"Hasan, whose power and omniscience crush him under an unbearable burden, is gradually released from his apathy and his pain. He admires the intelligence and strong will of the princess, qualities that make their friendship so dear - a friendship that takes him dangerously close to a power long forgotten, a power greater than wisdom and immortality, greater than his suffering."--BOOK JACKET.

When Princess Gul'Agdar of Dhagabad begins studying the ancient magic of the Sacred Dance, she has no idea that this seemingly innocent act is the first step on the treacherous path to immortality, absolute powerNand slavery. Even her beloved Hasan cannot save her this time, as his enemies lure him into the mysterious True Library, destined to trap all-powerful wizards in a magical desert beyond this world.

When Adol Christin boards the passenger liner Lombardia for an easy voyage across the Gaete Sea, he has no idea this journey will land him shipwrecked on the mysterious Seiren Island, home of an ancient curse that has plagued these waters for millennia. Nor can he possibly imagine that this act of fate will throw him into a battle against primordial powers, set out to destroy the entire human race. Joined by Dana, a powerful young woman from another era, as well as by a handful of the Lombardia survivors, Adol must save his species from extinction, or perish along with everyone he knows. But even if he wins, there is no guarantee that he can ever attain the ultimate prize – a future with Dana. LACRIMOSA OF DANA, a bestselling game by Nihon Falcom Co., is part of the award-winning Ys series, featuring Adol Christin, a legendary swordsman and adventurer. This novel follows the story and characters of the game and is officially licensed through an agreement between Dragonwell Publishing, Dragonwell, LLC, and Nihon Falcom Corporation.

A young sword prodigy must impersonate a lost princess and throw her life into a deadly political game, in this kinetic epic fantasy novel by the author of the award-winning Majat Code series Naia dreams of becoming a Jaihar Blademaster, but after assaulting a teacher, her future seems ruined. The timely intervention of a powerful stranger suddenly elevates her into elite Upper Grounds training. She has no idea that the stranger is Dal Gassan, head of the Daljeer Circle. Seventeen years ago he witnessed the massacre of Challimar’s court and rescued its sole survivor, a baby girl. Gassan plans to thrust a blade into the machinations of imperial succession: Naia. Disguised as the legendary Princess Xarimet of Challimar, Naia must challenge the imperial family, and win. Naia is no princess, but with her desert-kissed eyes and sword skills she might be close enough… File Under: Fantasy [ Warrior Foretold | Royal Massacre | Wrongful Heir | Forbidden Kingdom ]

Fantasy is a genre in motion, gradually expanding its reach and historical sources to embrace a global identity Historical Dictionary of Fantasy Literature, Second Edition is a snapshot of the genre in this moment, identifying new themes and sources that are emerging to inspire, enhance and invigorate the published works of fantasy writers.

When, on the day of her age-coming, the princess opens a mysterious bronze bottle--a gift from her grandmother--she has no idea that she is about to unleash a power older than the world itself. Worse, she is not prepared for the bearer of this power to be a handsome man whose intense gray eyes pierce her very soul. Hasan, her new slave, is immeasurably wiser and stronger than anyone she has ever heard of, and he is now hers to command--if she can handle him, that is. Sensuous and delightfully intelligent, The Princess of Dhagabad is the first book in a trilogy by a talented new author. "a fine recasting of Arabian Nights material into a fable for our times." --- Locus "truly compelling" -- Booklist "a lot of originality, an exciting story, a well realized background, and vivid writing." --Poul Anderson

Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.

Vols. 8-10 of the 1965-1984 master cumulation constitute a title index.

Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.