17 November 1979 You were reading a somewhat retro loveletter, the last in history. But you have not yet received it. Yes, its lack or excess of address prepares it to fall into all hands: a post card, an open letter in which the secret appears, but indecipherably. What does a post card want to say to you? On what conditions is it possible? Its destination traverses you, you no longer know who you are. At the very instant when from its address it interpellates, you, uniquely you, instead of reaching you it divides you or sets you aside, occasionally overlooks you. And you love and you do not love, it makes of you what you wish, it takes you, it leaves you, it gives you. On the other side of the card, look, a proposition is made to you, S and p, Socrates and plato. For once the former seems to write, and with his other hand he is even scratching. But what is Plato doing with his outstretched finger in his back? While you occupy yourself with turning it around in every direction, it is the picture that turns you around like a letter, in advance it deciphers you, it preoccupies space, it procures your words and gestures, all the bodies that you believe you invent in order to determine its outline. You find yourself, you, yourself, on its path. The thick support of the card, a book heavy and light, is also the specter of this scene, the analysis between Socrates and Plato, on the program of several others. Like the soothsayer, a "fortune-telling book" watches over and speculates on that-which-must-happen, on what it indeed might mean to happen, to arrive, to have to happen or arrive, to let or to make happen or arrive, to destine, to address, to send, to legate, to inherit, etc., if it all still signifies, between here and there, the near and the far, da und fort, the one or the other. You situate the subject of the book: between the posts and the analytic movement, the pleasure principle and the history of telecommunications, the post card and the purloined letter, in a word the transference from Socrates to Freud, and beyond. This satire of epistolary literature had to be farci, stuffed with addresses, postal codes, crypted missives, anonymous letters, all of it confided to so many modes, genres, and tones. In it I also abuse dates, signatures, titles or references, language itself. J. D. "With The Post Card, as with Glas, Derrida appears more as writer than as philosopher. Or we could say that here, in what is in part a mock epistolary novel (the long section is called "Envois," roughly, "dispatches" ), he stages his writing more overtly than in the scholarly works. . . . The Post Card also contains a series of self-reflective essays, largely focused on Freud, in which Derrida is beautifully lucid and direct."—Alexander Gelley, Library Journal

Bestselling author Beverly Lewis's story of a weary big-city journalist and a New Order Amish woman whose lives come together over a mysterious postcard.

A Guide Book of Collectible Postcards "takes you on a unique trip into the past. Inside this book, you'll find cards of high society and lowbrow humor, natural disasters, social, political, and religious movements, popular artists' illustrations, newspaper comics, circus animals, early movie stars, athletes, planes, trains, automobiles, and the corner general store--and much more! Authors Q. David Bowers and Mary L. Martin share decades of experience in buying, selling, and collecting. They guide you from the earliest postcards of the 1870s to the Golden Age of the 1890s through the Great War, and to the modern chrome postcards found on store racks today."--Publishers website.

She died today. One phone call changes Jason's summer vacation-and life!-forever. When Jason's grandmother dies, he's sent down to her home in Florida to help his father clean out her things. At first he gripes about spending his summer miles away from his best friend, doing chores, and sweating in the Florida heat, but he soon discovers a mystery surrounding his grandmother's murky past. An old, yellowed postcard...a creepy phone call with a raspy voice at the other end asking, "So how smart are you?"...an entourage of freakish funeral goers....a bizarre magazine story. All contain clues that will send him on a thrilling journey to uncover family secrets. Award-winning author Tony Abbott weaves an intriguing and entertaining mystery of adventure, friendship and family.

When you open Postcards From The Soul, you'll see into the depths of the often-hidden emotions of people who have shared extraordinary experiences. This collection of postcards is both moving and illuminating. The emotions are raw and genuine. Every postcard tells a piece of the life story of a real person. Maybe even somebody you know. These postcards resonate because they reflect a universal condition: Living in the face of adversity. They speak to all people wanting to have a sense of belonging and to be loved, heard, safe, and respected. They often reflect loss, abuse, abandonment, hurt, and the mental health and addiction struggles of the postcard author or of someone close to them. By sharing their inner-most thoughts, the creators of these postcards hope that you will have a better understanding of some of the struggles they endured, and that through their sharing you will want to make a difference for someone else who may be facing adversity in their lives.

A book of postcards with drawings from Cecily Mary Barker's Flower Fairies.

Colour it in psychedelic colours, in tasteful tones, in all shades of orange! But just colour it! Recapture the purest sense of creativity by colouring in the most beautiful figurative designs – flowers, birds, butterflies – provided by a leading textile designer. By adding the key ingredient of colour you add your own spark of creativity to great designs. The design team, who work closely with Tate Modern in London, provide 24 postcards with six different designs to choose from. You can experiment with the colour combinations, using crayons, pencils, felt/fibre tip pens, and even paint on these uncoated postcards. A brief introduction gives some tips on using colours and suggests colour combinations to use on the specific designs, but you are encouraged to let your own creativity get to work! Great fun for all those looking for a burst of creative expression and useful for designers of all types who want to experiment with colour. The cards can be kept together in the book or detached, framed or posted to a friend.

Graphic artist Michael Schwab has created an outstanding new look for the Bay Area's most beloved outdoor treasures. Perfect for nature-loving natives and tourists alike, this colorful, graphically striking collection gives a modern spin to the national parklands of the Golden Gate.