As part of a school project, the Hardy boys are in Manhattan to observe a criminal trial. What they see is a major case of law—and disorder. Accused of attempted murder, defendant Nick Rodriguez appears to have a one-way ticket to prison. But Frank and Joe think he's being railroaded, and they're out to prove him innocent.

On the shortest night of the year, thirteen people are due to film a prime time TV series but on the morning of Midsummer's Eve, the brightest star in Swedish television is found shot dead in a mobile control room. Newspaper reporter Annika Bengtzon is drawn into the investigation where she soon learns that one of the suspects is her best friend. As events unfold her personal life starts to take a turn for the worse. Meanwhile, there's a murderer on the loose - and a terrifying drama about to take place in the public eye.

Documents how Milosevic seized control of the media, directed it, and organized the mechanism for propagating the Big Lie--turning truth on its head ... and chronicles how many media outlets worked to turn communities against each other. [back cover].

The thirty-five novellas presented in Prime-Time Crime Time are works of pure fiction. The stories' themes deal with various types of crime and criminal motivation. Any character resemblance to anyone living on Planet Earth is positively coincidental. In addition, any fictional setting scenario is also coincidental. Prime-Time Crime Time is author Jay Dubya's 42nd published hardcover/paperback book. Other story collections by this prolific author are Snake Eyes and Boxcars, Snake Eyes and Boxcars, Part II, Suite 16, One Baker's Dozen, Two Baker's Dozen, RAM: Random Articles and Manuscripts, Pieces of Eight, Pieces of Eight, Part II, Pieces of Eight, Part III, Pieces of Eight, Part IV, Nine New Novellas, Nine New Novellas, Part II, Nine New Novellas, Part III and Nine New Novellas, Part IV.

This book employs actor-network theory in order to examine how representations of crime are produced for contemporary prime-time television dramas. As a unique examination of the production of contemporary crime television dramas, particularly their writing process, Making Crime Television: Producing Entertaining Representations of Crime for Television Broadcast examines not only the semiotic relations between ideas about crime, but the material conditions under which those meanings are formulated. Using ethnographic and interview data, Anita Lam considers how textual representations of crime are assembled by various people (including writers, directors, technical consultants, and network executives), technologies (screenwriting software and whiteboards), and texts (newspaper articles and rival crime dramas). The emerging analysis does not project but instead concretely examines what and how television writers and producers know about crime, law and policing. An adequate understanding of the representation of crime, it is maintained, cannot be limited to a content analysis that treats the representation as a final product. Rather, a television representation of crime must be seen as the result of a particular assemblage of logics, people, creative ideas, commercial interests, legal requirements, and broadcasting networks. A fascinating investigation into the relationship between television production, crime, and the law, this book is an accessible and well-researched resource for students and scholars of Law, Media, and Criminology.

"Crime series are prime time viewing. They are significant in understanding the rhetorics of crime and law enforcement in our society. Richard Sparkes explores the relations between watching "cop shows" (like "Hill St Blues", "Miami Vice", "Bulman" and "The Sweeney") and the extent and intensity of public fear and alarm about crime. He examines the arguments about the effects of television violence; analyses the prevalence of certain predominant images and kinds of story, and their appeal to the audience; and relates them to the wider social and political agenda. He draws upon and successfully interweaves social theory, social psychology, cultural and media studies, narrative theory and criminology in providing an important account of the meanings of crime and law enforcement in contemporary culture."-- back cover.

A wonderfully wicked new anthology from the editor of The Penguin Book of Gaslight Crime It is the Victorian era and society is both entranced by and fearful of that suspicious character known as the New Woman. She rides those new- fangled bicycles and doesn't like to be told what to do. And, in crime fiction, such female detectives as Loveday Brooke, Dorcas Dene, and Lady Molly of Scotland Yard are out there shadowing suspects, crawling through secret passages, fingerprinting corpses, and sometimes committing a lesser crime in order to solve a murder. In The Penguin Book of Victorian Women in Crime, Michael Sims has brought together all of the era's great crime-fighting females- plus a few choice crooks, including Four Square Jane and the Sorceress of the Strand.

A Box Set of the first 3 books in the Prime Time Crime Paranormal Women's Fiction Mystery Cozy Mystery series from USA Today Bestselling author, Morgana Best. Book 1 Christmas Spirit Live. Laugh. Lava. Prudence Wallflower is a human volcano, and like Pompeii, she is about to blow.But hot flashes are only one of Prudence's problems. She is a clairvoyant ... who has never seen a ghost. Despite Prudence connecting people with their deceased loved ones through the impressions she receives from the dead, her professional reputation is on the edge of eruption.But when the ghost of a gorgeous detective appears and demands Prudence solve a murder, it's her romantic life, not her reputation, which is about to explode. Book 2 Ghost Hunter It took Prudence Wallflower 50 years to get her head together. Now her body is falling apart. And so is her life as a clairvoyant. When Prudence discovers the ghost of the dashing Detective Levi Grimes is harboring a secret, she only has a short time to save him from complete destruction. The key lies with a murdered police officer. Can she save Levi from a fate worse than his death, or will she too fall victim? Book 3 There Must be a Happy Medium Prudence Wallflower is as hot as Detective Levi Grimes. But unlike Levi, her hotness comes in flashes. When Prudence's neighbour is murdered, unruly hormones are the last thing on her mind. No longer making her living as a clairvoyant, Prudence isn't sure where her life is heading or what lies in store for her relationship with Levi. Prudence may be itchy, sweaty, sleepy, and bloated, but that's not going to stop her from uncovering the secret of Levi's existence and living her best life. That is, if she can stay alive long enough to enjoy it. All Morgana Best books are humorous, feel-good stories. All are free from bad language, physical intimacy scenes, and all things gruesome.

Originally published: 2011. With new addendum.