Minutes after eighteen-year-old Bennett Bardo of Gordo, New Mexico, asks Sophie Gilkey, his dream girl, to prom and she says yes, she is abducted by aliens and Bennett hitches a ride across the galaxy with a rock band of misfits to find her.

This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.

Hal Wallis (1898-1986) might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced—Casablanca, Jezebel, Now, Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies)—have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked. Bernard Dick offers the first comprehensive assessment of the producer's incredible career. A former office boy and salesman, Wallis first engaged with the film business as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.

In a world run by machines, humans are an endangered species -- and their only hope is a rebel warrior with nothing left to lose. The Great War is over. The robots have won. The humans who survived have two choices: they can submit and serve the vicious rulers they created, or be banished to the Reserve, a desolate, unforgiving landscape where it's a crime just to be human. Following the orders of their soulless leader, the robots are planning to conquer humanity's last refuge and make all humans bow down. The only thing more powerful than an enemy who feels nothing is a rebel warrior with a cause and nothing left to lose. Six is a feisty, determined woman whose parents were killed with the first shots of the war, and whose siblings lie rotting in prison. Her partner in crime is Dubs, the one person who respects authority even less than she does. On the run for their lives after an attempted massacre, Six and Dubs are determined to save humanity before the robots wipe humans off the face of the earth. Pushed to the brink of survival, they discover a powerful secret that may set humanity free, but to succeed they'll have to trust the unlikeliest of allies . . . or be forced to bow down, once and for all. Full of twists and turns from the world's #1 writer, Humans, Bow Down is an epic, dystopian, genre-bending thrill ride you'll never forget.

Discusses avant garde films produced during the sixties, and considers the work of Stan Brakhage and Andy Warhol

In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold's music for The Bridge on the River Kwai (1957), and on the phenomenon of the British film musical.

This compilation from Film Culture magazine—the pioneering periodical in avant-garde film commentary—includes contributors like Charles Boultenhouse, Erich von Stroheim, Michael McClure, Stan Brakhage, Annette Michelson, Arthur Miller, Dylan Thomas, Andrew Sarris, Rudolph Arnheim, Jonas Mekas, and Parker Tyler. This collection covers a range of topics in twentieth century cinema, from the Auteur Theory to the commercial cinema, from Orson Welles to Kenneth Anger.

An amusing story about an unusual friendship between an unlikely hero and Scurvy Goonda, an invisible pirate with a passion for crispy bacon, and their wild adventures in fantastical lands.