At twenty-one Barbara Woolworth Hutton inherited a personal fortune worth nearly one billion dollars today--yet she died with only $3,500 in the bank. Here is the riveting story from the $12 million miniseries starring Farrah Fawcett.

Liverpool, 1934. Hester Lowe agrees to act as governess to spoilt, self-willed, little Lonnie Hetherington-Smith when they leave India to live with Lonnie's elderly aunt in Shaw Street, Liverpool. Hester speedily realises that her new employer dislikes her niece and means to make life uncomfortable for both of them. Things improve a little when they meet the poor, but happy, Bailey family who live in a court off Heyworth Street. Hester likes Dick Bailey very much, but her employer does not permit 'followers', whilst Lonnie and young Ben Bailey are deadly enemies. Then, the regime in Shaw Street changes and Hester is forced to leave the comforts of a middle-class household to make her own way in what is, to her, a strange country... Poor Little Rich Girl is sure to please the huge and growing fanbase of one of the most popular saga authors in the country, with more than two million books sold nationwide.

Her grandfather, five-and-dime-store magnate Frank W. Woolworth, called her his "Princess." Few real princesses lived as lavishly as this cherubic, golden-haired child ...

What do Chanel, Sherlock Holmes, Salvador Dali, and the world’s richest heiress have in common? …they were all part of the Mdivani entourage. The creation of mass media in the 1920s paved the way for five siblings to become a global lifestyle celebrity. Though professional successes adorned them, scandal reigned supreme. As they married their way into the echelons of Hollywood, American and European high society, a moniker “The Marrying Mdivanis” was born. Always dramatic and often heart-breaking, this is a whirlwind epic spanning four continents, eleven weddings, seven divorces and five spectacular deaths with millions in play. The Mdivani Saga is an astonishing biographical account of one of the 20th century's most captivating families. The story follows five siblings born to a Georgian general and his socialite wife, once stirring intrigue at the Russian Imperial court. This riches-to-rags-and-back-again story follows the changing fortunes of the Mdivanis as they barely escaped a revolution with just a few dollars. Within a decade, the Mdivani had turned these dollars into millions when they became the epicentre of the international jet-set —until their dazzling world began to unravel.

A groundbreaking anthology that probes the disposition towards the visually different Giants. Midgets. Tribal non-Westerners. The very fat. The very thin. Hermaphrodites. Conjoined twins. The disabled. The very hirsute. In American history, all have shared the platform equally, as freaks, human oddities, their only commonality their assigned role of anomalous other to the gathered throngs. For the price of a ticket, freak shows offered spectators an icon of bodily otherness whose difference from them secured their own membership in a common American identity--by comparison ordinary, tractable, normal. Rosemarie Thomson's groundbreaking anthology probes America's disposition toward the visually different. The book's essays fall into four main categories: historical explorations of American freak shows in the era of P.T. Barnum; the articulation of the freak in literary and textual discourses; contemporary relocations of freak shows; and theoretical analyses of freak culture. Essays address such diverse topics as American colonialism and public presentations of natives; laughing gas demonstrations in the 1840's; Shirley Temple and Tom Thumb; Todd Browning's landmark movie Freaks; bodybuilders as postmodern freaks; freaks in Star Trek; Michael Jackson's identification with the Elephant Man; and the modern talk show as a reconfiguration of the freak show. In her introduction, Thomson traces the freak show from antiquity to the modern period and explores the constitutive, political, and textual properties of such exhibits. Freakery is a fresh, insightful exploration of a heretofore neglected aspect of American mass culture.

In a world drowning in formulaic stories, The Story of The Story emerges as a beacon for storytellers seeking a genuine connection with their audience. The book underscores the importance of theme-driven storytelling, positing that understanding the 'why' or the theme of a story is the key to mastering the art of intuitive and genuine narrative. Unlike conventional how-to manuals that merely scratch the surface, The Story of The Story delves deep into the ethos of storytelling. It emphasizes that just as reading a jumbo jet's manual doesn't qualify one to fly it, simply reading about storytelling mechanics won't produce The Story of The Story offers invaluable insights for writers and content creators in a rapidly evolving digital landscape. In emphasizing the art of AI-proof storytelling, the book assures that genuine, theme-driven narratives will always have a unique place, unaffected by the onslaught of technology. Every storyteller embarks on a journey and this book is the compass that directs one to the essence of powerful storytelling, ensuring the narrative remains timeless, genuine, and impactful.