"Readers are brought along for a journey filled with every imaginable emotion in the course of a heroine’s lifetime. As a result, a world that is stunningly beautiful and complete without ours—but intractably connected—surges through the pages of the book." – Reader Views She was born to serve the Goddess Ix Chel. But K'inuuw Mat is destined to continue the Palenque (Lakam Ha) dynasty by marriage to Tiwol, fourth son of famous ruler Pakal. Trained in prophetic arts, she uses scrying to foresee the face of the man with whom she will bear the dynastic heir—but it is not her husband's image. She is shocked upon arriving at Palenque to recognize that face as her husband's older brother, Kan Bahlam. They are immediately attracted, sharing deep interest in astronomy. Though she resists, the magnetic force of their attraction propels them into forbidden embraces, until Kan Bahlam designs a bold plan that would solve his inability to produce a son—if he can gain his brother's cooperation. Set in the splendor of Lakam Ha's artistic and scientific zenith, royal family conflicts and ambitions play out in a tapestry of brilliant Mayan accomplishments in calendars, astronomy, architecture, arts, and secret language codes that will astound people centuries later. As K'inuuw Mat contends with explosive emotions, she must answer the Goddess' mandate to preserve Mayan culture for future generations. Her passion with Kan Bahlam leads to a pale daughter and bold son who carry this out as their civilization begins the decline and eventual collapse her prophetic vision foresees. One great cycle rolls into the next . . . Contemporary Mexican archeologist Francesca and her partner Charlie, a British linguist, venture into Chiapas jungles to a remote Maya village, seeking to unravel her grandmother's secrets. The hostile village shaman holds the key, but refuses to share with outsiders the scandal that leads to foreign blood and ancient Palenque lineages. Only by re-claiming her own shamanic heritage can Francesca learn the truth of who she is, and bring her dynasty into the present.

The ancient Maya city of Lakam Ha has a new, young ruler, K'inich Janaab Pakal. His mother and prior ruler, Sak K’uk, has selected his wife, the next queen. Lalak is a shy and homely young woman from a nearby city who relates better to animals than people. She is chosen as Pakal’s wife because of her pristine lineage to B’aakal dynasty founders ̶ but also because she is no beauty. Arriving at Lakam Ha, she is overwhelmed by its sophisticated, complex society and expectations of the royal court. Her mother-in-law, Sak K’uk, is critical and hostile, resenting any intrusion between herself and her son. She chose Lalak to avoid being displaced in Pakal’s affections, and does everything she can to keep it this way. The official name she confers on Lalak exposes her view of the girl as a breeder of future rulers: Tz’aabk’u Ahau, the Accumulator of Lords who sets the royal succession. Lalak struggles to learn her new role and prove her worth, facing challenges in her relationship with Pakal, for he is enamored of a beautiful woman banished from Lakam Ha by his mother. Pakal’s esthetic tastes and love of beauty affect his view of his homely wife. Lalak, however, is fated to play a pivotal role in Pakal’s mission to restore the spiritual portal to the Triad Gods that was destroyed in a devastating attack by archenemy Kan. Through learning sexual alchemy, Lalak brings the immense creative force of sacred union to rebuild the portal, but first Pakal must come to view his wife in a new light. In modern times, ten years after the discovery of the Red Queen's tomb, archeologist Francesca is studying new research about this mysterious royal woman in Mérida, Mexico. She teams up with British linguist Charlie to decipher an ancient manuscript left by her deceased grandmother. It provides clues about her grandmother's secrets that propel them into exploring her family history in a remote Maya village.

Enter the world of a Mayan Queen Yohl Ik'nal, first Mayan woman ruler, must overcome forces opposing her rule . . . betrayal and revenge, attack by enemy cities, and shamanic powers. Using her visionary ability, she saves her city from destruction, builds temples to honor her father and the Gods, and brings prosperity to her people while finding a love that sustains her. But she foresees a time of darkness and devastation coming. Danger lurks ahead and she must choose a successor, either her weak son or willful daughter. Can she trust her vision to reveal the will of the Gods? The results of her choice will lead to ruin or bring her city to greatness. Discover the opulent world of royal court intrigue, exotic ceremonies on towering pyramids, shamanic journeys, calendars and healing sciences of the ancient Mayas. Experience the excitement of sacrificial rituals and strategic battles for dominance in this exquisite city soaring in mountain mists. A dynasty hangs in the balance . . .

A MOTHER AND SON FIGHT TO PRESERVE THEIR DYNASTY... Sak K'uk, the daughter of the first ruler of a powerful Mayan city, faces rebellious nobles and spiritual crisis in her city following a devastating enemy attack. The sacred portal to the Gods is desecrated, temples and crops destroyed and the was ruler killed. With her city in chaos and leaderless, Sak K'uk undertakes a perilous Underworld journey to seek help. After encountering the Underworld Goddess, Sak K'uk rises above the opposition and holds the throne for her young son. She knows that a Mayan prophecy foretold her son’s destiny to become ruler. The intense trials of mother and son forge a special bond that proves both a blessing…and a curse. Enter the ancient Mayan world of jungle-draped stone cities with soaring pyramids and broad plazas gleaming in tropical sun. Experience the turbulent court intrigue wrapped in dazzling rituals common to the bizarre Maya Underworld. Follow the story of this strong-willed young ruler, as she and her son battle to restore their city to greatness at any cost. "The author has great skills at world building and crafting a fantasy story that will keep the reader engaged and entertained from cover to cover. Great author voice and writing style...an entertaining mix." ~Writer's Digest

She was born to serve the Goddess Ix Chel. But K'inuuw Mat is destined to continue the Palenque (Lakam Ha) dynasty by marriage to Tiwol, fourth son of famous ruler Pakal. Trained in prophetic arts, she uses scrying to foresee the face of the man with whom she will bear the dynastic heir--but it is not her husband's image. She is shocked upon arriving at Palenque to recognize that face as her husband's older brother, Kan Bahlam. They are immediately attracted, sharing deep interest in astronomy. Though she resists, the magnetic force of their attraction propels them into forbidden embraces, until Kan Bahlam designs a bold plan that would solve his inability to produce a son--if he can gain his brother's cooperation. Set in the splendor of Lakam Ha's artistic and scientific zenith, royal family conflicts and ambitions play out in a tapestry of brilliant Mayan accomplishments in calendars, astronomy, architecture, arts, and secret language codes that will astound people centuries later. As K'inuuw Mat contends with explosive emotions, she must answer the Goddess' mandate to preserve Mayan culture for future generations. Her passion with Kan Bahlam leads to a pale daughter and bold son who carry this out as their civilization begins the decline and eventual collapse her prophetic vision foresees. One great cycle rolls into the next . . . Contemporary Mexican archeologist Francesca and her partner Charlie, a British linguist, venture into Chiapas jungles to a remote Maya village, seeking to unravel her grandmother's secrets. The hostile village shaman holds the key, but refuses to share with outsiders the scandal that leads to foreign blood and ancient Palenque lineages. Only by re-claiming her own shamanic heritage can Francesca learn the truth of who she is, and bring her dynasty into the present.

In justice to the author of "Queen Moo's Talisman", it may be recorded that at the time of its writing, there was no intention of allowing the verses to go into print; they were penned only for the one to whom they are dedicated. The songs introduced have been arranged to the metre of the two or three ancient melodies yet occasionally heard among the natives of Yucatan. The one to the rain gods is a versification (set to the tune even now used in a sun-dance) of an old Maya prayer translated from that language by Dr. Le Plongeon and published in his work "Queen Moo and the Egyptian Sphinx." The melody to which the Love Song is set is not Maya. In connection with the lines touching upon love and pain it may be remarked that in the Maya language there is but one word to express both. In this poem are represented as nearly as possible, the religious ideas of the Mayas, their belief in KU, the Supreme Intelligence; in the immortality of the soul, and in successive lives on earth before returning to the great Source whence all emanate; also their rites and ceremonies as gathered from traditions of the natives of Yucatan, the fresco paintings found at Chichen, and the books of ancient Maya authors.

Secular and spiritual prophets of doom abound in the information-rich twenty-first century - as they have for millennia. But there has yet to be worldwide floods, meteor impact, global computer failure, obvious alien contact, or direct intervention from God to end the world as we know it. Considering the frequency with which prophecy apparently fails, why do prophecies continue to be made, and what social functions do they serve? This volume gives a concise, but comprehensive, overview of the rich diversity of prophecy, its role in major world religions as well as in new religions and alternative spiritualties, its social dynamics and its impact on individuals’ lives. Academic analyses are complimented with contextualized primary source testimonies of those who live and have lived within a prophetic framework. The book argues that the key to understanding the more dramatic, apocalyptic and millenarian aspects of prophecy is in appreciating prophecy’s more mundane manifestations and its role in providing meaning and motivation in everyday life.

December 21st, 2012 - the most anticipated and talked about day in human history. The day when a galactic alignment between the Sun, the Earth and the center of the Milky Way Galaxy will occur, marking the end of a 26,000-year life cycle.In 2012, the cosmic battle of the ages rages on as the world transitions from the Age of Pisces into the new Age of Aquarius - the time, it is thought, when balance between men and women will finally be achieved. When Darius Prince, a 30-year-old highly ambitious Wall Street stockbroker, receives a cryptic message on his trading screen, his life takes an unexpected turn for the worse. As he sorts through the bizarre meanings behind the symbolic message, he discovers a trail of clues that lead him to believe he has a higher purpose - and that somebody is out to destroy him. When a comet aligns with Stonehenge, he begins having apocalyptic visions of the future and is confined to a mental institution. Labeled paranoid and bipolar by his doctor, he escapes when an attack is made on his life and embarks on a series of quests to find his soulmate and fulfill his destiny.The first in a fictional series that intertwines biblical prophecy with the legendary Grail Myth, SUN OF APOLLO ventures deep inside an apocalyptic New World Order in 2012 - the rise of the New Roman Empire.

“A prodigious work of unmatched interdisciplinary scholarship” on Maya astronomy and religion (Journal of Interdisciplinary History). Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This pathfinding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Pre-Columbian Maya art and confirmed by the current practices of living Maya peoples. Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Pre-Columbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves into many aspects of the Maya astronomical images, including the major astronomical gods and their associated glyphs, astronomical almanacs in the Maya codices and changes in the imagery of the heavens over time. This investigation yields new data and a new synthesis of information about the specific astronomical events and cycles recorded in Maya art and architecture. Indeed, it constitutes the first major study of the relationship between art and astronomy in ancient Maya culture. “Milbrath has given us a comprehensive reference work that facilitates access to a very broad and varied body of literature spanning several disciplines.” ―Isis “Destined to become a standard reference work on Maya archeoastronomy . . . Utterly comprehensive.” —Andrea Stone, Professor of Art History, University of Wisconsin, Milwaukee