Award-winning author Mongo Beti presents The Poor Christ of Bomba, a cutting satirical critique on the role of Catholic missionaries and French colonialism in 1930s Cameroon. A revolutionary novel in its time. In the small village of Bomba, a French missionary priest is instructed to build a parish for its residents. Father Drumont has one important task; to save the village from heresy by preparing its girls for Christian marriage. A servant in Father Drumont's house, a young boy named Denis is reliant on the priest's generosity after the death of his mother. In the eyes of the Catholic church, Denis is the perfect example of the African heathen saved by Christianity – but the reality of what happens behind closed doors in much more sinister. 'One of the foremost African writers of the independence generation.' Guardian

In Bomba the girls who are being prepared for Christian marriage live together in the women's camp. It is not clear whether the girls have to stay in the women's camp for such long periods for the good of their souls or for the good of the mission building program. Only gradually does it become apparent that the local churchmen have also been using the local girls for their own purpose.

Banda, the protagonist, sets off to sell the year's cocoa harvest to earn the bride-price for the woman he has chosen to wed. A series of misfortunes causes Banda to lose both his crop and his bride-to-be. As he makes his way to the city, Banda is witness to a changing Africa.

Written by award-winning African novelist Mariama Bâ and translated from the original French, So Long a Letter has been recognized as one of Africa’s 100 Best Books of the 20th Century. The brief narrative, written as an extended letter, is a sequence of reminiscences —some wistful, some bitter—recounted by recently widowed Senegalese schoolteacher Ramatoulaye Fall. Addressed to a lifelong friend, Aissatou, it is a record of Ramatoulaye’s emotional struggle for survival after her husband betrayed their marriage by taking a second wife. This semi-autobiographical account is a perceptive testimony to the plight of educated and articulate Muslim women. Angered by the traditions that allow polygyny, they inhabit a social milieu dominated by attitudes and values that deny them status equal to men. Ramatoulaye hopes for a world where the best of old customs and new freedom can be combined. Considered a classic of contemporary African women’s literature, So Long a Letter is a must-read for anyone interested in African literature and the passage from colonialism to modernism in a Muslim country. Winner of the prestigious Noma Award for Publishing in Africa.

Concentrating on issues of power and change, this analysis of texts by Chinua Achbe, Bessie Head and Dambudzi Marechera teases out each author's view of how colonialism affected Africa, the contributions of Africans to their malaise, and how many reacted in creative, progressive, pragmatic ways.

Written in the form of a diary, kept by the Cameroonian houseboy Toundi, this book looks at Toundi's innocence and his awe of the white world of his masters.

King Lazarus centres around the changing customs and mores of a Bantu tribe under French administration. The year is 1948: the hereditary Chief of the Essazam clan is, to all appearances, dying. As his life has been one long round of eating, drinking, and nocturnal exercises among his twenty-three wives, this is not, perhaps, altogether surprising. But his illness worries the Administration; he is a staunch prop of the European Establishment. An even more dangerous situation is produced when the Chief, against all expectation, very suddently recovers -- and the local Roman Catholic missionary, Le Guen, persuades him to renounce his tribal ways and adopt Christianity.

Writing in French in the 1950s, Ferdinand Léopold Oyono (1929–2010) had only a brief literary career, but his anticolonialist novels are considered classics of twentieth-century African literature. Like Oyono’s Houseboy, also available from Waveland Press, this novel fiercely satirizes the false pretenses of European colonial rule in Africa. Meka, a village elder, has always been loyal to the white man. It is with pride that he first hears he is to receive a medal. While waiting for the ceremony, however, Meka’s pride gives way to skepticism. At the same time, his wife has realized that the medal is being given to her husband as compensation for the sacrifices they have made. The events following the ceremony confirm Meka’s new estimation of the white man. Both subtle and oftentimes humorous, this beautifully told story lays bare the hollowness of the mission in Africa. It fuels opportunities for discussing colonial politics around class and race as well as for exploring indigenous Cameroon life and values.