This book reappraises the historical writings of the seventh-century Spanish bishop Isidore of Seville as a coherent and pastorally-informed programme intended to reconcile the population of Spain to their recent conquest by the barbarian Visigoths.

Previous scholarship has interpreted Bishop Isidore of Seville (d. 636) retrospectively as the architect of the medieval Spanish church, as the father of Spanish identity, and as a key figure in the transmission of Classical and Patristic learning to the Middle Ages. Drawing on recent studies on identity formation in the early medieval period and an upsurge in interest in late antique Spain, this book examines the historical Isidore as a social actor managing a complex web of responsibilities and relationships. A comparative analysis of Isidore's historical works demonstrates that writing about the past was a method for reconciling Visigothic kings, nobles and Spanish bishops in a period of transformation. This results in a fresh portrait of Isidore as motivated, both politically and pastorally, to balance competing interests and ensure the spiritual and material security of the people of Spain.

This history of Spain in the period between the end of Roman rule and the time of the Arab conquest challenges many traditional assumptions about the history of this period. Presents original theories about how the Visigothic kingdom was governed, about law in the kingdom, about the Arab conquest, and about the rise of Spain as an intellectual force. Takes account of new documentary evidence, the latest archaeological findings, and the controversies that these have generated. Combines chronological and thematic approaches to the period. A historiographical introduction looks at the current state of research on the history and archaeology of the Visigothic kingdom.

How did the breakdown of Roman rule in the Iberian Peninsula eventually result in the formation of a Visigothic kingdom with authority centralised in Toledo? This collection of essays challenges the view that local powers were straightforwardly subjugated to the expanding central power of the monarchy. Rather than interpret countervailing events as mere 'delays' in this inevitable process, the contributors to this book interrogate where these events came from, which causes can be uncovered and how much influence individual actors had in this process. What emerges is a story of contested interests seeking cooperation through institutions and social practices that were flexible enough to stabilise a system that was hierarchical yet mutually beneficial for multiple social groups. By examining the Visigothic settlement, the interplay between central and local power, the use of ethnic identity, projections of authority, and the role of the Church, this book articulates a model for understanding the formation of a large and important early medieval kingdom.

The structures of the late ancient Visigothic kingdom of Iberia were rooted in those of Roman Hispania, Santiago Castellanos argues, but Catholic bishops subsequently produced a narrative of process and power from the episcopal point of view that became the official record and primary documentation for all later historians. The delineation of these two discrete projects—of construction and invention—form the core of The Visigothic Kingdom in Iberia. Castellanos reads documents of the period that are little known to many Anglophone scholars, including records of church councils, sermons, and letters, and utilizes archaeological findings to determine how the political system of elites related to local communities, and how the documentation they created promoted an ideological agenda. Looking particularly at the archaeological record, he finds that rural communities in the region were complex worlds unto themselves, with clear internal social stratification little recognized by the literate elites.

A Companion to Isidore of Seville presents nineteen chapters from leading international scholars on Isidore of Seville (d. 636), the most prominent bishop of the Visigothic kingdom in Hispania in the seventh century and one of the most prolific authors of early medieval western Europe. Introductory studies establish the political, religious and familial contexts in which Isidore operated, his key works are then analysed in detail, as are some of the main themes that run throughout his corpus. Isidore's influence extended across the entire Middle Ages and into the early modern period in fields such as church governance and pastoral care, theology, grammar, science, history-writing, and linguistics – all topics that are explored in the volume. Contributors: Graham Barrett, Winston Black, José Carracedo Fraga, Santiago Castellanos, Pedro Castillo Maldonado, Jacques Elfassi, Andrew Fear, Amy Fuller, Raúl González Salinero, Jeremy Lawrance, Céline Martin, Thomas O'Loughlin, Martin J. Ryan, Sinéad O'Sullivan, Mark Lewis Tizzoni, Purificación Ubric Rabaneda, Faith Wallis, Immo Warntjes, and Jamie Wood. See inside the book.

This volume contains work by scholars actively publishing on origin legends across early medieval western Europe, from the fall of Rome to the high Middle Ages. Its thematic structure creates dialogue between texts and regions traditionally studied in isolation.

Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during a seventh-century cultural and educational program aimed at creating a society unified in the Nicene faith, built on twin pillars of church and kingdom. Led by Isidore of Seville and subsequent generations of bishops, this cultural renewal effort began with a project of clerical education, facilitated through a distinctive culture of textual production. Rebecca Maloy's Songs of Sacrifice argues that liturgical music--both texts and melodies--played a central role in the cultural renewal of early Medieval Iberia, with a chant repertory that was carefully designed to promote the goals of this cultural renewal. Through extensive reworking of the Old Testament, the creators of the chant texts fashioned scripture in ways designed to teach biblical exegesis, linking both to patristic traditions--distilled through the works of Isidore of Seville and other Iberian bishops--and to Visigothic anti-Jewish discourse. Through musical rhetoric, the melodies shaped the delivery of the texts to underline these messages. In these ways, the chants worked toward the formation of individual Christian souls and a communal Nicene identity. Examining the crucial influence of these chants, Songs of Sacrifice addresses a plethora of long-debated issues in musicology, history, and liturgical studies, and reveals the potential for Old Hispanic chant to shed light on fundamental questions about how early chant repertories were formed, why their creators selected particular passages of scripture, and why they set them to certain kinds of music.

This first volume of The Cambridge History of the Gothic provides a rigorous account of the Gothic in Western civilisation, from the Goths' sacking of Rome in 410 AD through to its manifestations in British and European culture of the long eighteenth century. Written by international cast of leading scholars, the chapters explore the interdisciplinary nature of the Gothic in the fields of history, literature, architecture and fine art. As much a cultural history of Gothic as an account of the ways in which the Gothic has participated within a number of formative historical events across time, the volume offers fresh perspectives on familiar themes while also drawing new critical attention to a range of hitherto overlooked concerns. From writers such as Horace Walpole and Ann Radcliffe to eighteenth-century politics and theatre, the volume provides a thorough and engaging overview of early Gothic culture in Britain and beyond.