"Ginsborg is never judgemental, though he is devastatingly thorough and occasionally mischievously witty." Times Literary Supplement

One of America's foremost public intellectuals, Jean Bethke Elshtain has been on the frontlines in the most hotly contested and deeply divisive issues of our time. Now in Real Politics, Elshtain gives further proof of her willingness to speak her mind, courting disagreement and even censure from those who prefer their ideologies neat. At the center of Elshtain's work is a passionate concern with the relationship between political rhetoric and political action. For Elshtain, politics is a sphere of concrete responsibility. Political speech should, therefore, approach the richness of actual lives and commitments rather than present impossible utopias. In her essays, Elshtain finds in the writings of V clav Havel, Hannah Arendt, and Albert Camus a language appropriate to the complexity of everyday life and politics, and she critiques philosophers and writers who distance us from a concrete, embodied world. She argues against those repressive strains within contemporary feminism which insist that families and even sexual differentiation are inherently oppressive. Along the way, she challenges an ideology of victimization that too often loses sight of individual victims in its pursuit of abstract goals. Elshtain reaffirms the quirky and by no means simple pleasures of small-town life as a microcosm of the human condition and considers the current crisis in American education and its consequences for democracy. Beyond exploring the details of political life over the past two decades, Real Politics advocates a via media politics that avoids unacceptable extremes and serves as a model for responsible political discourse. Throughout her diverse and insightful writings, Elshtain champions a civic philosophy that tends to the dignity of everyday life as a democratic imperative of the first order. "Jean Bethke Elshtain is a person of rare intellect. The moral wisdom that pervades these essays reminds us that when all is said and done politics is about the life and death of real people who are anything but abstractions. Her erudition is remarkable, but equally stunning is her eye for the significant. What she is so good at is helping us see the moral and political significance of the everyday." -- Stanley Hauerwas, Duke University " Real Politics serves as a forceful reminder that Jean Elshtain has been dealing with the real world in twenty-five years of powerful essaying. Transcending ideological categories, she writes out of hope that human beings can enjoy those capacities of reason and faith which make them human. It is a pleasure to be reintroduced to her sustained intelligence." -- Alan Wolfe, Boston University

Nina Eliasoph's vivid portrait of American civic life reveals an intriguing culture of political avoidance. Despite the importance for democracy of open-ended political conversation among ordinary citizens, many Americans try hard to avoid appearing to care about politics. To discover how, where and why Americans create this culture of avoidance, the author accompanied suburban volunteers, activists, and recreation club members for over two years, listening to them talk - and avoid talking - about the wider world, together and in encounters with government, media, and corporate authorities. She shows how citizens create and express ideas in everyday life, contrasting their privately expressed convictions with their lack of public political engagement. Her book challenges received ideas about culture, power and democracy, while exposing the hard work of producing apathy.

Concern over the present state of the world -its tensions and disparities- fosters in many people the uneasy combination of two sensations: urgency and powerlessness. The solution lies in our own hands. We need to re-think the choices we make on a day-to-day basis, choices affecting the ways we use our time, the family lives we live, the sorts of goods and services we consume, the quality of democracy we are able to exercise. The individual, the local and the global are inextricably intertwined, in positive and in negative ways. Passivity and indifference at the individual level contribute greatly to collective dismay at the condition of the world. This book explores the choices we have. It considers the options for civil society, and for the individual within today's political culture.

How is the adoption of digital media in the Arab world affecting the relationship between the state and its subjects? What new forms of online engagement and strategies of resistance have emerged from the aspirations of digitally empowered citizens in the Middle East and North Africa? Networked Publics and Digital Contention narrates the story of the co-evolution of technology and society in Tunisia, the birthplace of the Arab uprisings. It explores the emergence of a digital culture of contention that helped networked publics negotiate their lived reality, reconfigure power relations, and ultimately redefine the locus of politics. It broadens the focus from narrow debates about the role that social media played in the Arab uprisings toward a fresh understanding of how changes in media affect the state-society relationship over time. Based on extensive fieldwork, in-depth interviews with Internet activists, and immersive analyses of online communication, this book draws our attention away from the tools of political communication and refocuses it on the politics of communication. An original contribution to the political sociology of media, Networked Publics and Digital Contention provides a unique perspective on how networked Arab publics reimagine citizenship, reinvent politics, and produce change.

While certain aspects of Henri Lefebvre’s writings have been examined extensively within the disciplines of geography, social theory, urban planning and cultural studies, there has been no comprehensive consideration of his work within legal studies. Henri Lefebvre: Spatial Politics, Everyday Life and the Right to the City provides the first serious analysis of the relevance and importance of this significant thinker for the study of law and state power. Introducing Lefebvre to a legal audience, this book identifies the central themes that run through his work, including his unorthodox, humanist approach to Marxist theory, his sociological and methodological contributions to the study of everyday life and his theory of the production of space. These elements of Lefebvre’s thought are explored through detailed investigations of the relationships between law, legal form and processes of abstraction; the spatial dimensions of neoliberal configurations of state power; the political and aesthetic aspects of the administrative ordering of everyday life; and the ‘right to the city’ as the basis for asserting new forms of spatial citizenship. Chris Butler argues that Lefebvre’s theoretical categories suggest a way for critical legal scholars to conceptualise law and state power as continually shaped by political struggles over the inhabitance of space. This book is a vital resource for students and researchers in law, sociology, geography and politics, and all readers interested in the application of Lefebvre’s social theory to specific legal and political contexts.

American genre painting flourished in the thirty years before the Civil War, a period of rapid social change that followed the election of President Andrew Jackson. It has long been assumed that these paintings--of farmers, western boatmen and trappers, blacks both slave and free, middle-class women, urban urchins, and other everyday folk--served as records of an innocent age, reflecting a Jacksonian optimism and faith in the common man. In this enlightening book Elizabeth Johns presents a different interpretation--arguing that genre paintings had a social function that related in a more significant and less idealistic way to the political and cultural life of the time. Analyzing works by William Sidney Mount, George Caleb Bingham, David Gilmore Blythe, Lilly Martin Spencer, and others, Johns reveals the humor and cynicism in the paintings and places them in the context of stories about the American character that appeared in sources ranging from almanacs and newspapers to joke books and political caricature. She compares the productions of American painters with those of earlier Dutch, English, and French genre artists, showing the distinctive interests of American viewers. Arguing that art is socially constructed to meet the interests of its patrons and viewers, she demonstrates that the audience for American genre paintings consisted of New Yorkers with a highly developed ambition for political and social leadership, who enjoyed setting up citizens of the new democracy as targets of satire or condescension to satisfy their need for superiority. It was this network of social hierarchies and prejudices--and not a blissful celebration of American democracy--that informed the look and the richly ambiguous content of genre painting.

The conventional wisdom according to which children’s lives should be safe from adult concerns tends to situate them categorically outside the political. Thus understood, children become political agents when they reach maturity and eligibility to formal participation. Alternatively, political skills and competences may be seen to develop gradually through political socialization. Both views are challenged in recent scholarship on youthful politics beyond the formal, adult-centered political world. This book considers politics as it appears and unfolds in children and young people’s everyday lives. The collection problematizes several key concepts in the research field and introduces a relational reading of youthful political agency based on social, spatial and political theorization. The chapters engage with youthful realities in Sri Lanka, Palestine, Sweden, New Zealand, the US and the UK, revealing a variety of ways in which children and youth are important political actors in their own right. The book also includes an extensive literary review on the study of children and young people’s politics in the past decade. This book was originally published as a special issue of Space and Polity.

In the face of a set of environmental crises, a growing number of environmental and community groups are focusing on more sustainable practices in everyday life. This book focuses on sustainable materialism, and examines the political and social motivations of activists and movement groups involved in this growing and expanding practice.