The pony man comes at midnight to take the children for a ride to Mr. Moon's front door.

DigiCat Publishing presents to you this special edition of "The Story of the Pony Express" by Glenn D. Bradley. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This is the story of a perennial stream. The water (students) keeps on flowing by forward but, the stream - the institutional life - remains the same. Thus, this is the story of every student, of every youth aspiring for high goals of life. Most of the events are from my own life and those of my erstwhile class-fellows, albeit attributed in the story to its characters.

Introducing Kate Beaton, a major new picture book talent, and author/illustrator of #1 New York Times bestseller Hark! A Vagrant! Princess Pinecone knows exactly what she wants for her birthday this year. A BIG horse. A STRONG horse. A horse fit for a WARRIOR PRINCESS! But when the day arrives, she doesn't quite get the horse of her dreams...From the artist behind the comic phenomenon Hark! A Vagrant, The Princess and the Pony is a laugh-out-loud story of brave warriors, big surprises, and falling in love with one unforgettable little pony.

A History of The Pony Express by Glenn D. Bradley is a concise, fact-filled look at the history and legacy of AmericaÕs once most famous mail service, taking the reader from its inception to eventual replacement by freight.

Children everywhere have always loved ponies. Those lucky enough to grow up with horses invariably recall them as the keepers of their happiest childhood memories. But for most, a brief ride on a rented pony was the closest they would ever get to a horse of their own. A PONY IN THE PICTURE is an endearing collection of antique and vintage photographs of children posing proudly with ponies and horses, often taken by itinerant photographers who traveled the countryside, suburbs, and cities. Each image captures a moment in time when it seems that all it took for a child to attain sheer joy was the patient presence of a shaggy Shetland pony and a borrowed cowboy hat.

Big Bill Otter was one member of the early American working class not preoccupied with republican principles or the heritage of the Revolution. Big Bill Otter—apprentice, journeyman, master plasterer—was a thug. Otter's autobiography, first published in 1835, provides a rare and fascinating counterpoint to romantic notions of virtuous, respectable craftsmen in the early republic. His Life and Adventures offer an inside account of the brawling racism common in the early nineteenth century and sharply detail the rowdy male subculture of the times. Born in England and conscripted into the British Navy during the Napoleonic wars, Otter jumped ship and came to New York City in 1801. He apprenticed as a plasterer and joined an urban gang; later he was a master plasterer, tavernkeeper, slavecatcher, "Jackson man," bigot, town bully, notorious practical joker, borderline psychopath, mayoral candidate, and all-round "jolly fellow." History of My Own Times is one of the few first-person accounts of a rural artisan in pre-genteel America. The book depicts the ambiguities of race relations in the early nineteenth century, sheds light on its definition of manhood, and conveys a sense of humor very different from today's. Richard B. Stott's introduction an,d commentary place Otter in the context of his times and explore the significance of his autobiography in understanding the social and cultural history of the early American republic.