In this book Processor Barnett analyzes a successful political movement in South India that used cultural nationalism as a positive force for change. By exploring the history of the Dravida Munnetra Kazhagam party, the author provides a new perspective on political identity. In so doing, she challenges the interpretation of cultural nationalism as a product of atavistic and primordial forces that poses an inherent threat to the integrity of territorially defined nation-states and thus to the progress of modernization. The founding of the DMK party in 1949, the author shows, was a turning point in the political history of Tamil Nadu, South India, because it ushered in the era of Tamil cultural nationalism. In the hands of the DMK, Tamil nationalism became an ideology of mass mobilization and thus shaped the articulation of political demands for a generation. The author analyzes the social, political, and economic factors that gave rise to cultural nationalism; the interplay between cultural nationalist leaders; and the role of cultural nationalism in a heterogeneous nation-state. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

What are the major Hindu ideas and traditions of India that have shaped dominant conceptions of womanhood, domesticity, wifeliness, and mothering, and of India as a Hindu nation? Tanika Sarkar analyzes literary and social traditions, the elite voices and popular culture that helped create the lived reality of north India today. She explores the proto-nationalist novels of Bankimchandra Chattopadhyaya as well as scandal literature, rumors, women's memoirs, and the popular press of colonial times for the subaltern ideas that have shaped contemporary India. Sarkar also examines the way earlier Indian religious traditions of saintliness, sacrifice, heroism, and warfare are being subverted or transformed by militant and fundamentalist forms of Hinduism.

An analysis of the use of media by political and religious interest groups in India

Beyond Belief is a bold rethinking of the formation and consolidation of nation-state ideologies. Analyzing India during the first two decades following its foundation as a sovereign nation-state in 1947, Srirupa Roy explores how nationalists are turned into nationals, subjects into citizens, and the colonial state into a sovereign nation-state. Roy argues that the postcolonial nation-state is consolidated not, as many have asserted, by efforts to imagine a shared cultural community, but rather by the production of a recognizable and authoritative identity for the state. This project—of making the state the entity identified as the nation’s authoritative representative—emphasizes the natural cultural diversity of the nation and upholds the state as the sole unifier or manager of the “naturally” fragmented nation; the state is unified through diversity. Roy considers several different ways that identification with the Indian nation-state was produced and consolidated during the 1950s and 1960s. She looks at how the Films Division of India, a state-owned documentary and newsreel production agency, allowed national audiences to “see the state”; how the “unity in diversity” formation of nationhood was reinforced in commemorations of India’s annual Republic Day; and how the government produced a policy discourse claiming that scientific development was the ultimate national need and the most pressing priority for the state to address. She also analyzes the fate of the steel towns—industrial townships built to house the workers of nationalized steel plants—which were upheld as the exemplary national spaces of the new India. By prioritizing the role of actual manifestations of and encounters with the state, Roy moves beyond theories of nationalism and state formation based on collective belief.

The rise of strong nationalist and religious movements in postcolonial and newly democratic countries alarms many Western observers. In The Saffron Wave, Thomas Hansen turns our attention to recent events in the world's largest democracy, India. Here he analyzes Indian receptivity to the right-wing Hindu nationalist party and its political wing, the Bharatiya Janata Party (BJP), which claims to create a polity based on "ancient" Hindu culture. Rather than interpreting Hindu nationalism as a mainly religious phenomenon, or a strictly political movement, Hansen places the BJP within the context of the larger transformations of democratic governance in India. Hansen demonstrates that democratic transformation has enabled such developments as political mobilization among the lower castes and civil protections for religious minorities. Against this backdrop, the Hindu nationalist movement has successfully articulated the anxieties and desires of the large and amorphous Indian middle class. A form of conservative populism, the movement has attracted not only privileged groups fearing encroachment on their dominant positions but also "plebeian" and impoverished groups seeking recognition around a majoritarian rhetoric of cultural pride, order, and national strength. Combining political theory, ethnographic material, and sensitivity to colonial and postcolonial history, The Saffron Wave offers fresh insights into Indian politics and, by focusing on the links between democracy and ethnic majoritarianism, advances our understanding of democracy in the postcolonial world.

Islam in India, as elsewhere, continues to be seen as a remainder in its refusal to "conform" to national and international secular-modern norms. Such a general perception has also had a tremendous impact on the Muslims of the Indian subcontinent, who as individuals and communities have been shaped and transformed over centuries of socio-political and historical processes, by eroding their world-view and steadily erasing their life-worlds. This book traces the spectral presence of Islam across narratives to note that difference and diversity, demographic as well as cultural, can be espoused rather than excised or exorcized. Focusing on Malabar - home to the Mappila Muslim community in Kerala, South India - and drawing mostly on Malayalam sources, the author investigates the question of Islam from various angles by constituting an archive comprising popular, administrative, academic, and literary discourses. The author contends that an uncritical insistence on unity has led to a formation in which "minor" subjects embody an excess of identity, in contrast to the Hindu-citizen whose identity seemingly coincides with the national. This has led to Muslims being the source of a deep-seated anxiety for secular nationalism and the targets of a resurgent Hindutva in that they expose the fault-lines of a geographically and socio-culturally unified nation. An interdisciplinary study of Islam in India from the South Indian context, this book will be of interest to scholars of modern Indian history, political science, literary and cultural studies, and Islamic studies.

This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.

This book provides a systematic exploration of party system change. By applying the concept of political entrepreneurship and using a detailed case study of the south Indian state of Tamil Nadu, it demonstrates how party leaders can exercise their agency and drive party system change. Recent developments in Tamil politics are taken into account in the light of the literature on party systems, achieving a classification of the party system and revealing patterns of change. The author explains the process of the change by comparing the careers of successful and failed party leaders, thus identifying the factors that enabled some political entrepreneurs to successfully found political parties and contribute to the process of party system change. Examining issues such as regional parties, political entrepreneurship, social change, caste and religious nationalism, the book illustrates the key forces shaping contemporary Indian politics, and presents an example of how the trend toward identity politics and the rising influence of regional political parties are fashioning a new Indian polity. With a broad cross-disciplinary appeal, the book will be of interest to students of South Asian politics, comparative politics, sociology and anthropology.

Although The Peaceful, Inward-Looking Doctrine Of The Hindu Religion Hardly Seems To Lend Itself To Endemic Nationalism, A Phenomenal Surge Of Militant Hinduism Has Taken Place Over The Last Ten Years In India. Indeed, The Electoral Success Of The Hindu Nationalist Bharatiya Janata Party (Bjp) Has Proven Beyond Doubt That These Forces Now Pose A Significant Threat To India S Secular Character. In A Historically Rich, Detailed Account Of The Hindu Nationalist Movement In India Since The 1920S, Christopher Jaffrelot Explores How Rapid Changes In The Political, Social, And Economic Climate Have Made India Fertile Soil For The Growth Of The Primary Arm Of Hindu Nationalism, A Paramilitary-Style Group Known As The Rashtriya Swayamsevak Sangh (Rss), Together With Its Political Offshoots. He Shows How The Hindu Movement Uses Religion To Enter The Political Sphere, And Argues That The Ideology They Speak For Has Less To Do With Hindu Philosophy Than With Ethnic Nationalism The Hindu Nationalist Movement And Indian Politics Makes A Major Contribution To The Study Of The Genesis And Development Of Religious Nationalism, And Is Essential Reading For Anyone Who Seeks To Comprehend The Spread Of Endemic Conflict.

Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It outlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. Throughout, the book cogently links the analysis to wider social, political and cultural phenomena in Tamil and Indian society. Overall, it is an exciting and original contribution to an under-studied field, also facilitating a fresh consideration of the existing body of scholarship on Indian cinema.