*IPPY Award Silver Medalist Young Adult Fiction - General A medium desperate to save his town, a grieving brother wanting revenge, and a girl who's decided to end ghosts once and for all, converge in the town of St. Hilaire, where the spirits of the dead roam the streets and there's no such thing as resting in peace. Russ Griffin has always wanted to be a fantastic medium. Growing up in the town of St. Hilaire, where most residents make their living by speaking to the dead, means there's a lot of competition, and he's always held his own. But Russ knows the town he loves is corrupt, and he's determined to save it before the sinister ruling body, The Guild, ruins all he's ever wanted. Willow Rogers is St. Hilaire royalty. An orphan, raised by The Guild, she's powerful and mysterious. But she has secrets that might change everyone's fate. She's done with St. Hilaire, done with helping spirits move on. She wants to end the cycle for good and rid the town of ghosts, even if that means destroying the only home she's ever known. Asher Mullen lost his sister, and his parents can't get over her death. They sought answers in St. Hilaire and were turned away. Now they want revenge. Asher is tasked with infiltrating the town, and he does that by getting to know Russ. The only problem is, he might be falling for him, which will make betraying him that much harder. Russ, Willow, and Asher all have their own agendas for St. Hilaire, but one thing's for certain, no one will be resting in peace. Perfect for readers looking for: ghost town books young adult lgbt books atmospheric stories Praise for Prelude for Lost Souls: "Ghost story, love story, and mystery in equal measure, Helene Dunbar's Prelude for Lost Souls is filled with unforgettable characters who reveal the many ways a life can be haunted. Perfect for fans of The Raven Boys."—Lisa Maxwell, New York Times bestselling author of The Last Magician series "Dunbar invokes small-town intrigue and plentiful atmosphere with this haunting, romantic tale."—Publishers Weekly "A quietly compelling story."—Kirkus Reviews "Mesmerizing and haunting, Dunbar invites readers into a world of family secrets, anxious ghosts and a society's ruthless grasp for power that will leave you wanting more."—The Nerd Daily "Fantastic elements layered in with poignant, human moments of grief make this ghost story a solid sequel. "— Bulletin of the Center for Children's Books (BCCB)

"Ghost story, love story, and mystery in equal measure, Helene Dunbar's Prelude for Lost Souls is filled with unforgettable characters who reveal the many ways a life can be haunted. Perfect for fans of The Raven Boys."—Lisa Maxwell, New York Times bestselling author of The Last Magician series From acclaimed author Helene Dunbar comes a spellbinding young adult book about a small town filled with spiritualists and one boy who wants out, perfect for readers who want teen ghost books and fans of Maggie Stiefvater, Maureen Johnson, and Nova Ren Suma. In the town of St. Hilaire, most make their living by talking to the dead. In the summer, the town gates open to tourists seeking answers while all activity is controlled by The Guild, a sinister ruling body that sees everything. Dec Hampton has lived there his entire life, but ever since his parents died, he's been done with it. He knows he has to leave before anyone has a chance to stop him. His best friend Russ won't be surprised when Dec leaves—but he will be heartbroken. Russ is a good medium, maybe even a great one. He's made sacrifices for his gift and will do whatever he can to gain entry to The Guild, even embracing dark forces and contacting the most elusive ghost in town. But when the train of Annie Krylova, the piano prodigy whose music has been Dec's main source of solace, breaks down outside of town, it sets off an unexpected chain of events. And in St. Hilaire, there are no such things as coincidences. Perfect for readers looking for: ghost town books young adult lgbt books atmospheric stories Praise for Prelude for Lost Souls: "Dunbar invokes small-town intrigue and plentiful atmosphere with this haunting, romantic tale."—Publishers Weekly "A quietly compelling story."—Kirkus Reviews "Mesmerizing and haunting, Dunbar invites readers into a world of family secrets, anxious ghosts and a society's ruthless grasp for power that will leave you wanting more."—The Nerd Daily Also by Helene Dunbar: We Are Lost and Found

A 12-year-old boy, mourning the death of his mother, takes refuge in the myths and fairytales she always loved--and finds that his reality and a fantasy world start to meld.

From "the queen of heartbreaking prose" (Paste) Helene Dunbar, We Are Lost and Found is a young adult realistic fiction novel in the vein of The Perks of Being a Wallflower about three friends coming-of-age against the backdrop of the AIDS crisis in the early 1980s. Michael is content to live in the shadow of his best friends, James and Becky. Plus, his brother, Connor, has already been kicked out of the house for being gay and laying low seems to be Michael's only chance at avoiding the same fate. To pass the time before graduation, Michael hangs out at The Echo where he can dance and forget about his father's angry words, the pressures of school, and the looming threat of AIDS, a disease that everyone is talking about, but no one understands. Then he meets Gabriel, a boy who actually sees him. A boy who, unlike seemingly everyone else in New York City, is interested in him and not James. And Michael has to decide what he's willing to risk to be himself. This book is perfect for: Readers who want stories centering gay boys coming of age Parents and educators looking for realistic historical fiction for teens Fans of Becky Albertalli, Adam Silvera, and Stephen Chbosky Praise for We Are Lost and Found: "Dunbar painstakingly populates the narrative with 1980s references—particularly to music—creating a vivid historical setting... A painful but ultimately empowering queer history lesson."—Kirkus Reviews "It's a certain type of magic that Helene Dunbar managed with this story... A hauntingly beautiful, yet scarring story that captures the struggles of figuring out who you are while facing the uncertainties of the world, a story that should be mandatory reading for all."—The Nerd Daily "We Are Lost and Found absolutely sparkles... she so perfectly, so evocatively captures the angst, uncertainty, and shaky self-confidence of adolescence that it might make you wince."—Echo Magazine Optioned for a major motion picture adaptation by Nikolaj Coster-Waldau's production company, Ill Kippers!

A comic novel about a Midwestern professor who tries to prop up his failing prospects for happiness by setting out on the Journey of a Lifetime. Louie Hake is forty-three and teaches architectural history at a third-rate college in Michigan. His second marriage is collapsing, and he's facing a potentially disastrous medical diagnosis. In an attempt to fend off what has become a soul-crushing existential crisis, he decides to treat himself to a tour of the world's most breathtaking architectural sites. Perhaps not surprisingly, Louie gets waylaid on his very first stop in Rome--ludicrously, spectacularly so--and fails to reach most of his other destinations. He embarks on a doomed romance with a jilted bride celebrating her ruined marriage plans alone in London. And in the Arctic he finds that turf houses and aluminum sheds don't amount to much of an architectural tradition. But it turns out that there's another sort of architecture there: icebergs the size of cathedrals, bobbing beside a strange and wondrous landscape. It soon becomes clear that Louie's grand journey is less about where his wanderings have taken him and more about where his past encounters with romance have not. Whether pursuing his first wife, or his estranged current wife, or the older woman he kissed just once a quarter-century ago, Louie reveals himself to be endearing, deeply touching, wonderfully ridiculous . . . and destined to find love in all the wrong places.

A charming, clever, and quietly moving debut novel of of endless possibilities and joyful discoveries that explores the promises we make and break, losing and finding ourselves, the objects that hold magic and meaning for our lives, and the surprising connections that bind us. Lime green plastic flower-shaped hair bobbles—Found, on the playing field, Derrywood Park, 2nd September. Bone china cup and saucer—Found, on a bench in Riveria Public Gardens, 31st October. Anthony Peardew is the keeper of lost things. Forty years ago, he carelessly lost a keepsake from his beloved fiancée, Therese. That very same day, she died unexpectedly. Brokenhearted, Anthony sought consolation in rescuing lost objects—the things others have dropped, misplaced, or accidently left behind—and writing stories about them. Now, in the twilight of his life, Anthony worries that he has not fully discharged his duty to reconcile all the lost things with their owners. As the end nears, he bequeaths his secret life’s mission to his unsuspecting assistant, Laura, leaving her his house and and all its lost treasures, including an irritable ghost. Recovering from a bad divorce, Laura, in some ways, is one of Anthony’s lost things. But when the lonely woman moves into his mansion, her life begins to change. She finds a new friend in the neighbor’s quirky daughter, Sunshine, and a welcome distraction in Freddy, the rugged gardener. As the dark cloud engulfing her lifts, Laura, accompanied by her new companions, sets out to realize Anthony’s last wish: reuniting his cherished lost objects with their owners. Long ago, Eunice found a trinket on the London pavement and kept it through the years. Now, with her own end drawing near, she has lost something precious—a tragic twist of fate that forces her to break a promise she once made. As the Keeper of Lost Objects, Laura holds the key to Anthony and Eunice’s redemption. But can she unlock the past and make the connections that will lay their spirits to rest? Full of character, wit, and wisdom, The Keeper of Lost Things is heartwarming tale that will enchant fans of The Particular Sadness of Lemon Cake, Garden Spells, Mrs Queen Takes the Train, and The Silver Linings Playbook.

Winner, 2023 Choice Outstanding Academic Title Our relationship with things abounds with paradoxes. People assign value to objects in ways that are often deeply personal or idiosyncratic yet at the same time rooted in specific cultural and historical contexts. How do things become meaningful? How do our connections with the world of things define us? In Ming and Qing China, inquiry into things and their contradictions flourished, and its depth and complexity belie the notion that material culture simply reflects status anxiety or class conflict. Wai-yee Li traces notions of the pleasures and dangers of things in the literature and thought of late imperial China. She explores how aesthetic claims and political power intersect, probes the objective and subjective dimensions of value, and questions what determines authenticity and aesthetic appeal. Li considers core oppositions—people and things, elegance and vulgarity, real and fake, lost and found—to tease out the ambiguities of material culture. With examples spanning the late sixteenth to the mid-eighteenth centuries, she shows how relations with things can both encode and resist social change, political crisis, and personal loss. The Promise and Peril of Things reconsiders major works such as The Plum in the Golden Vase, The Story of the Stone, Li Yu’s writings, and Wu Weiye’s poetry and drama, as well as a host of less familiar texts. It offers new insights into Ming and Qing literary and aesthetic sensibilities, as well as the intersections of material culture with literature, intellectual history, and art history.

Ellie Craig grieves the loss of three infant children, and when long-hidden secrets are brought to light, she must find a way to contact the family of her long-lost father. Meanwhile her husband, Matthew, faces controversy in his church and competition from a new arrival in Beldon Grove, who claims to be both a minister and the son of the town's founder. Will Matthew find the courage to reclaim his church? And will his unexpected travel companion help Ellie's heart mend? Book two in the AT HOME IN BELDON GROVE series, The Promise of Morning engages readers with themes of overcoming tragedy, finding strength to meet daunting challenges, and trusting your heart to love again.

Five years after his mother killed herself and three of his siblings, Gordie lives with his halfbrother Kevin. It is an ideal arrangement, until Gordie’s absentee father comes back into the picture, demanding a place in his life. Now the only one who can help Gordie is himself ... if he can confront the past and take back his future.

Readers once believed in Proust’s madeleine and in Wordsworth’s recollections of his boyhood—but that was before literary culture began to defer to Freud’s questioning of adult memories of childhood. In this first sustained look at childhood memories as depicted in literature, Lorna Martens reveals how much we may have lost by turning our attention the other way. Her work opens a new perspective on early recollection—how it works, why it is valuable, and how shifts in our understanding are reflected in both scientific and literary writings. Science plays an important role in The Promise of Memory, which is squarely situated at the intersection of literature and psychology. Psychologists have made important discoveries about when childhood memories most often form, and what form they most often take. These findings resonate throughout the literary works of the three writers who are the focus of Martens’ book. Proust and Rilke, writing in the modernist period before Freudian theory penetrated literary culture, offer original answers to questions such as “Why do writers consider it important to remember childhood? What kinds of things do they remember? What do their memories tell us?” In Walter Benjamin, Martens finds a writer willing to grapple with Freud, and one whose writings on childhood capture that struggle. For all three authors, places and things figure prominently in the workings of memory. Connections between memory and materiality suggest new ways of understanding not just childhood recollection but also the artistic inclination, which draws on a childlike way of seeing: object-focused, imaginative, and emotionally intense.