In sunbaked Terlingua, Texas (pop., a few hundred), residents joke that there is a musician under every rock. Located ten miles from Mexico in one of the remotest corners of the United States, the town had a recording studio before it had a school, a well-stocked grocery store, or even a water utility. Open jam sessions are a daily ritual, and some songwriters make a living from their craft despite being thousands of miles from New York or Nashville. Why does such a tiny and isolated place ring with singing and guitars? Based on more than two years of on-the-ground research, On the Porch tells the story of this small but remarkable community. Chase Peeler invites us into the music, introducing us to a cast of characters as unique as the town itself. He reveals how novices and experts perform together—a rarity in contemporary America. He recounts the devastation brought on by a border closure and describes how music is once again uniting people across the Rio Grande. He considers the impact of gentrification in an off-the-grid paradise, and how this threatens to transform a precarious musical ecosystem. On the Porch is a celebration of human musicality, of the role that music plays and can play in our lives, both in Terlingua and beyond.

Come with us for a moment out onto the porch. Just like that, we’ve entered another world without leaving home. In this liminal space, an endless array of absorbing philosophical questions arises: What does it mean to be in a place? How does one place teach us about the world and ourselves? What do we—and the things we’ve built—mean in this world? In a time when reflections on the nature of society and individual endurance are so paramount, Charlie Hailey’s latest book is both a mental tonic and a welcome provocation. Solidly grounded in ideas, ecology, and architecture, The Porch takes us on a journey along the edges of nature where the outside comes in, hosts meet guests, and imagination runs wild. Hailey writes from a modest porch on the Homosassa River in Florida. He sleeps there, studies the tides, listens for osprey and manatee, welcomes shipwrecked visitors, watches shadows on its screens, reckons with climate change, and reflects on his own acclimation to his environment. The profound connections he unearths anchor an armchair exploration of past porches and those of the future, moving from ancient Greece to contemporary Sweden, from the White House roof to the Anthropocene home. In his ruminations, he links up with other porch dwellers including environmentalist Rachel Carson, poet Wendell Berry, writers Eudora Welty and Zora Neale Hurston, philosopher John Dewey, architect Louis Kahn, and photographer Paul Strand. As close as architecture can bring us to nature, the porch is where we can learn to contemplate anew our evolving place in a changing world—a space we need now more than ever. Timeless and timely, Hailey’s book is a dreamy yet deeply passionate meditation on the joy and gravity of sitting on the porch.

“This quiet novel sings. A graceful profound story for all ages that speaks well beyond its intended audience.” —Kirkus (starred review) Fans of Newbery Medal winner Sharon Creech's Ruby Holler will love this tween novel about opening your heart and finding family when you least expect it. When a young couple finds a boy asleep on their porch, their lives take a surprising turn. Unable to speak, the boy, Jacob, can't explain his history. All John and Marta know is that they have been chosen to care for him. And as their connection and friendship with Jacob grow, they embrace his exuberant spirit and talents. The three of them blossom into an unlikely family and begin to see the world in brand-new ways.

Regardless of their sometimes ambiguous concepts of God, the Roman Stoic philosophers did acknowledge Him, but on the basis of reason alone, because they had not met Christ. Nonetheless, they did deduce from God's existence our need to live lives of virtue, honor, tranquility, and self-control--and they developed effective techniques to help us achieve this. Musonius Rufus the teacher, Epictetus the slave, Seneca the adviser to emperors, and Marcus Aurelius, the emperor himself, produced a practical technology we can use to integrate Christian ethics into our own daily practice. As Kevin Vost so wonderfully illustrates in his new book, The Porch and the Cross, the Stoics can help us learn--and remember--what is up to us, and what is up to God alone.

In ways that are highly individual, says Harris, yet still within a shared oral tradition, Zora Neale Hurston, Gloria Naylor, and Randall Kenan skillfully use storytelling techniques to define their audiences, reach out and draw them in, and fill them with anticipation. Considering how such dynamics come into play in Hurston's Mules and Men, Naylor's Mama Day, and Kenan's Let the Dead Bury Their Dead, Harris shows how the "power of the porch" resides in readers as well, who, in giving themselves over to a story, confer it on the writer. Against this background of give and take, anticipation and fulfillment, Harris considers Zora Neale Hurston's special challenges as a black woman writer in the thirties, and how her various roles as an anthropologist, folklorist, and novelist intermingle in her work. In Gloria Naylor's writing, Harris finds particularly satisfying themes and characters. A New York native, Naylor came to a knowledge of the South through her parents and during her stay on the Sea Islands she wrote Mama Day. A southerner by birth, Randall Kenan is particularly adept in getting his readers to accept aspects of African American culture that their rational minds might have wanted to reject. Although Kenan is set apart from Hurston and Naylor by his alliances with a new generation of writers intent upon broaching certain taboo subjects (in his case gay life in small southern towns), Kenan's Tims Creek is as rife with the otherworldly and the fantastic as Hurston's New Orleans and Naylor's Willow Springs.

What to do if a rather insistent bear squats on your porch today? Followed in short order by a shaggy squirrel, a spraying skunk, a playful possum, and a bevy of forest critters large and small? This hilarious cumulative tale of reluctant hospitality and generous inclusivity will leave readers chanting, "OKAY. OKAY! YOU CAN STAY." But watch out! That porch is starting to sway. . . . Jane Yolen's uproarious chant-aloud story is brought to life by Rilla Alexander's dazzling retro-hip illustrations in an exuberant collaboration sure to take its place alongside such cumulative classics as This is the House that Jack Built and There Was an Old Lady Who Swallowed a Fly.

Evoking soft summer evenings in the South, a collection of photographs and quotes from such famous writers as William Faulkner and Eudora Welty celebrates the porch as a vital extension of the American character. By the author of Kate Vaiden.

The fascinating story of two courageous opponents in Hitler’s Germany who both bravely resisted the Nazis—for World War II history buffs and fans of little-known histories. “A story that needs to be heard.” —Library Journal During the twelve years of Hitler’s Third Reich, very few Germans took the risk of actively opposing his tyranny and terror, and fewer still did so to protect the sanctity of law and faith. In No Ordinary Men, Elisabeth Sifton and Fritz Stern focus on two remarkable, courageous men who did—the pastor and theologian Dietrich Bonhoeffer and his close friend and brother-in-law Hans von Dohnanyi—and offer new insights into the fearsome difficulties that resistance entailed. (Not forgotten is Christine Bonhoeffer Dohnanyi, Hans’s wife and Dietrich’s sister, who was indispensable to them both.) From the start Bonhoeffer opposed the Nazi efforts to bend Germany’s Protestant churches to Hitler’s will, while Dohnanyi, a lawyer in the Justice Ministry and then in the Wehrmacht’s counterintelligence section, helped victims, kept records of Nazi crimes to be used as evidence once the regime fell, and was an important figure in the various conspiracies to assassinate Hitler. The strength of their shared commitment to these undertakings—and to the people they were helping—endured even after their arrest in April 1943 and until, after great suffering, they were executed on Hitler’s express orders in April 1945, just weeks before the Third Reich collapsed. Bonhoeffer’s posthumously published Letters and Papers from Prison and other writings found a wide international audience, but Dohnanyi’s work is scarcely known, though it was crucial to the resistance and he was the one who drew Bonhoeffer into the anti-Hitler plots. Sifton and Stern offer dramatic new details and interpretations in their account of the extraordinary efforts in which the two jointly engaged. No Ordinary Men honors both Bonhoeffer’s human decency and his theological legacy, as well as Dohnanyi’s preservation of the highest standard of civic virtue in an utterly corrupted state.

This unique history depicts Detroit as a city of innovation, resilience, and leadership in responding to change, and examines the current sustainability paradigm shift to which Detroit is responding, pivoting as the city has done in the past to redefine itself and lead the nation and world down a more sustainable path. This book details the building of a new waterfront porch alongside the Detroit River called the Detroit RiverWalk to help revitalize the city and region and promote sustainability practices.