster and Grace Draven!This title was previously published as "Oblivion."

You read the sad stories in the papers: another ornate, 1920s, single-screen theatre closes, to be demolished and replaced by a strip mall. That's progress, and in this 20-screen multiplex world, it's happening more and more. Only a handful of the 100 or so neighborhood theatres that once graced these streets are left in San Francisco, but they live on in the photographs featured in this book. The heyday of such venues as the Clay, Noe, Metro, New Mission, Alexandria, Coronet, Fox, Uptown, Coliseum, Surf, El Rey, and Royal was a time when San Franciscans thronged to the movies and vaudeville shows, dressed to the hilt, to see and be seen in majestic art deco palaces. Unfortunately, this era has passed into history despite the dedicated efforts of many neighborhood preservation groups.

In the stories that make up Oblivion, David Foster Wallace joins the rawest, most naked humanity with the infinite involutions of self-consciousness -- a combination that is dazzlingly, uniquely his. These are worlds undreamt of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown (The Soul Is Not a Smithy). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way (The Suffering Channel). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring (Oblivion). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate.

From the bestselling and award-winning author of ‘An English Affair’, a dazzlingly original thematic biography which throws fresh light on the greatest economist of the twentieth century.

This is the journal of Joe Necchi, a junkie living on a barge that plies the rivers and bays of New York. Joe's world is the half-world of drugs and addicts -- the world of furtive fixes in sordid Harlem apartments, of police pursuits down deserted subway stations. Junk for Necchi, however, is a tool, freely chosen and fully justified; he is Cain, the malcontent, the profligate, the rebel who lives by no one's rules but his own. Like DeQuincey and Baudelaire before him, Trocchi's muse was drugs. But unlike his literary predecessors, in his roman a clef, Trocchi never romanticizes the source of his inspiration. If the experience of heroin, of the "fix," is central to Cain's Book, both its destructive force and the possibilities for creativity it creates are recognized and accepted without apology. "Cain's Book is the classic late-1950s account of heroin addiction. . . . An un-self-forgiving existentialism, rendered with writerly exactness and muscularity, set this novel apart from all others of the genre." -- William S. Burroughs

'A Night at the Majestic' evokes the luxury and glamour of early 20th century Paris, the intellectual achievement of the modernist movement and the gossip, intrigue and scandal of aristocratic France.

From the #1 New York Times-bestselling author, “a compelling domestic horror story” of a new bride haunted by childhood nightmares (Kirkus Reviews). Less than twenty-four hours after exchanging vows with her new husband, Willem, Abby steps out into traffic. As his wife lies in her hospital bed, sleeping in fits and starts, Willem tries to determine whether this was an absentminded accident or a premeditated plunge, and he quickly discovers a mysterious set of clues about what his wife might be hiding. Why, for example is there a rash-like red mark circling her wrist? What does she dream about that causes her to wake from the sound of her own screams? Slowly, Abby begins to open up to her husband, revealing to him what she has never shared with anyone before—a story of a terrified mother; a jealous, drug-addled father; a daughter’s terrifying captivity; and the demons behind her terrible recurring dreams of wandering through a field ridden with human skulls and bones… From a recipient of a National Book Award and three Bram Stoker Awards, this suspenseful, twisting tale, named one of the scariest books of the year by Kirkus Reviews, is a “fast-paced examination of the destructive and restorative nature of obsessive love” (Booklist).

In this mesmerizing YA fantasy mash-up of The Road meets The Amazing Race, one girl chooses to risk her life in a cutthroat competition in order to win her freedom. In Lanoria, Outsiders, who don’t have magic, are inferior to Enchanteds, who do. That’s just a fact for Astrid, an Outsider who is indentured to pay off her family’s debts. She serves as the surrogate for the princess—if Renya steps out of line, Astrid is the one who bears the punishment for it. But there is a way out: the life-or-death Race of Oblivion. First, racers are dosed with the drug Oblivion, which wipes their memories. Then, when they awake in the middle of nowhere, only cryptic clues—and a sheer will to live—will lead them through treacherous terrain full of opponents who wouldn’t think twice about killing each other to get ahead. But what throws Astrid the most is what she never expected to encounter in this race. A familiar face she can’t place. Secret powers she shouldn’t have. And a confusing memory of the past that, if real, could mean the undoing of the entire social structure that has kept her a slave her entire life. Competing could mean death…but it could also mean freedom.

Presents a study of the final days of the seminal author and discusses his upbringing, themes in his works, his rise as a famous writer, and the final months before his death.