A crime novel set in the Blue Mountains.

The third Aimée Leduc Investigation set in Paris When Parisian private investigator Aimée Leduc picks up the phone one hot July afternoon, the call turns her life upside-down. The voice on the other end, with its heavy German accent, belongs to a woman named Jutta Hald. Jutta claims to have shared a jail cell with Aimée’s long-lost mother, a suspected terrorist on Interpol’s most wanted list. If Aimée wants to learn the truth about her mother, she is to meet Jutta at a rendezvous point in an ancient tower in the Sentier. But when Aimée arrives, Jutta is dead, shot in the head at close range. Aimée realizes she has stumbled into something bigger than Jutta let on, and that her own life is in danger. She has a lot of unsolved mysteries in front of her: Jutta Hald’s murder, resurfaced materials from Sydney Leduc’s terrorist activities in the 1970s, police suppression of important information. The question is, can Aimée put the pieces together before someone else ends up dead?

Jonathan Kellerman has distinguished himself as the master of the psychological thriller. Now L.A. psychologist-detective Alex Delaware confronts a long-unsolved murder of unspeakable brutality—an ice-cold case whose resolution threatens his survival, and that of longtime friend, homicide detective, Milo Sturgis. The nightmare begins when Alex receives a strange package in the mail with no return address. Inside is an ornate album filled with gruesome crime scene photos—a homicide scrapbook entitled The Murder Book. Alex can find no reason for anyone to send him this compendium of death, but when Milo views the book, he is immediately shaken by one of the images: a young woman, tortured, strangled, and dumped near a freeway ramp. This was one of Milo’s first cases as a rookie homicide cop: a vicious killing that he failed to solve, because just as he and his training partner began to make headway, the department closed them down. Being forced to abandon the young victim tormented Milo. But his fears prevented him from pursuing the truth, and over the years he managed to forget. Or so he thought. Now, two decades later, someone has chosen to stir up the past. As Alex and Milo set out to uncover what really happened twenty years ago, their every move is followed and their lives are placed in jeopardy. The relentless investigation reaches deep into L.A.’s nerve-centers of power and wealth—past and present. While peeling back layer after layer of ugly secrets, they discover that the murder of one forgotten girl has chilling ramifications that extend far beyond the tragic loss of a single life. A classic story of good and evil, sacrifice and sin, The Murder Book is a gripping page-turner that illuminates the darkest corridors of the human mind. It is a stunning tour de force. BONUS: This edition contains an excerpt from Jonathan Kellerman's Victims.

Adam Dalgluish is called to the elegant Steen Psychiatric Clinic to investigate why the head of the clinic, Enid Bolan was found with a chisel through her heart.

Scream meets Happy Death Day in this terrifying stand-alone horror novel from YA scream queen Danielle Valentine. "This terrifying book reads like a horror movie. No, wait. It has the suspense and shocks and screams of TEN horror movies in one. Great nasty fun!" —R.L. Stine, author of Goosebumps and Fear Street Alice Lawrence is the sole witness in her sister’s murder trial. And in the year since Claire’s death, Alice’s life has completely fallen apart. Her parents have gotten divorced, she’s moved into an apartment that smells like bologna, and she is being forced to face her sister’s killer and a courtroom full of people who doubt what she saw in the corn maze a year prior. Claire was an all-American girl, beautiful and bubbly, and a theater star. Alice was a nerd who dreamed of becoming a forensic pathologist and would rather stay at home to watch her favorite horror movies than party. Despite their differences, they were bonded by sisterhood and were each other’s best friends. Until Claire was taken away from her. On the first day of the murder trial, as Alice prepares to give her testimony, she is knocked out by a Sidney Prescott look-alike in the courthouse bathroom. When she wakes up, it is Halloween night a year earlier, the same day Claire was murdered. Alice has until midnight to save her sister and find the real killer before he claims another victim.

A cynical Chicago attorney butts heads with a beautiful killer socialite—from “the Dorothy Parker of detective fiction” (William Ruehlmann). Press agent Jake Justus doesn’t care if all of Chicago drops dead. He’s just tied the knot with debutante Helene Brand, and a Bermuda honeymoon is only three in-flight martinis away. But the shooting death of a man in broad daylight, on the busiest shopping day of the year, with plenty of witnesses, is particularly ill timed. Jake’s pal, attorney John J. Malone, agrees. Only a day before, wedding guest Mona McClane, notorious jetsetter and tipsy big-game hunter, bet the two men she could bag an innocent stranger and they’d never be able to prove a thing. Then Malone discovers that the victim wasn’t so innocent. Any number of people wanted him dead. And if Mona is only one of them, Malone’s wagering there’s much more to this murder than just the thrill of getting away with it. The first mystery writer to ever make the cover of Time magazine, Craig Rice was known for her fizzy cocktails of hard-boiled noir and screwball comedy, prompting the New York Times to ask: “Why can’t all murders be as funny as those concocted by Craig Rice?”

In this exciting and atmospheric second entry of this Cold Case Investigation mystery series Detective Lauren Riley is determined to bring the attacker that left her for dead to justice . . . even if it is a fellow police officer. Cold Case Detectives Lauren Riley and her partner Shane Reese are helping the Homicide Squad after a murder earlier in the day left the department short-staffed. As their shift ends, Reese leaves Lauren alone only for her to be savagely beaten and stabbed from behind minutes later. Lauren didn’t see her attacker, but knows it was a fellow police officer from the city-issued boots she glimpsed as she passed out. Stolen during the attack is the Murder Book, which contains evidence on all active cold cases. Without the book, old homicides became almost impossible to track down. Who in police headquarters would try to kill a fellow officer? Why’d they suddenly want the Murder Book? Although hurt and on enforced leave, nothing will stop Lauren from seeking answers . . . but who on the force can she trust and how safe is she within her own home?

Hailed as "toweringly important" (Baltimore Sun), "a work of scrupulous and significant reportage" (E. L. Doctorow), and "an unforgettable historical drama" (Chicago Sun-Times), Big Trouble brings to life the astonishing case that ultimately engaged President Theodore Roosevelt, Supreme Court justice Oliver Wendell Holmes, and the politics and passions of an entire nation at century's turn. After Idaho's former governor is blown up by a bomb at his garden gate at Christmastime 1905, America's most celebrated detective, Pinkerton James McParland, takes over the investigation. His daringly executed plan to kidnap the radical union leader "Big Bill" Haywood from Colorado to stand trial in Idaho sets the stage for a memorable courtroom confrontation between the flamboyant prosecutor, progressive senator William Borah, and the young defender of the dispossessed, Clarence Darrow. Big Trouble captures the tumultuous first decade of the twentieth century, when capital and labor, particularly in the raw, acquisitive West, were pitted against each other in something close to class war. Lukas paints a vivid portrait of a time and place in which actress Ethel Barrymore, baseball phenom Walter Johnson, and editor William Allen White jostled with railroad magnate E. H. Harriman, socialist Eugene V. Debs, gunslinger Charlie Siringo, and Operative 21, the intrepid Pinkerton agent who infiltrated Darrow's defense team. This is a grand narrative of the United States as it charged, full of hope and trepidation, into the twentieth century.

History, mystery, murder, and mad science accompany plucky Victorian newspaper reporter Nellie Bly when she travels to the haunted moors of England to investigate the mysterious death of another journalist alongside H.G. Wells, Oscar Wilde, and Arthur Conan Doyle.

Secret agent Brad Fairfax is summoned by a mysterious voice to come to Cape Cod to claim the body of his ex-lover and best friend. On site he discovers that Ross was murdered, the first in a string of four corpses to show up. Victims and suspects have two points in common: they are all connected to a gay guesthouse for wealthy clients where anything is permitted, and most have some connection to Buddhism. Although Brad investigates on his own, his boss at the mysterious agency for which he works feels certain the murderer is implicated in an assassination plot against the Dalai Lama, who is to speak soon in New York's Central Park. The possibility of romance comes with the appearance of a young, blue-haired Buddhist. But Brad will have to learn the meaning of trust and to overcome his irrational bouts of jealousy before there can be any hope of a real connection.