"The leader's portrait, produced in a variety of media (statues, coins, billboards, posters, stamps), is a key instrument of propaganda in totalitarian regimes, but increasingly also dominates political communication in democratic countries as a result of the personalization and spectacularization of campaigning. Written by an international group of contributors, this volume spans the last one hundred years, covering a wide range of countries around the globe, and dealing with dictatorial regimes and democratic systems alike. As well as discussing the effigies that are produced by the powers that be for propaganda purposes, it looks at the uses of portraiture by antagonistic groups or movements as forms of derision, denunciation and demonization. This volume will be of interest to researchers in visual studies, art history, media studies, cultural studies, politics and contemporary history"--

This book identifies three issues that confront civil-military relations to this day: how to judge the political consequences of military conduct, how to solve problems of international relations while using less force, and how to strengthen civilian control of the military while preserving professional military autonomy.

How Henry R. Luce used his famous magazines to advance his interventionist agenda.

Benjamin Franklin's portraits and colonial printing -- Phillis Wheatley and the durability of the author portrait -- Nationalist portraiture, magazines, and political books -- Picturing the seduction heroine in the U.S -- Gothic portraiture in Charles Brockden Brown's Wieland and Ormond

"Accompanies the exhibition of Leon Golub's political portraits at the National Portrait Gallery, London, March-September 2016" - introduction.

Dwight D. Eisenhower and Richard Nixon had a political and private relationship that lasted nearly twenty years, a tie that survived hurtful slights, tense misunderstandings, and the distance between them in age and temperament. Yet the two men brought out the best and worst in each other, and their association had important consequences for their respective presidencies. In Ike and Dick, Jeffrey Frank rediscovers these two compelling figures with the sensitivity of a novelist and the discipline of a historian. He offers a fresh view of the younger Nixon as a striving tactician, as well as the ever more perplexing person that he became. He portrays Eisenhower, the legendary soldier, as a cold, even vain man with a warm smile whose sound instincts about war and peace far outpaced his understanding of the changes occurring in his own country. Eisenhower and Nixon shared striking characteristics: high intelligence, cunning, and an aversion to confrontation, especially with each other. Ike and Dick, informed by dozens of interviews and deep archival research, traces the path of their relationship in a dangerous world of recurring crises as Nixon’s ambitions grew and Eisenhower was struck by a series of debilitating illnesses. And, as the 1968 election cycle approached and the war in Vietnam roiled the country, it shows why Eisenhower, mortally ill and despite his doubts, supported Nixon’s final attempt to win the White House, a change influenced by a family matter: his grandson David’s courtship of Nixon’s daughter Julie—teenagers in love who understood the political stakes of their union.

This edited collection will expand upon and refine the ideas on the role of ethics and the profession in the 21st century. The authors delve into whether Samuel Huntington and Morris Janowitz still ring true in the 21st century; whether training and continuing education play a role in defining a profession; and if there is a universal code of ethics required for the military as a profession. Redefining the Modern Military is unique in how it treats the subject of ethics and the military profession, as well as the types of writers it brings on board to address this topic. The book puts a significant emphasis on individual agency for military professionalism as opposed to broad organizational or cultural change. Such a review of these topics is necessary because the process of serious, intellectual self-reflection is a requirement--especially in a profession that involves life and death of people and nations.

The leader's portrait, produced in a variety of media (statues, coins, billboards, posters, stamps), is a key instrument of propaganda in totalitarian regimes, but increasingly also dominates political communication in democratic countries as a result of the personalization and spectacularization of campaigning. Written by an international group of contributors, this volume focuses on the last one hundred years, covering a wide range of countries around the globe, and dealing with dictatorial regimes and democratic systems alike. As well as discussing the effigies that are produced by the powers that be for propaganda purposes, it looks at the uses of portraiture by antagonistic groups or movements as forms of resistance, derision, denunciation and demonization. This volume will be of interest to researchers in visual studies, art history, media studies, cultural studies, politics and contemporary history.

Revolutionary and ruler, Marxist and nationalist, liberator and despot, Mao Zedong takes a place among the iconic leaders of the twentieth century. In this book, Maurice Meisner offers a balanced portrait of the man who defined modern China. From his role as leader of a communist revolution in a war-torn and largely rural country to the disasters of the Great Leap Forward and the Cultural Revolution, the relationship between Mao's ideas and his political action is highly disputed. With unparalleled authority, Meisner shows how Mao's unique sinification of Marxism provides the key to looking at this extraordinary political career. The first part of the book is devoted to Mao's revolutionary leadership before 1949, in particular the influence of the liberal and anarchist ideas of the May Fourth era, his discovery of Marxism, Leninism and his conviction that peasants held the potential for revolution. In the second part, Meisner analyses Mao's early successes as a nationalist unifier and modernizer, the failure of his socialism and his eventual transformation into a tyrant.