An IPPI GOLD MEDAL WINNER, Best Regional E-book (Box Set) Based on the diary of a Polish countess who lived through the rise and fall of the Third of May Constitution years, 1791-94, PUSH NOT THE RIVER paints a vivid picture of a tumultuous and unforgettable metamorphosis of a nation--and of Anna, a proud and resilient woman. AGAINST A CRIMSON SKY continues Anna's saga as Napoleon comes calling, implying independence from her neighbors would follow if only Polish lancers would accompany him on his fateful 1812 march into Russia. Anna's family fights valiantly to hold on to a tenuous happiness, their country, and their very lives. Set against the November Rising (1830-31), THE WARSAW CONSPIRACY depicts partitioned Poland's daring challenge to the Russian Empire. Brilliantly illustrating the psyche of a people determined to reclaim independence in the face of monumental odds, the story features Anna's sons and their fates in love and war.

Engaging and opulent, The Warsaw Conspiracy unfolds as a family saga set against the November Rising (1830-1831), partitioned Poland's daring challenge to the Russian Empire.

Based on the diary of a countess in 1790s Poland, the story depicts a young woman coming of age at a tumultuous time in her country's history. Vivid, romantic, and thrillingly paced, it paints the emotional and unforgettable story of the metamorphosis of a nation--and of a proud and resilient young woman.

While the Ottoman Empire stands poised to overrun all of Europe at Vienna in 1683, young Aleksy, a Tatar peasant and expert archer, nurtures dreams of becoming a hussar, one of the elite Polish winged horsemen, and of pursuing the beautiful Countess Krystyna, both impossible quests. One day he must choose which dream to pursue.

Palace eunuch and secretary Stephen records Empress Theodora's life as she navigates wars, political and religious crises, a citywide rebellion, and the first world plague pandemic, all in a male-dominated world.. As the most powerful woman of the Byzantine Empire, one-time prostitute Theodora installs her own candidate for pope, legislates women's rights, and shuts down a massive riot, saving the empire. "A gorgeous tapestry of impeccable research and intricate worldbuilding." ~Kate Quinn, Author of The Empress of Rome Saga and The Rose Code

The diary and essays of Brian Eno republished twenty-five years on with a new introduction by the artist in a beautiful hardback edition.'One of the seminal books about music . . . an invaluable insight into the mind and working practices of one of the industry's undeniable geniuses.'GUARDIANAt the end of 1994, Brian Eno resolved to keep a diary. His plans to go to the cinema, theatre and galleries fell quickly to the wayside. What he did do - and write - however, was astonishing: ruminations on his collaborative work with David Bowie, U2, James and Jah Wobble, interspersed with correspondence and essays dating back to 1978. These 'appendices' covered topics from the generative and ambient music Eno pioneered to what he believed the role of an artist and their art to be, alongside adroit commentary on quotidian tribulations and happenings around the world.This beautiful 25th-anniversary hardcover edition has been redesigned in the same size as the diary that eventually became this book. It features two ribbons, pink paper delineating the appendices (matching the original edition) and a two-tone paper-over-board cover, which pays homage to the original design.An intimate insight into one of the most influential creative artists of our time, A Year with Swollen Appendices is an essential classic.

Theodora: actress, prostitute, mistress. And Byzantine Empress of the civilized world. Stephen: handsome Syrian boy, wizard's apprentice, palace eunuch. And Secretary to the Empress. How does this unlikely pair become such allies that one day Empress Theodora asks Stephen to write her biography? From a very young age, Theodora, daughter of a circus bearkeeper in Constantinople, sets her sights well above her station in life. Her exquisite beauty sets her apart on stages and in the eyes of men. Stephen, a Syrian lad of striking good looks, is sold by his parents to a Persian wizard, who teaches him a skill in languages that will serve him well. By the time Destiny brings them together in Antioch, Theodora has undergone heartrending trials and a transformation, while Stephen has been sold again . . . and castrated. Discover the enduring bond that, however imperfect, prompts Theodora--as Empress--to request palace eunuch Stephen to write her biography.

After Evgeny Zamiatin emigrated from the USSR in 1931, he was systematically airbrushed out of Soviet literary history, despite the central role he had played in the cultural life of Russia’s northern capital for nearly twenty years. Since the collapse of the Soviet Union, his writings have gradually been rediscovered in Russia, but with his archives scattered between Russia, France, and the USA, the project of reconstructing the story of his life has been a complex task. This book, the first full biography of Zamiatin in any language, draws upon his extensive correspondence and other documents in order to provide an account of his life which explores his intimate preoccupations, as well as uncovering the political and cultural background to many of his works. It reveals a man of strong will and high principles, who negotiated the political dilemmas of his day—including his relationship with Stalin—with great shrewdness.

In the middle of the seventeenth century, Bohdan Khmelnytsky was the legendary Cossack general who organized a rebellion that liberated the Eastern Ukraine from Polish rule. Consequently, he has been memorialized in the Ukraine as a God-given nation builder, cut in the model of George Washington. But in this campaign, the massacre of thousands of Jews perceived as Polish intermediaries was the collateral damage, and in order to secure the tentative independence, Khmelnytsky signed a treaty with Moscow, ultimately ceding the territory to the Russian tsar. So, was he a liberator or a villain? This volume examines drastically different narratives, from Ukrainian, Jewish, Russian, and Polish literature, that have sought to animate, deify, and vilify the seventeenth-century Cossack. Khmelnytsky's legacy, either as nation builder or as antagonist, has inhibited inter-ethnic and political rapprochement at key moments throughout history and, as we see in recent conflicts, continues to affect Ukrainian, Jewish, Polish, and Russian national identity.