The last in a trilogy of monographs designed to provide a baseline survey of the prehistoric sites of Northern Ireland, this monograph considers the prehistoric artefacts that have been found in Northern Ireland. It aims to provide a basis for further research, and also to stimulate local interest in the prehistory of Northern Ireland.

This monograph brings together information on all the currently known sites in Northern Ireland that are in some way associated with prehistoric life. Compiled from a number of sources, it includes many that have only recently been discovered. A total of 1580 monuments are recorded in the inventory, ranging from burnt mounds to hillforts.

Much has been written about the history of Northern Ireland, but less well-known is its wealth of prehistoric sites, particularly burial sites, from which most of our knowledge of the early inhabitants of this country has been obtained.

Sited at the furthest limits of the Neolithic revolution and standing at the confluence of the two great sea routes of prehistory, Britain and Ireland are distinct from continental Europe for much of the prehistoric sequence. In this landmark 2007 study - the first significant survey of the archaeology of Britain and Ireland for twenty years - Richard Bradley offers an interpretation of the unique archaeological record of these islands based on a wealth of current and largely unpublished data. Bradley surveys the entire archaeological sequence over a 4,000 year period, from the adoption of agriculture in the Neolithic period to the discovery of Britain and Ireland by travellers from the Mediterranean during the later pre-Roman Iron Age. Significantly, this is the first modern account to treat Britain and Ireland on equal terms, offering a detailed interpretation of the prehistory of both islands.

This lavishly illustrated volume presents a state of the art survey of the ancient rock art of Britain and Ireland. Bringing together new discoveries and new interpretations, it enhances our understanding and further establishes ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.

Stan Beckensall is renowned for his work, done on an entirely amateur basis, discovering, recording and interpreting Atlantic rock art in his home county of Northumberland and beyond. Presented on his 90th birthday, this diverse and stimulating collection of papers celebrates his crucial contribution to rock art studies, and looks to the future.

Highlights the achievements of prehistoric people in Britain and Ireland over a 5,000 year period.

Identity is relational and a construct, and is expressed in a myriad of ways. For example, material culture and its pluralist meanings have been readily manipulated by humans in a prehistoric context in order to construct personal and group identities. Artefacts were often from or reminiscent of far-flung places and were used to demonstrate membership of an (imagined) regional, or European community. Earthworks frequently archive maximum visual impact through elaborate ramparts and entrances with the minimum amount of effort, indicating that the construction of identities were as much in the eye of the perceivor, as of the perceived. Variations in domestic architectural style also demonstrate the malleability of identity, and the prolonged, intermittent use of particular places for specific functions indicates that the identity of place is just as important in our archaeological understanding as the identity of people. By using a wide range of case studies, both temporally and spatially, these thought processes may be explored further and diachronic and geographic patterns in expressions of identity investigated.