Prince Freddie is off to save a castle from a ferocious fire-breathing dragon when he realizes that he "really" needs to pee. But with impossibly long lines for the only bathroom in the forest, it looks like Freddie will have to face the dragon without relieving himself. Or will he? Full color.

"Please don't take my diaper!" he cried. "It's the only thing I know." It seemed the Pee Pee Prince would never let his diapers go.You may know a certain prince who's fighting potty training too. Maybe Grandpa's secret trick will help him see the challenge through.And for all those tentative little girls, check out The Poopy Princess, Kerry Johnson's delightful, feminine counterpart to The Pee Pee Prince.

The Doofus and the Divine By: Darcy Phillips In the quiet, dying, sleepy town of Placard in Eastern Montana (objectively the boring side of the state), 19-year-old Oliver Digby wakes to find a stranger in his house. Emmanuel is no ordinary stranger, though. He can close windows and break doorknobs off doors with his mind. …Oh, and he claims to be the next Son of God. Mesmerized yet reluctant, Oliver decides to be this young savior’s guide to humanity, even though his social skills are not exactly great. But off this doofus and his dubious divine savior embark on a journey to discover their fate, and perhaps even save the world in the process. The Doofus and the Divine is a very humorous and yet thoughtful tale of two unlikely heroes and the very unlikely bond they come to share. Illustrated by the author

In an effort to gain the right to sleep on the top bunk, Princess Pia makes a bet with her sister that she will not wet the bed for seven nights.

On the eve of releasing her book about Waiting for Mr Right, Serena Raines can’t bear to tell people that her fiancé has dumped her. Worse yet, she succumbed to a holiday fling and now she’s pregnant—by a virtual stranger. Who just happens to be a royal prince. Sandro Leone is stunned to hear that Serena is pregnant and hurt when she coolly rejects his offers of money and support. He does agree to keep her secrets—that she’s single and pregnant—until her big-budget book tour is over, but he’s determined to get her back. Serena tries to focus on making the money she’ll need to support her baby, and rejects Sandro’s bold advances. But when it’s time to reveal the truth to her readers, she accepts Sandro’s offer to hide out in his remote European homeland. She soon discovers she’s jumped out of the frying pan into the fire—passion flares and family secrets and intrigue threaten their budding romance. Will she dare to risk her heart for a chance at happiness? EXCERPT: It’s him. An electric jolt of recognition struck her, and despite her worries she knew Sandro instantly. His long strides carried him toward her, hair tossing in the cold breeze and leather jacket zipped over his muscled form. His eyes locked on hers, dark and dangerous, as he covered the tarmac between them. The icy landscape blurred, and time slowed to an agonizing crawl as she tried to figure out the best way to tell him. Sandro, I’m pregnant. “Hi! I’m so glad you called. I was beginning to think you were avoiding me.” He embraced her in a big bear hug that stunned her so much she didn’t lift her arms from her sides. I was. Silence hung awkwardly between them. She couldn’t begin to figure out how to make polite conversation with this harsh truth hanging over them. Sandro looked a little confused. Then smiled. “How’d the book release go?” “It got delayed. It’s out next week.” Her own voice sounded oddly distant. “That’s great. I’m sure it will be a best seller.” “That’s what my publisher says, but I haven’t told them my fiancé left me.” How could you call yourself an expert on relationships when you couldn’t even keep your own? She’d been licking her wounds from this breakup when Sandro burst into her life. “Did you finally tell your family?” She shook her head, as shame crept hotly up her spine. “Not yet.” To her surprise, he laughed. “You’re so secretive. Seriously, you should just open up to people. You might find they like you more for it.” She stiffened, embarrassment mingling with indignation. He had no idea what she’d gone through the past few days. “I didn’t come here for advice. I came because I have to tell you something.” You can do it. Just say it! She could rattle on for ages—on video—about how to apply liquid eyeliner or organize your bathroom cabinet, but when it came to the hard truths she was pathetic beyond belief. “What? You’re scaring me.” He scanned her face. “Are you ill? You look ill.” “I’m pregnant.” THE ROYAL HOUSE OF LEONE SERIES: The King’s Bought Bride (Darias and Emma) A Prince for Christmas (Free short story with Sandro and Serena’s first encounter) The Prince’s Secret Baby (Sandro and Serena) The Princess and the Player (Lina and Amadou - coming spring 2017) The Princess’s Scandalous Affair (Beatriz and Lorenzo - coming summer 2017) Taming the Royal Beast (Rigo and Bella - coming fall 2017)

Death and the Migrant is a sociological account of transnational dying and care in British cities. It chronicles two decades of the ageing and dying of the UK's cohort of post-war migrants, as well as more recent arrivals. Chapters of oral history and close ethnographic observation, enriched by photographs, take the reader into the submerged worlds of end-of-life care in hospices, hospitals and homes. While honouring singular lives and storytelling, Death and the Migrant explores the social, economic and cultural landscapes that surround the migrant deathbed in the twenty-first century. Here, everyday challenges - the struggle to belong, relieve pain, love well, and maintain dignity and faith – provide a fresh perspective on concerns and debates about the vulnerability of the body, transnationalism, care and hospitality. Blending narrative accounts from dying people and care professionals with insights from philosophy and feminist and critical race scholars, Yasmin Gunaratnam shows how the care of vulnerable strangers tests the substance of a community. From a radical new interpretation of the history of the contemporary hospice movement and its 'total pain' approach, to the charting of the global care chain and the affective and sensual demands of intercultural care, Gunaratnam offers a unique perspective on how migration endows and replenishes national cultures and care. Far from being a marginal concern, Death and the Migrant shows that transnational dying is very much a predicament of our time, raising questions and concerns that are relevant to all of us.

Four year old Priscilla had a little problem. She still wet her bed. Her daddy told her a story about another little girl who also wet her bed. Sometimes, even Princesses can wet the bed.