Passion, peril and a princess in hiding Forced into hiding after a threat to her life, Princess Gabriella St. Pierre must protect both herself and her unborn child. Working at an orphanage, the princess tries to suppress memories of a passionate night long ago with Whit Howell—her father's royal bodyguard and a man she never thought she'd see again. When an attempted abduction occurs as Princess Gabriella is leaving the orphanage, Whit rescues her and vows to keep her safe. But how can he shepherd the princess back to her country without knowing who is orchestrating these attacks…and why? It is the most important mission of his life—and he'd risk everything to save the one woman he can't live without.

An agent, an heiress and a deadly rescue mission… Media heiress Josie Jessup and her son have spent the past several years in witness protection, yet they are anything but safe. When her father is attacked, Josie decides it's time to return home…and walks right into a deadly trap. Despite their tumultuous history, FBI agent Brendan O'Hannigan—Josie's former lover and the last man she wants to see—comes to her rescue. As the main reason Josie had to go into hiding in the first place, Brendan knows he has a lot to prove in order to earn her trust. But to reveal his real motive for taking on this case will destroy everything he's worked for. Josie has no idea just how important this mission is…or just how far Brendan will go to ensure their reunion remains permanent.

The hit manga The 100 Girlfriends Who Really, Really, Really, Really, Really Love You gets its first-ever spin-off novel! Rentaro loses his memory, Nano gets possessed by an alien, everybody gets isekai'd into Shizuka's favorite book, the cast pilot a giant robot--what on earth is going on?! Includes brand-new illustrations from series artist Yukiko Nozawa!

The complete Grim and Grimmer humorous fantasy quartet for primary readers. It’s not easy to be a hero when your bum is the size of an airship and you’re bobbing around the ceiling, mocked by angry dwarves. The Fey Queen, Emajicka, is stealing the children of Grimmery for her Collection. She bathes in their nightmares to relieve her own. There is one nightmare she wants most of all. If Ike had stayed home that Tuesday, he would not have been expelled from school, betrayed a princess or robbed a murderous queen. He would not have been tied to an insane imp desperate to eat his liver. He certainly would not have floated across a strange land on an impossible rescue mission, powered by exploding manure. Nor would he have tried to escape via that disastrous troll-bum door. But can he ever escape the Nightmare Queen? Reviews “The funniest horror story you’ll read in a long while – Ian Irvine is a master of fantasy and this is the best yet.” Good Reading “Entertainingly written in an energetic, descriptive style. An extraordinary fantasy world. Fast and furious and very funny.” Reading Time “Irvine has great fun creating his world. Funny and fast-paced, Ike’s story reads briskly, leavened with a little horror and a dash of scatological humour. A fun adventure for upper-primary readers. Recommended.” Bookseller and Publisher “The Headless Highwaymanis the first book in the Grim and Grimmer series from fantasy genius Ian Irvine, who manages to create a world which is believable, thrilling and funny all rolled into one.” Aussiereviews.com “The Grasping Goblintakes the two reluctant heroes on a very wild ride. Very funny too, as well as dangerous, gory and grotty. A grand adventure.” Aussiereviews.com “I gasped and laughed my way through these three books. Action packed.” Dee White, Kid’s Book Capers. “A wonderful tale. Delightfully dark and delicious.” Jacq Ellem, hittheroadjacq.com “Fantasy genius Ian Irvine manages to create a world which is believable, thrilling and funny all rolled into one.” Aussiereviews.com on The Calamitous Queen

This book is a study of the measurement and understanding of time in seventeenth-century Europe, particularly in France. Close readings of literary representations of time in Moliere, Mme de Sevigne, and Mmd de Lafayette are contextualized with historical studies of court life under Louis XIV, the restructuring of the early modern French postal system, and the emergencce of new practices of periodical publication, respectively. An epistemological backdrop for these historical and literary studies is provided by an introductory analysis of developments in the science of time measurement under Louis XIV. A concluding section places questions of human temporality in the contemporary context of global environmental concerns.

Kingdoms will fall, gods will die, and hearts will be broken in this sprawling new fantasy from New York Times bestselling author Jodi Meadows. "INTRICATE... UNIQUE... COMPELLING."—YA Books Central In the middle of nothingness is the Island of Salvation. Reality bends easily here. Villages disappear. Forests burn forever. Pockets of inconsistent time are everywhere, their boundaries strung with yellow ribbon. And the three kingdoms of Salvation have been at war for a thousand years. But the greatest threat is the Malice, an incursion from the demon plane slowly tearing its way through the world’s weakest seams. Seams that—once split—will lead to the total unraveling of night and day, light and dark, life and death. Not that the human world takes much interest. Of more concern is the upcoming marriage of Rune Highcrown, Prince of Caberwill, and Johanne Fortuin, Princess of Embria—the serpent bride, a girl of famous cunning—which offers a possible end to the ancient conflict. But Rune has noticed the growing darkness, and he is determined to summon mankind’s only defense: Nightrender, the hammer of the gods, an immortal warrior more weapon than girl. There is only one problem. The last time she was summoned, she slaughtered every royal in Salvation, and no one knows why. Will she save humanity from the Malice… or plunge it deeper into the fires of eternal war? A YAVA Award Nominee! "Tantalizing."—The Bulletin of the Center for Children's Books, Starred Review "Lush."—Publishers Weekly "Wild."—Booklist "Rich."—Kirkus Reviews

Disney – This name stands not only for a company that has had global reach from its early days, but also for a successful aesthetic programme and ideological positions that have had great commercial success but at the same time have been frequently criticised. Straddling traditionalism and modernism, Disney productions have proven adaptable to social discourses and technical and media developments throughout its history. This volume brings together scholars from several European countries to explore various dimensions that constitute ‘Disney.’ In line with current media and cultural studies research, the chapters deal with human-human and human-animal relations, gender and diversity, iconic characters and narratives, Disney’s contribution to cultural and visual heritage, and transmedial and transfictional spaces of experience and practices of participation associated with Disney story worlds.

Traditionally women have found recourse in artistic means to interrogate change and upheaval. This volume explores the experiences of women from Spain, Portugal and Latin America in the twentieth and twenty-first centuries who themselves have crossed cultural boundaries or have described this experience in their literature and film. Areas investigated in this collection of essays include the experience of the exiled or the immigrant and their personal or collective response to displacement and adaptation: the transcultural potential of cyberspace for women, how patterns and styles of the fashion industry have crossed borders, how women have crossed canonical cultural boundaries in search of identity and meaning, how global cultural influences have manifested in Hispanic and Lusophone cultural practices and production by or about women, and the challenging question of whether canine writing can be considered a branch of feminist theory. Common to most of the essays are the central issues of identity, values, conflict and interconnectedness and an analysis of the patterns that result from the transcultural encounter of these aspects.