The Politics and Poetics of Indian Digital Diasporas explores the emancipatory potential and pitfalls of digital platforms and how well or how poorly they reflect intra-communal diversities within South Asian diasporic communities. This book brings together an international network of scholars, both established and emerging, to explore South Asian diasporic communities in the United States, Canada, Australia, and the U.K. It is a comparative cross-national analysis of the intersection of digital technologies and South Asian diasporas. The book centres on three key themes: the ever-presence of digital spaces and the importance of exploring them as focal points for defining and contesting identities; an exploration of how ‘home’ is represented in and across South Asian diasporic communities; and intra-communal diversity in South Asian diasporic communities. The chapters show how digital spaces sometimes create unprecedented opportunities for diasporic communities to mobilise (multi)cultures, sexuality, race, and queerness within South Asian diasporic communities and to move beyond ‘Desi’ and ‘Brown’ as homogenising identifiers. The contributors also demonstrate that digital spaces can be and have been used to reassert internal hegemonies far from homelands. Examining the discursive meanings of South Asian-ness – ‘Desi’, ‘Brown’, ‘South Asians’– the book foregrounds how it is defined, performed, and contested through digital platforms, in ways that redefine the concept of diaspora in innovative, non-territorialized, polyphonic, variegated, and dialogic ways. A novel contribution to the intersection of global digital inequalities, digital cultures and the South Asian diaspora, this book will be of interest to a wide scholarly audience of digital media, South Asian diaspora, culture and ethnicity, race, and the politics of resistance and counter-hegemonic mobilisations.

"The Politics and Poetics of Indian Digital Diasporas explores the emancipatory potential and pitfalls of digital platforms and how well or how poorly they reflect intra-communal diversities within South Asian diasporic communities. This book brings together an international network of scholars, both established and emerging, to explore South Asian diasporic communities in the United States, Canada, Australia, and the U.K. It is a comparative cross-national analysis of the intersection of digital technologies and South Asian diasporas. The book centers on three key themes: the ever-presence of digital spaces and the importance of exploring them as focal points for defining and contesting identities; an exploration of how 'home' is represented in and across South Asian diasporic communities; and intra-communal diversity in South Asian diasporic communities. The chapters show how digital spaces sometimes create unprecedented opportunities for diasporic communities to mobilise (multi)cultures, sexuality, race, and queerness within South Asian diasporic communities and to move beyond 'Desi' and 'Brown' as homogenising identifiers. The contributors also demonstrate that digital spaces can be and have been used to reassert internal hegemonies far from homelands. Examining the discursive meanings of South Asian-ness - 'Desi', 'Brown', 'South Asians'- the book foregrounds how it is defined, performed, and contested through digital platforms, in ways that redefine the concept of diaspora in innovative, non-territorialized, polyphonic, variegated and dialogic ways. A novel contribution to the intersection of global digital inequalities, digital cultures and the South Asian diaspora, this book will be of interest to a wide scholarly audience of digital media, South Asian diaspora, culture and ethnicity, race, and the politics of resistance and counter-hegemonic mobilizations"--

In today’s world, it is crucial to understand how cities and urban spaces operate in order for them to continue to develop and improve. To ensure cities thrive, further study on past and current policies and practices is required to provide a thorough understanding. Urban Poetics and Politics in Contemporary South Asia and the Middle East examines the poetics and politics of city and urban spaces in contemporary South Asia and the Middle East and seeks to shed light on how individuals constitute, experience, and navigate urban spaces in everyday life. This book aims to initiate a multidisciplinary approach to the study of city life by engaging disciplines such as urban geography, gender studies, feminism, literary criticism, and human geography. Covering key topics such as racism, urban spaces, social inequality, and gender roles, this reference work is ideal for government officials, policymakers, researchers, scholars, practitioners, academicians, instructors, and students.

This anthology of essays, deliberates chiefly on the notion of locating home through the lens of the mythical idea of Trishanku, implying in-between space and homing, in diaspora women’s narratives, associated with the South Asian region. The idea of in-between space has been used differently in various cultures but gesture prominently on the connotation of ‘hanging’ between worlds. Historically, imperialism and the indentured/ ‘grimit’ system, triggered dispersal of labourers to the various colonies of the British. Of course, this was not the only cause of international migratory processes. The partition of India and Pakistan led to large scale migration. There was Punjabi migration to Canada. Several Indians, particularly the Gujaratis travelled to Africa for business reasons. South Indians travelled to the Gulf for employment. There were migrations to East Asian countries under the kangani system. Again, these were not the only reasons. The process of demographic movement from South Asia, has been complex due to innumerable push-pull factors. The subsequent generations of migrants included the twice, thrice (and likewise) displaced members of the diaspora. Racial denigration and Orientalist perceptions plagued their lives. They belonged to various ethnicities and races, inhabited marginalized spaces and strived to acculturate in the host society. Complete cultural assimilation was not possible, creating layered and hyphenated identities. These intricate social processes resulted in amalgamation and cross-pollination of cultures, inter-racial relationships and hybridization in all terrains of culture—language, music, fashion, cuisine and so on. Situated in this matrix was the notion of Home—a special personal space which an individual could feel as belonging to, very strongly. Nostalgia, loss of home, culture shock and interracial encounters problematized this discernment of belongingness and home. These multifarious themes have been captured by women writers from the South Asian region and this book looks at the various aspects related to negotiating home in their narratives.

This book sets out to investigate how contemporary African diasporic women writers respond to the imbalances, pressures and crises of twenty-first-century globalization by querying the boundaries between two separate conceptual domains: love and space. The study breaks new ground by systematically bringing together critical love studies with research into the cultures of migration, diaspora and refuge. Examining a notable tendency among current black feminist writers, poets and performers to insist on the affective dimension of world-making, the book ponders strategies of reconfiguring postcolonial discourses. Indeed, the analyses of literary works and intermedia performances by Chimamanda Adichie, Zadie Smith, Helen Oyeyemi, Shailja Patel and Warsan Shire reveal an urge of moving beyond a familiar insistence on processes of alienation or rupture and towards a new, reparative emphasis on connection and intimacy – to imagine possible inhabitable worlds.

Digital, Political, Radical is a siren call to the field of media and communications and the study of social and political movements. We must put the politics of transformation at the very heart of our analyses to meet the global challenges of gross inequality and ever-more impoverished democracies. Fenton makes an impassioned plea for re-invigorating critical research on digital media such that it can be explanatory, practical and normative. She dares us to be politically emboldened. She urges us to seek out an emancipatory politics that aims to deepen our democratic horizons. To ask: how can we do democracy better? What are the conditions required to live together well? Then, what is the role of the media and how can we reclaim media, power and politics for progressive ends? Journeying through a range of protest and political movements, Fenton debunks myths of digital media along the way and points us in the direction of newly emergent politics of the Left. Digital, Political, Radical contributes to political debate on contemporary (re)configurations of radical progressive politics through a consideration of how we experience (counter) politics in the digital age and how this may influence our being political.

Displacement, Diaspora, and Geographies of Identity challenges conventional understandings of identity based on notions of nation and culture as bounded or discrete. Through careful examinations of various transnational, hybrid, border, and diasporic forces and practices, these essays push at the edge of cultural studies, postmodernism, and postcolonial theory and raise crucial questions about ethnographic methodology. This volume exemplifies a cross-disciplinary cultural studies and a concept of culture rooted in lived experience as well as textual readings. Anthropologists and scholars from related fields deploy a range of methodologies and styles of writing to blur and complicate conventional dualisms between authors and subjects of research, home and away, center and periphery, and first and third world. Essays discuss topics such as Rai, a North African pop music viewed as westernized in Algeria and as Arab music in France; the place of Sephardic and Palestinian writers within Israel’s Ashkenazic-dominated arts community; and the use and misuse of the concept “postcolonial” as it is applied in various regional contexts. In exploring histories of displacement and geographies of identity, these essays call for the reconceptualization of theoretical binarisms such as modern and postmodern, colonial and postcolonial. It will be of interest to a broad spectrum of scholars and students concerned with postmodern and postcolonial theory, ethnography, anthropology, and cultural studies. Contributors. Norma Alarcón, Edward M. Bruner, Nahum D. Chandler, Ruth Frankenberg, Joan Gross, Dorinne Kondo, Kristin Koptiuch, Smadar Lavie, Lata Mani, David McMurray, Kirin Narayan, Greg Sarris, Ted Swedenburg

This book is the third publication originating from the conference Legacy of Slavery and Indentured Labour: Past, present and future, which was organised in June 2013, by the Institute of Graduate Studies and Research (IGSR), Anton de Kom University of Suriname. This book is divided into four sections. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka

This forward-looking Research Handbook showcases cutting-edge research on the relationship between international migration and digital technology. It sheds new light on the interlinkages between digitalisation and migration patterns and processes globally, capturing the latest research technologies and data sources. Featuring international migration in all facets from the migration of tech sector specialists through to refugee displacement, leading contributors offer strategic insights into the future of migration and mobility.

In The Globally Familiar Ethiraj Gabriel Dattatreyan traces how the rapid development of information and communication technologies in India has created opportunities for young people to creatively explore their gendered, classed, and racialized subjectivities in and through transnational media worlds. His ethnography focuses on a group of diverse young, working-class men in Delhi as they take up the African diasporic aesthetics and creative practices of hip hop. Dattatreyan shows how these aspiring b-boys, MCs, and graffiti writers fashion themselves and their city through their online and offline experimentations with hip hop, thereby accessing new social, economic, and political opportunities while acting as consumers, producers, and influencers in global circuits of capitalism. In so doing, Dattatreyan outlines how the hopeful, creative, and vitally embodied practices of hip hop offer an alternative narrative of urban place-making in "digital" India.