This is the eighth book in the Power Within a Poem Series which is once again the wonderful accumulation of poetic responses by the featured Poets who responded weekly to the great challenges set by Erich J. Goller aka P.F.P. Challenge Master Poet Vienna. Just like all the previous books this one is also A very good read for poetry lovers of all ages...With a great variety of subjects and themes that portray all the emotions that we experience in life, so sit back read relate and enjoy this very special book.

This is the fourth book in the Alliance Poets "Power Within a Poem" series... where poems are created from a weekly challenge starter poem, thus creating much wonderful diverse poetry for all ages to enjoy...

This the seventh book in this remarkable "Power within a Poem" Series is another great addition for all poetry lovers to be inspired by as the contents really do portray the power of the pen changing the Poet's words into colourful pictures in mind that arrive from a vast range of themes such as love, life, humour, nature in all forms to please and delight everyone of all ages that reads

This the fifth book in the Power within a Poem series is another wonderful collection of poetry, it is full of poems suitable for all ages, poems that certainly do show the power of words and that paint the pictures in mind... a fantastic addition to the collection

The workings of royal and ecclesiastical authority in Anglo-Saxon England can only be understood on the basis of direct engagement with original texts and material artefacts. This book, written by leading experts, brings together new research that represents the best of the current scholarship on the nexus between authority and written sources from Anglo-Saxon England. Ranging from the seventh to the eleventh century, the chapters in this volume offer fresh approaches to a wide range of linguistic, historical, legal, diplomatic and palaeographical evidence. Central themes include the formation of power in early Anglo-Saxon kingdoms during the age of Bede (d. 735) and Offa of Mercia (757–96), authority and its articulation in the century from Edgar (959–75) to 1066, and the significance of books and texts in expressing power across the period. Writing, Kingship and Power in Anglo-Saxon England represents a critical resource for students and scholars alike with an interest in early medieval history from political, institutional and cultural perspectives.

Dragon in Ambush by Jeremy Ingallsis a critique and new translation of the first twenty poems of Mao Zedong’s published poetry. This seminal work stands out from previous translations of Mao’s poems in seeing them as an expression of his core political beliefs, rather than for their poetic effect. Instead, Dr. Ingalls shows in consummate detail that Mao was careful and deliberate in employing imagery in his poetry to lay out procedures for political supremacy in which the central drive was his will to psychological domination. That is, domination of the minds of others is the unifying theme of Mao’s verse-sequence. The crux of Prof. Ingalls’ work lies in her focus on the symbolism in the poems. The poems are, in Mao’s use of them as a means of communication, meaningless on their surface. No image, however seemingly commonplace, is ever employed for merely lyrical or aesthetic description. Every image functions as a factor in an entirely political calculus. According to Dr. Ingalls, “When Mao mentions streams or mountains, suns or moons, clouds or winds or icicles, horses, elephants, snakes, tigers, leopards or bears, specifies kinds of trees or birds or fish, flies, brooms, mats or bridges, these and all his other images have, as their primary function, neither happenstance descriptions nor whimsical metaphor. They all have politically symbolic functions in Mao’s algebra of versified political discourse.” Furthermore, in her analysis, Prof. Ingalls downplays the significance of Marxism-Leninism in the Thought of Mao Zedong. She shows that throughout his career, Mao regarded Marxism-Leninism as a political convenience, not as a doctrine permanently essential to his master-plan. Just as Mao used the Nationalists of Chiang Kai-shek and Stalin’s Soviet Union as means to further his own political ambitions, so did he manipulate Marxist-Leninist ideology to hoodwink and attract, at home and abroad, professional revolutionaries to help do his bidding. Mao’s aims express, in their worldviews, an entirely Chinese tradition. In his poems Mao’s dialectics, his materialism, and his authoritarianism all take their points of reference from within the Chinese cultural order. Dragon in Ambush is a thoroughly unique and revolutionary approach to understanding the Mind of Mao Zedong.

Conceived as a necessary reconsideration of the pristine "elegiac question" in Ovid’s Metamorphoses, this book intends to offer an analysis of the function of elegiac discourse within Ovid’s magnum opus from the perspective of metapoetics. To that end, the author undertakes, in the first section, a close re-reading of some relevant passages of Latin love elegy. From a prism that takes into account the characteristically elegiac multivocality, the genre reveals itself as an agonistic discourse in which the poet dramatises his metaliterary power-relation with the puella, who is unveiled as the synthesis of the distinct sub-products of his poetic activity. Thereupon, the author proceeds to scrutinise how elegiac elements are assimilated and transformed as they become integrated within the framework of Ovid’s poem of changing forms. Far from being a mere stylistic ornament, the presence of an elegiac register in many erotic passages tells us about Ovid’s stance towards love as a metapoetic trope. By reworking elegiac tradition to the point of transforming it into a novum corpus, the poet ultimately substantiates the mutability of generic categories.

Reprint of the original, first published in 1837.