The Poets Pilgrimage To Waterloo
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Author |
: Robert Southey |
Publisher |
: |
Total Pages |
: 268 |
Release |
: 1816 |
ISBN-10 |
: OXFORD:400271561 |
ISBN-13 |
: |
Rating |
: 4/5 (61 Downloads) |
Synopsis The Poet's Pilgrimage to Waterloo by : Robert Southey
Author |
: Robert Southey |
Publisher |
: |
Total Pages |
: 274 |
Release |
: 1816 |
ISBN-10 |
: BL:A0026871357 |
ISBN-13 |
: |
Rating |
: 4/5 (57 Downloads) |
Synopsis The Poet's Pilgrimage to Waterloo. In Verse by : Robert Southey
Author |
: Robert Southey |
Publisher |
: |
Total Pages |
: 272 |
Release |
: 1816 |
ISBN-10 |
: OXFORD:590929874 |
ISBN-13 |
: |
Rating |
: 4/5 (74 Downloads) |
Synopsis The Poet's Pilgrimage to Waterloo by : Robert Southey
Author |
: Luke Reynolds |
Publisher |
: Oxford University Press |
Total Pages |
: 272 |
Release |
: 2022 |
ISBN-10 |
: 9780192864994 |
ISBN-13 |
: 0192864998 |
Rating |
: 4/5 (94 Downloads) |
Synopsis Who Owned Waterloo? by : Luke Reynolds
After the Battle of Waterloo, Britain actively incorporated the victory into their national identity. 'Who Owned Waterloo?' demonstrates that Waterloo's significance to Britain's national psyche resulted in a different battle: one in which civilian and military groups fought to establish claims on different aspects of the battle and its remembrance.--
Author |
: Robert Southey |
Publisher |
: Wentworth Press |
Total Pages |
: 258 |
Release |
: 2019-02-25 |
ISBN-10 |
: 0469680237 |
ISBN-13 |
: 9780469680234 |
Rating |
: 4/5 (37 Downloads) |
Synopsis The Poet's Pilgrimage to Waterloo by : Robert Southey
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author |
: Stuart Andrews |
Publisher |
: Cambridge Scholars Publishing |
Total Pages |
: 276 |
Release |
: 2021-04-06 |
ISBN-10 |
: 9781527568051 |
ISBN-13 |
: 1527568059 |
Rating |
: 4/5 (51 Downloads) |
Synopsis The Lake Poets in Prose by : Stuart Andrews
Focused on the Lake Poets’ prose writing—including their journalism and correspondence—this collection of essays challenges some widely held assumptions. Much of the narrative is Bristol-based, as the city’s reference library holds not only much of Southey’s personal library, but the borrowing registers of the old subscription library which still record the titles that Coleridge and Southey borrowed in the 1790s. It places the poets’ American Susquehanna project, customarily dismissed as the idealistic dreams of Oxbridge students, in the context of European emigration schemes prompted by the American Revolution. Similarly the label “Jacobin,” suggesting French revolutionary brutality, is shown here to be no more apt a description than “Communist” was in 1950s America. However, the book does show that the poets did challenge the government’s social and political assumptions of the day, often from a religious standpoint. The claim that the three poets abandoned democratic impulses when Napoleon invaded Switzerland is also here rebutted by their involvement—a decade later—in defending the independence of Spain and Portugal, not only against Bonaparte, but against their ancien-régime monarchies. When, in 1815, those monarchs were restored, Southey pinned his democratic hopes on the Portuguese colony of Brazil. At home, amid distress caused by wholesale demobilization and shrinkage of economically viable agricultural land, the poets understandably condemned the rabble-rousers and (correctly) predicted an assassination attempt. Coleridge and Southey, both youthful Unitarians and (like Wordsworth) devotees of the “religion of nature,” are argued here to have defended the Established Church against Catholic Emancipation, while the two brothers-in-law’s interest in Islam is shown to be more than mere obsessive Orientalism.
Author |
: Alan Forrest |
Publisher |
: OUP Oxford |
Total Pages |
: 247 |
Release |
: 2015-03-26 |
ISBN-10 |
: 9780191640308 |
ISBN-13 |
: 0191640301 |
Rating |
: 4/5 (08 Downloads) |
Synopsis Waterloo by : Alan Forrest
Waterloo was the last battle fought by Napoleon and the one which finally ended his imperial dreams. It involved the deployment of huge armies and incurred heavy losses on both sides; for those who fought in it, Dutch and Belgians, Prussians and Hanoverians as well as British and French troops, it was a murderous struggle. It was a battle that would be remembered very differently across Europe. In Britain it would be seen as an iconic battle whose memory would be enmeshed in
Author |
: |
Publisher |
: |
Total Pages |
: 464 |
Release |
: 1915 |
ISBN-10 |
: UOM:39015030193620 |
ISBN-13 |
: |
Rating |
: 4/5 (20 Downloads) |
Synopsis The Edinburgh Review by :
Author |
: |
Publisher |
: |
Total Pages |
: 556 |
Release |
: 1816 |
ISBN-10 |
: NWU:35556028475499 |
ISBN-13 |
: |
Rating |
: 4/5 (99 Downloads) |
Synopsis The British Review, and London Critical Journal by :
Author |
: Michael Gamer |
Publisher |
: Cambridge University Press |
Total Pages |
: 331 |
Release |
: 2017-02-17 |
ISBN-10 |
: 9781108132817 |
ISBN-13 |
: 1108132812 |
Rating |
: 4/5 (17 Downloads) |
Synopsis Romanticism, Self-Canonization, and the Business of Poetry by : Michael Gamer
This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers.