Norman England has little to celebrate in the new year of 1140. The country is immersed in a bitter civil war from which no one is immune, including Hugh de Leon, heir to an earldom. His Uncle Guy has arranged his marriage to the spoiled daughter of the newly named Earl of Lincoln. It is a merger that will combine two of the land's largest fortunes -- and give the de Leons unparalleled power. Hugh's heart, however, belongs to the Lady Cristen, and he will do everything he can -- including eloping -- to make her his own. His plan is simple enough-until the new Earl of Lincoln is murdered, and a friend of Hugh's is accused of the crime. Though he has little time in which to foil his uncle's arrangement, Hugh cannot see an innocent man wrongly hanged. To save his friend and marry the woman he loves, Hugh must work fast to track down a deadly -- and wily -- serpent. But when he grabs it by the tail, can he avoid its poisonous bite?

Melissa Bashardoust's Girl, Serpent, Thorn is “an alluring feminist fairy tale” (Kirkus) about a girl cursed to be poisonous to the touch and who discovers what power might lie in such a curse. There was and there was not, as all stories begin, a princess cursed to be poisonous to the touch. But for Soraya, who has lived her life hidden away, apart from her family, safe only in her gardens, it’s not just a story. As the day of her twin brother’s wedding approaches, Soraya must decide if she’s willing to step outside of the shadows for the first time. Below in the dungeon is a demon who holds knowledge that she craves, the answer to her freedom. And above is a young man who isn’t afraid of her, whose eyes linger not with fear, but with an understanding of who she is beneath the poison. Soraya thought she knew her place in the world, but when her choices lead to consequences she never imagined, she begins to question who she is and who she is becoming...human or demon. Princess or monster.

Named to ten BEST OF THE YEAR lists and selected as a William C. Morris Award Winner,The Serpent King is the critically acclaimed, much-beloved story of three teens who find themselves--and each other--while on the cusp of graduating from high school with hopes of leaving their small-town behind. Perfect for fans of John Green's Turtles All the Way Down. "Move over, John Green; Zentner is coming for you." —The New York Public Library “Will fill the infinite space that was left in your chest after you finished The Perks of Being a Wallflower.” —BookRiot.com Dill isn't the most popular kid at his rural Tennessee high school. After his father fell from grace in a public scandal that reverberated throughout their small town, Dill became a target. Fortunately, his two fellow misfits and best friends, Travis and Lydia, have his back. But as they begin their senior year, Dill feels the coils of his future tightening around him. His only escapes are music and his secret feelings for Lydia--neither of which he is brave enough to share. Graduation feels more like an ending to Dill than a beginning. But even before then, he must cope with another ending--one that will rock his life to the core. Debut novelist Jeff Zentner provides an unblinking and at times comic view of the hard realities of growing up in the Bible belt, and an intimate look at the struggles to find one’s true self in the wreckage of the past. “A story about friendship, family and forgiveness, it’s as funny and witty as it is utterly heartbreaking.” —PasteMagazine.com “A brutally honest portrayal of teen life . . . [and] a love letter to the South from a man who really understands it.” —Mashable.com “I adored all three of these characters and the way they talked to and loved one another.”—New York Times

A teenage assassin kills with a single kiss until she is ordered to kill the one boy she loves. This commercial YA fantasy is romantic and addictive—like a poison kiss—and will thrill fans of Sarah J. Maas and Victoria Aveyard. Marinda has kissed dozens of boys. They all die afterward. It’s a miserable life, but being a visha kanya—a poison maiden—is what she was created to do. Marinda serves the Raja by dispatching his enemies with only her lips as a weapon. Until now, the men she was ordered to kiss have been strangers, enemies of the kingdom. Then she receives orders to kiss Deven, a boy she knows too well to be convinced he needs to die. She begins to question who she’s really working for. And that is a thread that, once pulled, will unravel more than she can afford to lose. This rich, surprising, and accessible debut is based in Indian folklore and delivers a story that will keep readers on the edge of their seats.

In the gripping fantasy sequel to A Shadow Bright and Burning that Justine Magazine says is "a pinch of Potter blended with a drop of Infernal Devices (Cassandra Clare)", Henrietta wants to save her love, but his dark magic may be her undoing. “Devastatingly magical and monstrously romantic.” —Stephanie Garber, New York Times bestselling author of CARAVAL Henrietta wants to save the one she loves. But will his dark magic be her undoing? In the second book in the Kingdom on Fire series, Jessica Cluess delivers her signature mix of magic, passion, and teen warriors fighting for survival. Hand to fans of Victoria Aveyard, Sarah J. Maas, and Kiersten White. Henrietta came to London to be named the chosen one, the first female sorcerer in centuries. Instead, she discovered a city ruled by secrets. And the biggest secret of all: Henrietta is not the chosen one. Still, she must play the role in order to keep herself and Rook, her best friend and childhood love, safe. But can she truly save him? In order to try, Henrietta persuades Blackwood, the mysterious Earl of Sorrow-Fell, to travel up the coast to seek out new weapons. And Magnus, the brave, reckless flirt who wants to win back her favor, is assigned to their mission. Together, they will face monsters, make powerful allies, and discover that some old wounds are still full of poison. Praise for Jessica Cluess's A Shadow Bright and Burning, Kingdom on Fire, Book 1: “This is a novel that gives off light and heat.” —The New York Times “The magic! The intrigue! The guys! We were sucked into this monster-ridden alternative England from page one. Henrietta is literally a ‘girl on fire’ and this team of sorcerers training for battle had a pinch of Potter blended with a drop of [Cassandra Clare’s] Infernal Devices.” —Justine “Unputdownable. I loved the monsters, the magic, and the teen warriors who are their world’s best hope! Jessica Cluess is an awesome storyteller!” —TAMORA PIERCE, #1 New York Times bestselling author

Un racconto che commuove e toglie il fiato anche agli stomaci forti, opponendo al bullismo e alla forza bruta di due ragazzi stupidi e crudeli il riscatto della loro vittima. Peter Watson, adolescente disarmato e apparentemente più debole, sopravvivrà alla ferocia di due piccoli criminali perché è dotato di intelligenza e di insospettata forza d’animo che gli permetteranno perfino di volare lontano con le ali di un cigno... Il testo, in lingua originale, è arricchito da: • Glossari con la traduzione delle parole più interessanti o difficili; • Note su strutture della lingua, forme idiomatiche o familiari, registri espressivi, phrasal verbs...; • Reading Comprehension Exercises.

In 1524, Pope Clement VII gave two condemned criminals to his physician to test a promising new antidote. After each convict ate a marzipan cake poisoned with deadly aconite, one of them received the antidote, and lived—the other died in agony. In sixteenth-century Europe, this and more than a dozen other accounts of poison trials were committed to writing. Alisha Rankin tells their little-known story. At a time when poison was widely feared, the urgent need for effective cures provoked intense excitement about new drugs. As doctors created, performed, and evaluated poison trials, they devoted careful attention to method, wrote detailed experimental reports, and engaged with the problem of using human subjects for fatal tests. In reconstructing this history, Rankin reveals how the antidote trials generated extensive engagement with “experimental thinking” long before the great experimental boom of the seventeenth century and investigates how competition with lower-class healers spurred on this trend. The Poison Trials sheds welcome and timely light on the intertwined nature of medical innovations, professional rivalries, and political power.