First there was “Buffy the Vampire Slayer"; then its spin-off “Angel"; then the cult hit “Firefly"; and its follow-up film, “Serenity." They all had two things in common: their creator, Joss Whedon … and their surprising psychological depth. Revisit the worlds of Joss Whedon … with trained psychologists at your side. What are the psychological effects of constantly fighting for your life? Why is neuroscience the Whedonverse's most terrifying villain? How can watching Joss's shows help you take on your own psychological issues? It's all the best parts of Psych 101—without Professor Walsh. * Robert Kurzban explains how Mal's morals are a form of evolutionary pornography, and why we like to watch * Thomas Flamson explores free will in the Whedonverse—with prophecies, sacred duties and the long arm of the Alliance, does anyone actually have any? * Carole Poole demonstrates how Buffy and Spike's season six relationship could be considered metaphor for narcissistic personality disorder—and concludes that Buffy may have been better off continuing it * Bradley J. Daniels looks at River's Alliance-altered brain, and the real effects of “stripping" the amygdala * Mikhail Lyubansky shows why, psychologically, death really is Buffy's gift * And editor Joy Davidson takes on Angel's mommy issues—how the course of his whole extraordinary existence can be traced back to the woman who made him a vampire

First there was “Buffy the Vampire Slayer"; then its spin-off “Angel"; then the cult hit “Firefly"; and its follow-up film, “Serenity." They all had two things in common: their creator, Joss Whedon … and their surprising psychological depth. Revisit the worlds of Joss Whedon … with trained psychologists at your side. What are the psychological effects of constantly fighting for your life? Why is neuroscience the Whedonverse's most terrifying villain? How can watching Joss's shows help you take on your own psychological issues? It's all the best parts of Psych 101—without Professor Walsh. * Robert Kurzban explains how Mal's morals are a form of evolutionary pornography, and why we like to watch * Thomas Flamson explores free will in the Whedonverse—with prophecies, sacred duties and the long arm of the Alliance, does anyone actually have any? * Carole Poole demonstrates how Buffy and Spike's season six relationship could be considered metaphor for narcissistic personality disorder—and concludes that Buffy may have been better off continuing it * Bradley J. Daniels looks at River's Alliance-altered brain, and the real effects of “stripping" the amygdala * Mikhail Lyubansky shows why, psychologically, death really is Buffy's gift * And editor Joy Davidson takes on Angel's mommy issues—how the course of his whole extraordinary existence can be traced back to the woman who made him a vampire

First there was “Buffy the Vampire Slayer"; then its spin-off “Angel"; then the cult hit “Firefly"; and its follow-up film, “Serenity." They all had two things in common: their creator, Joss Whedon … and their surprising psychological depth. Revisit the worlds of Joss Whedon … with trained psychologists at your side. What are the psychological effects of constantly fighting for your life? Why is neuroscience the Whedonverse's most terrifying villain? How can watching Joss's shows help you take on your own psychological issues? It's all the best parts of Psych 101—without Professor Walsh. * Robert Kurzban explains how Mal's morals are a form of evolutionary pornography, and why we like to watch * Thomas Flamson explores free will in the Whedonverse—with prophecies, sacred duties and the long arm of the Alliance, does anyone actually have any? * Carole Poole demonstrates how Buffy and Spike's season six relationship could be considered metaphor for narcissistic personality disorder—and concludes that Buffy may have been better off continuing it * Bradley J. Daniels looks at River's Alliance-altered brain, and the real effects of “stripping" the amygdala * Mikhail Lyubansky shows why, psychologically, death really is Buffy's gift * And editor Joy Davidson takes on Angel's mommy issues—how the course of his whole extraordinary existence can be traced back to the woman who made him a vampire

This latest installment in the Psychology of Popular Culture series turns its focus to superheroes. Superheroes have survived and fascinated for more than 70 years in no small part due to their psychological depth. In The Psychology of Superheroes, almost two dozen psychologists get into the heads of today's most popular and intriguing superheroes. Why do superheroes choose to be superheroes? Where does Spider-Man's altruism come from, and what does it mean? Why is there so much prejudice against the X-Men, and how could they have responded to it, other than the way they did? Why are super-villains so aggressive? The Psychology of Superheroes answers these questions, exploring the inner workings our heroes usually only share with their therapists.

Screenwriter, director, producer and comic book author Joss Whedon is best known for his television series and films featuring villainous vampires, angry gods and even bloggers who wish to rule the world. Within these works is a prevalent yet commonly overlooked theme--the corporate antagonist. This book examines the effects of this corporate culture on the protagonists of Whedon's most famous works (including Buffy, Roseanne, the Avengers, Agents of S.H.I.E.L.D. and Dollhouse) to reveal explicit sociopolitical commentaries on corporate control in the real world.

A dark psychological page-turner about an inexperienced teacher who builds a powerful - and ultimately dangerous - connection with her students. The Secret History meets Notes on a Scandal.

Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.

Ever since the premiere of the small-screen incarnation of Buffy the Vampire Slayer in 1997, the television worlds of Joss Whedon--which have grown to include Angel, Firefly, and Dollhouse--have acquired a cult following of dedicated fans and inspired curious scholars. The quest for power and control over humans and other animals is a constant theme running throughout all four series. This study explores the myriad natural and supernatural methods Whedon's characters use to achieve power and control over unsuspecting friends and foes, including witchcraft and other paranormal means, love, aggression, and scientific devices such as psychosurgery and psychopharmacology. A catalog of characters and a complete list of episodes for each series completes this valuable addition to the growing body of scholarship on television's "Whedonverse."

Although ostensibly presented as “light entertainment,” the work of writer-director-producer Joss Whedon takes much dark inspiration from the horror genre to create a unique aesthetic and perform a cultural critique. Featuring monsters, the undead, as well as drawing upon folklore and fairy tales, his many productions both celebrate and masterfully repurpose the traditions of horror for their own means. Woofter and Jowett's collection looks at how Whedon revisits existing feminist tropes in the '70s and '80s “slasher” craze via Buffy the Vampire Slayer to create a feminist saga; the innovative use of silent cinema tropes to produce a new fear-laden, film-television intertext; postmodernist reflexivity in Cabin in the Woods; as well as exploring new concepts on “cosmic dread” and the sublime for a richer understanding of programmes Dollhouse and Firefly. Chapters provide the historical context of horror as well as the particular production backgrounds that by turns support, constrain or transform this mode of filmmaking. Informed by a wide range of theory from within philosophy, film studies, queer studies, psychoanalysis, feminism and other fields, the expert contributions to this volume prove the enduring relevance of Whedon's genre-based universe to the study of film, television, popular culture and beyond.

THE ESSENTIAL UNOFFICIAL GUIDE TO THE WHEDONVERSE Joss Whedon's importance in contemporary pop culture can hardly be overstated, but there has never been a book providing a comprehensive survey of his career as a whole - until now. The Complete Companion covers every aspect of the Whedonverse through insightful essays and interviews, including fascinating conversations with key collaborators Jane Espenson and Tim Minear. Over 40 contributors have been brought together by PopMatters, the acclaimed international magazine of cultural criticism, to provide an irresistible mix of analysis, interpretation and sheer celebration. Whether you're a student looking for critical approaches to Buffy the Vampire Slayer, or a Browncoat who follows Nathan Fillion on Twitter (or, let's face it, both) there is plenty here to enjoy. Covers all the TV series, movies, and comic books, including: Buffy the Vampire Slayer, Angel, Firefly, Dollhouse, Dr. Horrible's Sing-Along Blog, Fray, Astonishing X-Men, The Avengers... and more!