A collection of the most notable writings of George Bernard Shaw. Includes biographical material.

This is the first comprehensive annotated bibliography of works by and about Bernard Shaw. No book has appeared before that has surveyed all of the research and writing that the life and work of Bernard Shaw have evoked. The greatest dramaturgist in English after Shakespeare, Shaw was one of the dominant public figures of his time, a long lifetime (1856-1950) that began in the mid-Victorian period and extended into the Atomic Age. Inevitably, someone who straddled his age so visibly and so memorably, and whose works retain a continuing fascination, has been the subject of thousands of articles and hundreds of books, from criticism of individual works to multivolume biographies, editions, and studies. Stanley Weintraub has distilled his forty years of experience of Shaw studies to bring them into useful focus and sort out the significant writings from the burgeoning mass of publications. This book is an essential tool for both scholars and general readers interested in the multifarious world of Shaw. Readers will not only find out what has been done, but what still remains to be accomplished in Shaw studies; what Shaw's influence has been on other writers; even where Shaw has appeared as a character in other writers' poetry, fiction, and drama.

This book is an anthology focused on Shaw’s efforts, literary and political, that worked toward a modernizing Ireland. Following Declan Kiberd’s Foreword and the editor’s Introduction, the contributing chapters, in their order of appearance, are from President of Ireland Michael D. Higgins, Anthony Roche, David Clare, Elizabeth Mannion, Nelson O’Ceallaigh Ritschel, Aisling Smith, Susanne Colleary, Audrey McNamara, Aileen R. Ruane, Peter Gahan, and Gustavo A. Rodriguez Martin. The essays establish that Shaw’s Irishness was inherent and manifested itself in his work, demonstrating that Ireland was a recurring feature in his considerations. Locating Shaw within the march towards modernizing Ireland furthers the recent efforts to secure Shaw’s place within the Irish spheres of literature and politics.

Includes A Summary View of the Rights of British America and Notes on the State of Virginia complete; seventy-nine letters; "Response to the Citizens of Albemarle," 1790; "Opinion on the Constitutionality of a National Bank," 1791; and many other writings.

How could Bernard Shaw have found anything to admire in Queen Victoria? Or in the passionate evangelical "General" William Booth of the Salvation Army? What possible connections could there be between Shaw, the passionate socialist, and the Tory Winston Churchill, who seemed to represent everything Shaw should have rejected and despised? In Shaw's People, noted Shaw scholar Stanley Weintraub explores the relationships between Shaw and twelve of his contemporaries, including Queen Victoria, Oscar Wilde, H. L. Mencken, James Joyce, and Winston Churchill. Weintraub chose these individuals as lenses through which to look at Shaw but also for the ways in which their lives are illuminated through their often paradoxical relationships with Shaw. While Shaw never met Queen Victoria, his sovereign during the first forty-five years of his life, the degree of her influence is apparent in Shaw's reference to himself, in his ninth decade, as "an old Victorian." Weintraub explores those in the literary world who interacted with Shaw, such as H. L. Mencken, one of Shaw's earliest American fans, who turned against his hero at the peak of his translatlantic reputation, and James Joyce, who was loath to confess his respect for his fellow Irishman. He investigates the curious mutual admiration between Shaw and W. B. Yeats and Shaw's championing of Oscar Wilde despite the vast difference in their lifestyles. Weintraub's skillful investigation of each of these twelve relationships illuminates a different facet of Shaw, from his pre-dramatist years in London through the close of his long life.

This volume, edited by Carl Bode in collaboration with Malcolm Cowley, presents the essential Emerson, selected from works that eloquently express the philosophy of a worldly idealist. The Portable Emerson comprises essays, including “History,” “Self-Reliance,” “The Over-Soul,” “Circles,” and “The Poet”; Emerson’s first book, Nature, in its entirety; twenty-two poems, including “Uriel,” “The Humble-Bee,” and “Give All to Love”; orations, including “The American Scholar,” “The Fugitive Slave Law,” and “John Brown”; English Traits, complete; and biographical essays on Plato, Napoleon, Henry David Thoreau, Thomas Carlyle, and others.

The Portable Blake contains the hermetic genius's most important works: Songs of Innocence and Songs of Experience in their entirety; selections from his "prophetic books"—including The Marriage of Heaven and Hell, Visions of the Daughters of Abion, America, The Book of Urizen, and The Four Zoas—and from other works of poetry and prose, as well as the complete drawings for The Book of Job.

The Portable Nineteenth-Century Russian Reader magnificently represents the great voices of this era. It includes such masterworks of world literature as Pushkin's poem "The Bronze Horseman"; Gogol's "The Overcoat"; Turgenev's novel First Love; Chekhov's Uncle Vanya; Tolstoy's The Death of Ivan Ilych; and "The Grand Inquisitor" episode from Dostoyevsky's The Brothers Karamazov; plus poetry, plays, short stories, novel excerpts, and essays by such writers as Griboyedov, Pavlova, Herzen, Goncharov, Saltykov-Shchedrin, and Maksim Gorky. Distinguished scholar George Gibian provides an introduction, chronology, biographical essays, and a bibliography.

More than 1,000 outrageously irreverent quotations, anecdotes, and interviews on a vast array of subjects, from an illustrious list of world class grouches. “If you can’t say anything good about someone, sit right here by me.”—Alice Roosevelt Longworth