Beyond the bright lights and casinos lies the real Las Vegas where four lives will be brought together by one split-second choice.

Longlisted for the 2016 National Book Award for Fiction Finalist for the Baileys Prize for Women's Fiction An exuberant, one-of-a-kind novel about love and family, war and nature, new money and old values by a brilliant New Yorker contributor The Portable Veblen is a dazzlingly original novel that’s as big-hearted as it is laugh-out-loud funny. Set in and around Palo Alto, amid the culture clash of new money and old (antiestablishment) values, and with the specter of our current wars looming across its pages, The Portable Veblen is an unforgettable look at the way we live now. A young couple on the brink of marriage—the charming Veblen and her fiancé Paul, a brilliant neurologist—find their engagement in danger of collapse. Along the way they weather everything from each other’s dysfunctional families, to the attentions of a seductive pharmaceutical heiress, to an intimate tête-à-tête with a very charismatic squirrel. Veblen (named after the iconoclastic economist Thorstein Veblen, who coined the term “conspicuous consumption”) is one of the most refreshing heroines in recent fiction. Not quite liberated from the burdens of her hypochondriac, narcissistic mother and her institutionalized father, Veblen is an amateur translator and “freelance self”; in other words, she’s adrift. Meanwhile, Paul—the product of good hippies who were bad parents—finds his ambition soaring. His medical research has led to the development of a device to help minimize battlefield brain trauma—an invention that gets him swept up in a high-stakes deal with the Department of Defense, a Bizarro World that McKenzie satirizes with granular specificity. As Paul is swept up by the promise of fame and fortune, Veblen heroically keeps the peace between all the damaged parties involved in their upcoming wedding, until she finds herself falling for someone—or something—else. Throughout, Elizabeth McKenzie asks: Where do our families end and we begin? How do we stay true to our ideals? And what is that squirrel really thinking? Replete with deadpan photos and sly appendices, The Portable Veblen is at once an honest inquiry into what we look for in love and an electrifying reading experience.

From the award-winning author of The Bellwether Revivals comes a "gorgeous and harrowing work" (Emily St. John Mandel) set on a mysterious island, where artists strive to recover their lost gifts--and where nothing is quite as it seems. Situated on a Turkish island, Portmantle might be the strangest, most exclusive artists' colony around. Its brilliant residents linger for years, all expenses paid and living under assumed names. Relieved of the burdens of time and ego, they are free to create their next masterpieces. Elspeth Conroy (aka "Knell") is a Scottish painter who has been at Portmantle for a decade, a refugee from the hectic London art scene. Her fellow longtimers include Quickman, whose sole book became a classic and paralyzed his muse; MacKinney, a playwright who left behind her family; and Pettifer, an architect obsessing over an unfinished cathedral. In his astonishing second novel, Benjamin Wood gives us “an intensely intimate portrait of an artist as a young woman, with truths on every page” (Independent). The hermetic world at Portmantle shatters when the 17-year-old Fullerton arrives at the gates, his provenance and talents unknown. As Knell searches for answers, she reveals the path that led her to this place: Her intimate bond with her gruff drunk of a mentor; her early successes and crushing failures; a journey across the Atlantic and into the psychiatrist's office; and a grand commission of astronomical significance. What is "The Ecliptic," and how does it relate to the life Elspeth left behind? This gorgeous puzzle of a novel touches the head and the heart, and the effect is nothing short of electrifying.

"On leave from work, unsettled by the proximity of her ex, and struggling with her hostile neighbors, Mary has become increasingly captivated by a magnificent fox who is always in her garden. First she sees him wink at her, then he brings her presents, and finally she invites him into her house. As the boundaries between the domestic and the wild blur, and the neighbors set out to exterminate the fox, it is unclear if Mary will save the fox, or the fox save Mary"--

While searching for the truth about his mother's untimely death, MacGregor West is pulled into the world of the eccentric Ware family and a love affair with the beautiful Carolyn, whose own secrets have a surprising link to MacGregor's past.

SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016 A laugh-out-loud love story with big ideas - and squirrels Can squirrels speak? Do snails scream? Will a young couple, newly engaged, make it to their wedding day? Will their dysfunctional families ruin everything? Will they be undone by the advances of a very sexy, very unscrupulous heiress to a pharmaceuticals corporation? Is getting married even a remotely reasonable idea in the twenty-first century? And what in the world is a 'Veblen' anyway?

"Be Not Content is a coming-of-age novel set in San Jose, California, in the mid 1960s-describing William Craddock's experiences as a young acid-head. This is a hip, profound, and wonderfully-written book, a unique chronicle of the earliest days of the great psychedelic upheaval. Be Not Content is filled with warmth and empathy, tragic at times, and very funny in spots, a wastrel masterpiece where laughter plays counterpoint against the oboes of doom."--Publisher's description.

This selection of new work by some of Japan?s most eminent observers and artists offers a richly nuanced perspective on the complex relationship between Japan and the U.S. in the long aftermath of war.

Escape into this hugely enjoyable, big-hearted and beautifully written novel, set in Vallerosa, a European country you’ve never heard of before.