The Poetry of TS Eliot Student Book
Author | : Anthony Bosco |
Publisher | : |
Total Pages | : |
Release | : 2019-01-14 |
ISBN-10 | : 1925771172 |
ISBN-13 | : 9781925771176 |
Rating | : 4/5 (72 Downloads) |
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Author | : Anthony Bosco |
Publisher | : |
Total Pages | : |
Release | : 2019-01-14 |
ISBN-10 | : 1925771172 |
ISBN-13 | : 9781925771176 |
Rating | : 4/5 (72 Downloads) |
Author | : Denis Donoghue |
Publisher | : Yale University Press |
Total Pages | : 356 |
Release | : 2002-08-11 |
ISBN-10 | : 0300097190 |
ISBN-13 | : 9780300097191 |
Rating | : 4/5 (90 Downloads) |
When Denis Donoghue left Warrenpoint and went to Dublin in September 1946, he entered University College as a student of Latin and English. A few months later he also started as a student of lieder at the Royal Irish Academy of Music. These studies have informed his reading of English, Irish, and American literature. Now in this volume, one of our most distinguished readers of modern literature offers his most personal book of literary criticism. Donoghue's Words Alone is an intellectual memoir, a lucid and illuminating account of his engagement with the works of T. S. Eliot--from initial undergraduate encounters with "The Love Song of J. Alfred Prufrock" to later submission to Eliot's entire writings. "The pleasure of Eliot's words persists," Donoghue says, "only because in good faith it can't be denied." Submission to Eliot, in Donoghue's case, involves the ear as much as it does the mind. He is a reader who listens attentively and a writer whose own music in these pages commands attention. Whether he is writing about Eliot's poetry or confronting the (often contentious) prose, Donoghue eloquently demonstrates what it means to read and to hear a master of language.
Author | : T. S. Eliot |
Publisher | : HarperCollins |
Total Pages | : 181 |
Release | : 2020-04-14 |
ISBN-10 | : 9780062978141 |
ISBN-13 | : 0062978144 |
Rating | : 4/5 (41 Downloads) |
A selection of the most significant and enduring poems from one of the twentieth century’s major writers, chosen and introduced by Vijay Seshadri T.S. Eliot was a towering figure in twentieth century literature, a renowned poet, playwright, and critic whose work—including “The Love Song of J. Alfred Prufrock” (1915), The Waste Land (1922), Four Quartets (1943), and Murder in the Cathedral (1935)—continues to be among the most-read and influential in the canon of American literature. The Essential T.S. Eliot collects Eliot’s most lasting and important poetry in one career-spanning volume, now with an introduction from Vijay Seshadri, one of our foremost poets.
Author | : B. C. Southam |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 292 |
Release | : 1996 |
ISBN-10 | : 0156002612 |
ISBN-13 | : 9780156002615 |
Rating | : 4/5 (12 Downloads) |
A unique guide designed to help the readers of Eliot's personally chosen collection, Selected Poems. Specific information about the poems and their development is included, as is a chronology of the poet's life and work.
Author | : Thomas Stearns Eliot |
Publisher | : |
Total Pages | : 72 |
Release | : 1920 |
ISBN-10 | : STANFORD:36105005514521 |
ISBN-13 | : |
Rating | : 4/5 (21 Downloads) |
A collection of poems, some of which had first appeared in Poetry, Blas, Others, The Little Review, and Arts and Letters.
Author | : James E. Miller Jr. |
Publisher | : Penn State Press |
Total Pages | : 494 |
Release | : 2008-03-17 |
ISBN-10 | : 9780271045474 |
ISBN-13 | : 0271045477 |
Rating | : 4/5 (74 Downloads) |
Late in his life T. S. Eliot, when asked if his poetry belonged in the tradition of American literature, replied: “I’d say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I’m sure of. . . . In its sources, in its emotional springs, it comes from America.” In T. S. Eliot: The Making of an American Poet, James Miller offers the first sustained account of Eliot’s early years, showing that the emotional springs of his poetry did indeed come from America. Miller challenges long-held assumptions about Eliot’s poetry and his life. Eliot himself always maintained that his poems were not based on personal experience, and thus should not be read as personal poems. But Miller convincingly combines a reading of the early work with careful analysis of surviving early correspondence, accounts from Eliot’s friends and acquaintances, and new scholarship that delves into Eliot’s Harvard years. Ultimately, Miller demonstrates that Eliot’s poetry is filled with reflections of his personal experiences: his relationships with family, friends, and wives; his sexuality; his intellectual and social development; his influences. Publication of T. S. Eliot: The Making of an American Poet marks a milestone in Eliot scholarship. At last we have a balanced portrait of the poet and the man, one that takes seriously his American roots. In the process, we gain a fuller appreciation for some of the best-loved poetry of the twentieth century.
Author | : Thomas Stearns Eliot |
Publisher | : London, Faber |
Total Pages | : 198 |
Release | : 1936 |
ISBN-10 | : UOM:39015066053086 |
ISBN-13 | : |
Rating | : 4/5 (86 Downloads) |
Author | : B. C. Southam |
Publisher | : |
Total Pages | : 136 |
Release | : 1968 |
ISBN-10 | : OCLC:417017028 |
ISBN-13 | : |
Rating | : 4/5 (28 Downloads) |
Author | : T. S. Eliot |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 44 |
Release | : 2016-04-04 |
ISBN-10 | : 1530887496 |
ISBN-13 | : 9781530887491 |
Rating | : 4/5 (96 Downloads) |
The Waste Land is a long poem by T. S. Eliot, widely regarded as one of the most important poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line poem first appeared in the United Kingdom in the October issue of The Criterion and in the United States in the November issue of The Dial. It was published in book form in December 1922. Among its famous phrases are "April is the cruellest month," "I will show you fear in a handful of dust," and the mantra in the Sanskrit language "Shantih shantih shantih." Eliot's poem loosely follows the legend of the Holy Grail and the Fisher King combined with vignettes of contemporary British society. Eliot employs many literary and cultural allusions from the Western canon, Buddhism and the Hindu Upanishads. Because of this, critics and scholars regard the poem as obscure. The poem shifts between voices of satire and prophecy featuring abrupt and unannounced changes of speaker, location, and time and conjuring of a vast and dissonant range of cultures and literatures. The poem's structure is divided into five sections. The first section, "The Burial of the Dead," introduces the diverse themes of disillusionment and despair. The second, "A Game of Chess," employs vignettes of several characters-alternating narrations-that address those themes experientially. "The Fire Sermon," the third section, offers a philosophical meditation in relation to the imagery of death and views of self-denial in juxtaposition influenced by Augustine of Hippo and eastern religions. After a fourth section, "Death by Water," which includes a brief lyrical petition, the culminating fifth section, "What the Thunder Said," concludes with an image of judgment. Eliot probably worked on the text that became The Waste Land for several years preceding its first publication in 1922. In a May 1921 letter to New York lawyer and patron of modernism John Quinn, Eliot wrote that he had "a long poem in mind and partly on paper which I am wishful to finish."[5] Richard Aldington, in his memoirs, relates that "a year or so" before Eliot read him the manuscript draft of The Waste Land in London, Eliot visited him in the country.[6] While walking through a graveyard, they discussed Thomas Gray's Elegy Written in a Country Churchyard. Aldington writes: "I was surprised to find that Eliot admired something so popular, and then went on to say that if a contemporary poet, conscious of his limitations as Gray evidently was, would concentrate all his gifts on one such poem he might achieve a similar success."[6] Eliot, having been diagnosed with some form of nervous disorder, had been recommended rest, and applied for three months' leave from the bank where he was employed; the reason stated on his staff card was "nervous breakdown." He and his first wife, Vivienne Haigh-Wood Eliot, travelled to the coastal resort of Margate, Kent, for a period of convalescence. While there, Eliot worked on the poem, and possibly showed an early version to Ezra Pound when, after a brief return to London, the Eliots travelled to Paris in November 1921 and stayed with him. Eliot was en route to Lausanne, Switzerland, for treatment by Doctor Roger Vittoz, who had been recommended to him by Ottoline Morrell; Vivienne was to stay at a sanatorium just outside Paris. In Hotel Ste. Luce (where Hotel Elite stands since 1938) in Lausanne, Eliot produced a 19-page version of the poem.[7] He returned from Lausanne in early January 1922. Pound then made detailed editorial comments and significant cuts to the manuscript. Eliot later dedicated the poem to Pound.
Author | : T. S. Eliot |
Publisher | : HarperCollins |
Total Pages | : 239 |
Release | : 2014-05-13 |
ISBN-10 | : 9780547538211 |
ISBN-13 | : 0547538219 |
Rating | : 4/5 (11 Downloads) |
There is no more authoritative collection of the poetry that Eliot himself wished to preserve than this volume, published two years before his death in 1965. Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes The Love Song of J. Alfred Prufrock along with Four Quartets, The Waste Land, and several other poems.