This book is a study of an eighteenth-century portrait of a youth in Polish dress, owned by the National Portrait Gallery in London since 1922, but never publicly displayed. Two inscriptions claim that it is a portrait of Charles Edward Stuart, popularly known as ‘Bonnie Prince Charlie’. The Gallery has always doubted its authenticity and leading experts on Stuart portraiture have dismissed the identification. This study, by a historian of Poland-Lithuania, is the first detailed attempt to research the painting properly. Based on archival sources, it examines its provenance and the connections of its first known owner with the Kinlochmoidart MacDonalds, who fought for the Prince in the 1745 Jacobite Rebellion. It considers a considerable body of evidence to suggest that it is very possible that the portrait is indeed a genuine depiction of the Prince.

This book is a study of an eighteenth-century portrait of a youth in Polish dress, owned by the National Portrait Gallery in London since 1922, but never publicly displayed. Two inscriptions claim that it is a portrait of Charles Edward Stuart, popularly known as ‘Bonnie Prince Charlie’. The Gallery has always doubted its authenticity and leading experts on Stuart portraiture have dismissed the identification. This study, by a historian of Poland-Lithuania, is the first detailed attempt to research the painting properly. Based on archival sources, it examines its provenance and the connections of its first known owner with the Kinlochmoidart MacDonalds, who fought for the Prince in the 1745 Jacobite Rebellion. It considers a considerable body of evidence to suggest that it is very possible that the portrait is indeed a genuine depiction of the Prince.

The Polish-Lithuanian Commonwealth (1569–1795) was once the largest country in Europe—a multicultural republic that was home to Belarusians, Germans, Jews, Lithuanians, Poles, Ruthenians, Tatars, Ukrainians, and other ethnic and religious groups. Although long since dissolved, the Commonwealth remains a rich resource for mythmakingin its descendent modern-day states, but also a source of contention between those with different understandings of its history.Multicultural Commonwealth brings together the expertise of world-renowned scholars in a range of disciplines to present perspectives on both the Commonwealth’s historical diversity and the memory of this diversity. With cutting-edge research on the intermeshed histories and memories of different ethnic and religious groups of the Commonwealth, this volume asks how various contemporary conceptions of multiculturalism can be applied to the region through a critical lens that also seeks to understand the past on its own terms.

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In this uproarious memoir and meticulously researched cultural journey, writer Michael Moran keeps company with a gallery of fantastic characters. In chronicling the resurrection of the nation from war and the Holocaust, he paints a portrait of the unknown Poland, one of monumental castles, primeval forests and, of course, the Poles themselves. This captivating journey into the heart of a country is a timely and brilliant celebration of a valiant and richly cultured people.

Romantic hero of legend or charismatic self-seeker in love with himself and his cause? Which is the real Charles Edward Stuart? Hugh Douglas goes beyond the flaws of Bonnie Prince Charlie's character to prove that here was a man capable not only of deep and enduring passion, but also love.

At the age of eighty, Don Gillmor's grandmother let slip the defining secret of her life: her twin sister Jean was not her twin, but her aunt, and her family had emigrated from Scotland to Winnipeg to escape the stigma of her illegitimacy. That revelation set Gillmor off on what seemed at first like the most personal of quests: to track down his ancestors. The Desire of Every Living Thing is also the story of the New World, the story of Winnipeg, the story of this country. Both an evocative family memoir and a brilliant feat of historical imagination, the book's most moving theme is how the discarded past haunts and shapes our lives without us even noticing.